Axel-In-Charge: Navigating the "Civil War II" Landscape, Bringing DMC to Marvel
Of the three weekly series DC Comics is releasing this year, Futures End is arguably the most “important.” It spans the entire superhero line, bridges the gap between Forever Evil and 2015’s Big Event, and promises to change the New 52 irrevocably.
None of that apparently is deemed sufficient to attract new readers, because Futures End’s preview issue kicks off with 20 pages of your favorite characters either turned into, or slaughtered by, giant killer spider-bots.
To be fair, maybe the folks behind FE wanted to attract those readers already interested in a certain other let’s-prevent-the-robot-holocaust storyline from their crosstown rivals. But it’s not just X-Men: Days of Future Past, The Terminator or even Star Trek: First Contact (where you can hear the Borg Queen gloat “Watch your future’s end”) that Futures End echoes. Just off the top of my head, evil and/or assimilated versions of our heroes appeared in Final Crisis (remember Wonder Woman’s Female Furies?), in the Swamp Thing/Animal Man crossover “Rotworld” — which, by the way, I seem to be alone in liking — and in Flashpoint’s dog-eat-dog timeline. A future ruled by OMACs was also part of the Justice League: Generation Lost miniseries. Back in the day, “changing the bad future” was the plot of 1991’s summer crossover Armageddon 2001 and the unrelated JLA arc “Rock of Ages,” and 1992’s Eclipso: The Darkness Within featured “heroes turned bad.”
I read all 13 of the Villains Month issues released this week by DC Comics, and in so doing I saw 89 people killed (Kryptonians and Thanagarians included) in all manner of ways. I saw people shot to death with laser guns, with regular old bullet guns, with eye-beams, with an arrow and even with an umbrella. I saw people stabbed, bludgeoned, impaled, decapitated, blown up, pushed off buildings, flash-frozen and shattered. I saw someone’s neck snapped, someone’s life-force magically drained, people sliced in half with psionic energy, and others torn to pieces by claws.
I saw a bestial woman eat the still-beating hearts of her victims.
But man, the rabbit that Arcane tore in half? That’s the image that sticks with me from this week’s Villains Week offerings. Thank God they didn’t put that on the cover; imagine that arc of rabbit innards being flung your way in lenticular 3D!
Trinity of Sin: Pandora #1 (written by Ray Fawkes, drawn by Zander Cannon, Daniel Sampere, Vicente Cifuentes and Patrick Zircher) is not a terrible first issue, although it does trade on some pretty horrific images. It’s not a boring issue, although the title character’s emotional arc is essentially an 8,000-year, 20-page slow burn. For a character who so far has been a walking plot point — and who is still advertised mostly as a plot element for the next Big Event — the issue isn’t even that obtuse. Pandora #1 is a fairly well-executed comic book which does a decent job of humanizing its heroine, but which still hasn’t justified its own existence.
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Traditionally, the average superhero character included a strong element of wish-fulfillment. Perhaps it came simply from having powers and abilities far beyond those of mortal folk, or perhaps from the plausibility of training one’s mind and/or body to the limits of human potential. Maybe those powers, or that training, had been personally costly: a parent’s death, a home’s destruction or a tragedy that could have been prevented.
Possessed by a spirit that dwells within him, charged with protecting the people of New Orleans from ghastly creatures from the beyond, Shadowman has always been a dark character. With the revival of this classic Valiant series, Patrick Zircher and Justin Jordan have “hit the refresh button,” as Zircher says below, going back to the moment when Jack begins to experience himself as the Shadowman and moving forward from there. His old nemesis, Master Darque, is still in the picture, but Jack’s more immediate problem is a horrifying new villain, Mr. Twist. I talked to Zircher, penciler and co-writer of the series, about where he and Jordan plan to take Jack. Valiant also provided ROBOT 6 with an exclusive preview of Shadowman #3.
Robot 6: How did you get this gig? And did you start out as a co-writer as well as the artist, or did that just evolve?
Patrick Zircher: Warren Simons, Valiant’s executive editor, called. Warren and I had worked together at Marvel on Thor, Iron Fist, and several other books. Warren was one of Marvel’s best, and he has always been willing to let me expand as a creator. I first began inking my own work for Warren and we talked even then about writing, too. With Valiant, from the get-go we discussed it as well as drawing. The capacity of the writing has evolved. As I’ve shown what I can do, I’m, happily, writing more.
Legal | The 9th Circuit Court of Appeals will hear arguments today on whether a negotiated 2001 deal DC Comics should prevent the daughter of Superman co-creator Jerry Siegel from reclaiming his portion of the rights to the Man of Steel under a provision of U.S. copyright law. A federal judge determined in 2008 and 2009 that the writer’s heirs had successfully recaptured the copyright, asserting that because the 2001 agreement hadn’t been formalized, there was no deal. The appeals court is also set to review a ruling allowing DC to sue Marc Toberoff, who represents both the Siegel family and the estate of his collaborator Joe Shuster, for interfering with its agreements with the heirs. [Business Week]
Creators | Collaborators Justin Jordan and Patrick Zircher talk about the latest Valiant relaunch, Shadowman. [USA Today]
Creators | John Ostrander, who writes several Star Wars comics for Dark Horse, gives his take on Disney’s acquisition of Lucasfilm. [ComicMix]
Valiant Entertainment released a Ninjak teaser earlier this week, and now here’s the payoff: The ninja spy is indeed returning, in September’s X-O Manowar #5 — and as you can see, he’ll be going sword-to-lightning-sword with Aric of Dacia.
