Axel-In-Charge: Waid & Samnee on "Black Widow" and the Dawn of the All-New, All-Different Era
Comics | A Columbus, Ohio, entertainment weekly lays out a case for the city — home of Jeff Smith, the Billy Ireland Cartoon Library & Museum and the Small Press and Alternative Comics Expo — becoming, like Portland, Oregon, a hub for comic books. “Comics in Columbus is a weird underground, sort of hip-hop thing,” indie publisher Victor Dandridge Jr. says. “We’re like hip-hop in the Bronx in ’79, just on the corner doing our thing.” [Columbus Alive]
Conventions | Bart Beaty files a final report on this year’s Angouleme International Comics Festival, and his verdict is … meh. “There was a consensus all around that the show was flat. People would throw around adjectives like “fine,” “good,” and “okay.” It wasn’t a disaster (as were some of the shows disrupted by construction), but it also wasn’t that memorable either” [The Comics Reporter]
Morrissey, who edited such titles as Fraggle Rock, Cow Boy, Feeding Ground and the Eisner Award-winning Mouse Guard: Legends of the Guard, wasn’t a permanent employee, but rather a contract worker. He told Comic Book Resources that the publisher, which had a strong showing over the weekend at the 24th annual Eisner Awards, is reducing the number of titles it releases this year and next, and there simply wasn’t enough work for him.
“I will still be working on some titles, including the next Mouse Guard anthology,” Morrissey told CBR. “David [Peterson] and I are working on that together, and it features talent like Stan Sakai and Rick Geary. There’s some really awesome talent in the next anthology.”
Before joining Archaia in 2009, Morrissey was a senior editor for nearly five years at Tokyopop, where he oversaw such original graphic novels as The Dreaming, Undertown and Mail Order Ninja, and an editor for nearly a year at BOOM! Studios, where he developed the company’s Disney/Pixar properties.