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Titled “Heartbreak Hotel,” the show at the Tampa Theatre is billed as a “‘one-night stand’ of music and stories, featuring the most heartbreaking work the duo has ever made, and just possibly some lovey stuff too.” Just 1,000 prints will be available for purchase at the Feb. 14 performance, with any leftovers made available online.
After revisiting Neil Gaiman and P. Craig Russell’s 2002 collaboration last year with a new edition of Murder Mysteries, Dark Horse plans to return to the material — and so much more — with a gallery edition designed to fully showcase the illustrator’s work.
Set for release in October, P. Craig Russell’s Murder Mysteries and Other Stories: Gallery Edition will feature high-quality scans of his original art, printed at art-board size.
Cosplay | The Christian Science Monitor looks at how cosplay is spilling out of comics and sci-fi/fantasy conventions and into “daily life,” such as movie theaters, pubs and public squares: “The spread of cosplay owes a lot to the Internet. Social media sites build buzz around the next big cosplay event. Tumblr and Instagram allow strangers to pass around photos of past work and offer words of encouragement from afar. YouTube videos reveal how to craft foam core into realistic-looking armor and braid hair like an elf.” [The Christian Science Monitor]
Courtesy of Neil Gaiman, we’re treated to an all-too-brief preview, with the covers, of P. Craig Russell’s adaptation of The Graveyard Book, the author’s award-winning 2008 children’s novel.
Russell, a longtime Gaiman collaborator, is joined on the two-volume graphic novel by an impressive roster of artists, each illustrating one chapter: Kevin Nowlan, Tony Harris, Scott Hampton, Galen Showman, Jill Thompson and Stephen B. Scott on the first book, and David Lafuente, Hampton, Nowlan and Showman on the second.
The first volume will be released on July 29, followed by the second on Sept. 30.
The story, originally published as a short story in Gaiman’s 1998 collection Smoke and Mirrors, is set on the streets of Los Angeles, where a lost angel tells a stranded traveler about being sent by God to solve the mystery of another angel’s murder — and to exact vengeance for the crime.
The graphic novel version, initially published in 2002, was described by Publishers Weekly this way: “Using sharp, crystalline drawings of the eternal city and ribbons of color that suggest creation’s simultaneous plasticity and solidity, Russell conveys a bright, illuminated world of purity and divine experimentation. His crisp and vividly rendered drawings capture the haunting sense of loss and isolation Gaiman expresses in this mythic tale of love and jealousy.”
Russell and Gaiman famously collaborated on The Sandman #50, “Ramadan,” and on The Sandman: Endless Nights story “Death and Venice”; the artist also adapted Gaiman’s prose works The Sandman: The Dream Hunters, One Life Furnished in Early Moorcock, Coraline and The Graveyard Book for comics. Russell’s adaptations of Oscar Wilde’s fairy tales are currently being published by NBM.
Stage | Dancer Daniel Curry, who was seriously injured during an Aug. 15 performance of the Broadway musical Spider-Man: Turn Off the Dark, made his first appearance since the accident at a benefit concert held Monday that raised $10,000 for his medical bills. Curry was injured when his leg was pinned by an automated trap door — he blames malfunctioning equipment, producers say it was human error — resulting in fractured legs and a fractured foot; he has undergone surgeries and unspecified amputations. The Occupational Safety and Health Administration and Actors’ Equity have launched investigations into the accident, and Curry’s lawyers are exploring a possible lawsuit against the $75 million show and the equipment suppliers.
During previews of Spider-Man: Turn Off the Dark — before the March 2011 firing of director Julie Taymor and the sweeping overhaul that followed — no fewer than five performers were injured, the most serious previously being aerialist Christopher Tierney, who fell about 30 feet in December 2010, breaking four ribs and fracturing three vertebrae. He returned to rehearsals four months later. There have been no major accidents since the show opened in June 2011. [The New York Times]
Epic artist P. Craig Russell has become well known for his collaborations with author Neil Gaiman over the past couple of decades, and in recent years he’s adapted several of the author’s short stories and prose novels into comics form. But now for his next hat trick, he’s enlisted a Magnificent
Seven Nine-esque group of artists to illustrate individual chapters for his adaptation of Gaiman’s celebrated 2008 children’s fantasy novel The Graveyard Book, announced in June.
As Russell told Comic Book Resources in a weekend interview, he’s writing the script and doing the layouts for the 352-page book, with a murderer’s row of artists coming in behind him to illustrate it. Joining Russell is Michael Golden, David LaFuente, Jill Thompson, Kevin Nowlan, Tony Harris, Galen Showman and Scott Hampton. Russell said Hampton’s contribution will be about 100 pages, and that Nowlan is drawing the first story.
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