Here’s the quick summary from the press release:
X-O Manowar has landed on Earth – and now the world’s most lethal intelligence agent has a new target. But who is the operative known as Ninjak? And who – or what – has marked Aric of Dacia for death by his blade? Find out when the all-new, all-ruthless Ninjak makes his shocking debut – and cuts his way to the forefront of the Valiant Universe!
Robert Venditti will continue to script the series, but Batman R.I.P. penciller Lee Garbett will take over as artist, replacing Cary Nord, who illustrated the first arc. Comic Book Resources talks with Vendetti about Ninjak’s return to the Valiant Universe.
The teaser image (below) will be the cover of X-O Manowar #5, and the image above is the interlocking variant covers by Patrick Zircher. Philip Tan will also do a pullbox-exclusive variant cover.
[Note: this post was assembled by both Tim O’Shea and JK Parkin]
This is our final post for our big birthday bash, and what a post it is. No matter how much stuff we line up, people we interview, etc., there are still tons of folks we like to hear from and include in our giant New Year’s/anniversary/birthday activities. So, as we have in past years, we have asked various comics folks what they are excited about for 2012 in comics–something they aren’t working on and something they are.
There’s a lot of great stuff here–hints at new projects and even some downright announcements. Our thanks to everyone this year who responded!
I’m most anticipating the 30th Anniversary of HEROES CON (June 22-24, Charlotte, NC) . For any convention 30 years is an amazing run, but the fact that Shelton Drum and his extended family have put this show together every year with nothing but blood, sweat and tears is flat out super heroic.
On the personal front, the challenging and exhilarating ride that’s been Loose Ends will come to a close with issue 4. It’ll be bittersweet to send our child off to into the real world but I can’t wait for you guys to see the work Brunner & Renzi are doing.
I’m also super excited to dip my own toes into the Mignola-verse with the BPRD: The Pickens County Horror [March 28, 2012] and to read the end of Jason Aaron & RM Guera’s Scalped, which is my favorite series in years.
This sounds politic, but it’s genuine: what excites me about comics in 2012 is what’s exciting every year, the work of the talent. Seeing what the best are up to and how the up-n-comers have grown as artists and writers. In the new year, I’m also excited about illustrating several books and covers that feature my favorite Avengers.
Season’s Greetings and welcome to another edition of What Are You Reading?, our weekly look at what we’ve been reading lately. Today our special guests are Geoffrey Golden and Amanda Meadows, editors of Devastator: The Quarterly Comedy Magazine for Humans. Their latest issue has a video game theme, with contributions from James Kochalka, Corey Lewis, Danny Hellman and many more. And if you head over to their website between now through Dec. 16, the code ROBOT6 gets you 20 percent off single issues.
To see what Amanda, Geoffrey and the Robot 6 crew have been reading lately, click below.
Hello and welcome to What Are You Reading? This week our special guest is Dark Horse assistant editor Jim Gibbons, who I spoke to about his new job on Friday.
To see what Jim and the Robot 6 crew have been reading, click below …
Hello and welcome once again to What Are You Reading? This week our special guest is Elisabeth Forsythe, marketing manager for online comic shop Things From Another World and frequent contributor to The Blog From Another World.
To see what Elisabeth and the Robot 6 crew have been reading lately, read on.
When you learn how much research and realize how interested that artist Patrick Zircher is in the 1920s/1930s era of the Mystery Men, I expect you might be equally intrigued to learn more about this five-issue David Liss-written Marvel miniseries. The first issue, which was previewed by CBR late last week and goes on sale June 8, introduces readers to the first champions of the Marvel universe. As detailed in the preview: “Before Captain America, before The Twelve, there was The Aviatrix, The Operative, Achilles, The Revenant and The Surgeon! What drives these five heroes to pull on masks and take to the rooftops of Manhattan? What dark conspiracy not only brings them together, but threatens to tear the America apart?” In this email interview with Zircher, we discuss his affinity for designing a comic and characters much in the same vein as “Indiana Jones, the Rocketeer, and the Spirit”, as well as why the word “zeppelin” is cooler than “blimp” plus many other fun details. My thanks to Zircher for his time and to editor Bill Rosemann for giving Robot 6 readers a look at pages from issue 2. Once you’ve read the interview, be sure to comment on which Marvel heroes and villains (circa 1930s) you would love to see in Mystery Men.
Tim O’Shea: In terms of designing characters, how enjoyable/empowering is it to venture into relatively unexplored territory (of the 1920s and 1930s) in terms of the Marvel universe with this Mystery Men project?
Patrick Zircher: It’s been a gas. Though we approached Mystery Men as belonging to the Marvel Universe, as part of the big, big story– working in an earlier era allows for a lot of freedom. At the same time, all the possibilities for cool ties to the Marvel Universe this series opens has the comic fan in me pretty excited.