Comic-Con Trailers: The Best of the Best, Ranked
Publishing | Vox takes a lengthy look at the effects of DC Comics’ efforts to diversify, in terms of characters, titles and creators. The article, which includes interviews with Marguerite Bennett, Genevieve Valentine, Dan DiDio and Jim Lee, notes that while new titles like DC Comics Bombshells have been successful, others launched under the “DC You” umbrella – Black Canary and Midnighter, for instance — are on far shakier ground, sales-wise. However, Co-Publisher Lee suggests the company is standing behind the initiative: “I think it’s important for us to listen and to learn and basically to adjust and pivot. There is this emerging audience. Comics are changing. At the end of the day, if you’re going to remain competitive and grow and flourish, you have to be able to adapt and change and evolve.” [Vox.com]
It’s become an annual tradition here during our birthday bash: No matter how much stuff we line up, people we interview, etc., there are still tons of folks we like to hear from and include in our giant New Year’s/anniversary/birthday activities. So, as we’ve done in past years, we asked a cross-section of comics folks what they liked in 2012 and what they’re excited about for 2013. We received so many this year that we’ve broken it down into two posts; watch for another one Tuesday.
But for now, check out all the great stuff people shared with us, including hints at new projects and even some outright announcements. Our thanks to everyone this year who responded. Also, thanks to Tim O’Shea, Michael May and Chris Arrant, who helped collect responses.
JIMMIE ROBINSON (Bomb Queen, Five Weapons)
What was your favorite comic of 2012?
Image’s Saga, Fatale, Hawkeye‘s reinvention is fresh and exciting, Peter Panzerfaust, Enormous by Tim Daniel. It’s hard to pin down just one because there is SO much good work coming out nowadays — from many publishers across the board.
Publishing | Top Cow Productions has announced details of its retailer program for the relaunch of Cyber Force, which is using Kickstarter to raise enough money to make the first five issues of the reimagined series available for free, both digitally and in print: Retailers will be charged 25 cents per copy for the first five issues, but will receive incentive variant covers — with suggested prices of $10 and $20 — to offset the cost of the comics. The Kickstarter campaign has raised more than $50,000 of its $75,000 goal with 17 days remaining. [ICv2]
Publishing | Former DC Comics editor Janelle Asselin, who now works for Disney, talks about her experiences at the editor’s desk and offers one reason there are so few female superhero comics creators: Women aren’t lining up for the job. “In my time at DC, exactly one woman reached out to me via email, and I hired her,” she said. “I didn’t hire her BECAUSE she was a woman, I hired her because she was good, of course. But in that same amount of time, probably at least two or three men a week contacted me looking for work, some of them intensely pushy and many of them decidedly not good. I think more female creators should put themselves out there. The numbers are growing, we all can see that, especially in indie comics and comics published by traditional publishers, but if there are women who want to work on super hero books, they need to speak up.” [Women Write About Comics]
Did you pick up Peanuts 1 yesterday? If you love all ages books, you should have. The first issue of this ongoing KABOOM! monthly features new stories by Vicki Scott, Paige Braddock, Shane Houghton and Matt Whitlock–and original Charles Schulz stories of course. In fact, Braddock wears many hats on this project. First off, she is the creative director of Charles M. Schulz Creative Associates. Secondly Braddock (also creator of the ensemble comedy comic strip, Jane’s World) inks the stories, as well provides colors on the cover. Anytime an all ages title like this new release from the KABOOM! gang (in partnership with Peanuts Worldwide) comes out, I want to shout it from the rooftops. On a personal level, I am overjoyed to interview Braddock in this brief email interview, as I have been a fan of her work since her days many, many years ago–on staff as an illustrator at my local newspaper, The Atlanta Journal-Constitution. As much as I wanted to interview her some about Jane’s World and The Martian Confederacy (her collaboration with Jason McNamera), I opted to make the focus of today’s interview on Peanuts. My thanks to Braddock for her time.
Tim O’Shea: Were you involved in selecting the other writers of the stories, such as Shane Houghton and Vicki Scott?
Paige Braddock: Shane Houghton was selected by Boom, but I was familiar with his other work on Reed Gunther. Shane also did some test pages for Boom and we reviewed those at the studio. I met Vicki Scott during the Happiness is a Warm Blanket graphic novel project. It’s a funny story actually… I had met her husband, Bob, who was at the time an animator at Pixar. I knew his work and contacted him about working on the graphic novel. He was pretty busy so he suggested that maybe his wife could help out. I was thinking to myself, his wife?! Then of course his wife, Vicki, turned out to be this incredibly talented artist. Since that first project, she and I have collaborated on a couple of children’s books based on the Peanuts characters. Vicki also turned out to be quite gifted at writing and capturing the “voice and tone” of these characters.
Libraries | The Center for Cartoon Studies has found a new home for the Schulz Library, whose previous location was damaged in a flood in August: the old post office in downtown White River Junction, Vermont. The school was able to purchase the building with the help of Bayle Drubel, a real estate developer and founding CCS board member who bought the post office in 2004. Renovations are set to begin this winter to create room for instruction space, faculty offices and the Schulz Library cartoon collection. [The Center for Cartoon Studies, via The Daily Cartoonist]
Creators | The Atlantic profiles Zippy the Pinhead creator Bill Griffith. [The Atlantic]
Creators | Artist Fabio Moon talks about teaming with Zack Whedon on the new Serenity comic that makes up one-half of one of their Free Comic Book Day offerings. [ComicsAlliance]
A couple of years back I attended a panel at the Alternative Press Expo featuring Jason McNamara, writer of the Martian Confederacy, interviewing the books’ artist Paige Braddock for her spotlight panel at the show. It was an interesting discussion, so when Jason approached me about the possibility of doing an interview on the follow-up to the book, I asked him if maybe he’d be willing to interview Paige instead. And here it is. You can check out a preview of the book here.
by Jason McNamara
She’s an incredible talent, a generous collaborator and a very good friend. I’m talking, of course, about Paige Braddock.
Raised in the South, Paige graduated from the University of Tennessee and spent years working as a journalist before being recruited by Peanuts creator Charles Schulz to join his studio, where she’s now the Creative Director.
After hours, Paige is also the Eisner-nominated creator of Jane’s World, the saga of hapless journalist Jane Wyatt, cracking jokes and suffering one lesbian misadventure after another. Paige employs a classic Sunday-morning approach to modern relationships, creating a natural entry point for all readers. Created as an online strip in 1998, JW became a comic book in 2002 when Paige founded Girl Twirl publishing imprint. Jane’s World continues to be published twice a year as a series of graphic novels and is serialized at Comics.com.
A few years ago, Paige approached me about collaborating on a project. The result was 2008’s The Martian Confederacy, a futuristic Sci-Fi romp, equal parts Noam Chomsky and Dukes of Hazzard. With the upcoming release of our second volume, I thought this would be a great time to catch up.
It’s the sequel to their 2008 graphic novel about a ragtag group of heroes on Mars in the year 3535. Here’s the description of the sequel: “Hearts will be broken, moons will be destroyed and hooch will flow in zero gravity in this sci-fi romantic action comedy set in the year 3535. When someone, or something, starts kidnapping the children of Mars, the planet’s most notorious outlaws band together to rescue them. Off world, out numbered and falling apart from within can the Martian Confederates discover the secret of Phobos before they destroy each other? And does what ‘happen in space, stay in space?'”
You can find it in Previews under order code 101040; the 150-page graphic novel costs $15. Check out a huge 25-page preview of it after the jump.