Why The Russos Are The Best Thing to Happen to the MCU Since Joss Whedon
Diamond Comic Distributors has unveiled the Free Comic Book Day 2015 commemorative T-shirt designed by Amanda Conner and colored by Paul Mounts.
The tee, which will be available in adult and youth sizes from the January issue of Previews, depicts images of a variety of young readers — one of them otherworldly — enjoying comic books, set against a FCBD logo.
“I remembered what many of us comic book readers actually are … frustrated superheroes,” Conner said in a statement. “I thought about making a piece of art that would resemble a superhero insignia. Hopefully when you see it from a distance, that’s what it looks like.”
It surprised me to see Jimmy Palmiotti pursuing yet another Kickstarter in 2014, considering he had successfully completed one earlier in the year for Denver. This new one, launched this week, focuses on Sex and Violence Vol. 2.
My decision to interview the veteran writer wasn’t based on aiming to help him achieve his Kickstarter goal; he’s days, if not hours, away from achieving that. Instead, I hoped to tap into some of the knowledge that allows him to so effectively operate crowdfunding campaigns (many of the completed projects can be bought at the PaperFilms shop).
Not only did the creator offer some of the lessons learned from his past Kickstarters (hint: avoid the shipping costs from hardcover), but he also proved quite candid about the challenges of swimming in creator-owned waters. Palmiotti also was willing to elaborate about his perspective on last week’s controversy about Milo Manara Spider-Woman #1 variant cover.
With the arrival last week of the new volume of Fantastic Four came the departure of prolific colorist Paul Mounts, who worked on the Marvel series for 11 years.
“Tom Brevoort had been editing Fantastic Four even longer that I had been coloring it, and after a record-breaking run on the title decided that it was time to give someone else a shot at editing it,” Mounts explained in an email to ComicBook.com. “And, of course, when a new editor takes over a title, he/she is going to want to bring in his/her own team, make his/her own mark. […] I tend to always look forward to the next project than to look back at the past, but I guess after 11 years and (I think) nearly 130 issues, it’s a change worth a mention. Someone who was nine years old when I started would be twenty now – yikes!”
It’s been almost two years since Avengers 12.1, an issue where Tony Stark warned that Ultron comes back smarter each time he’s reborn. Well, Hank Pym’s robotic “son” is back again, and apparently smart enough to take over New York City and transform it into a dystopian dictatorship. The first issue arrived on Wednesday, written by Brian Michael Bendis with art by Bryan Hitch, Paul Neary and Paul Mounts, the same creative team who created that 12.1 issue — and the same writer who teased it in an issue of Avengers back in 2010.
So was it worth the wait? Here are a few opinions from the web who thought so or thought no, as the case may be:
Spoiler’s Warning: This post contains potential spoilers for both the Avengers movie and Avengers Assemble #3.
Marvel followed the release of their big blockbuster Avengers movie with the third issue of Avengers Assemble by the team of Brian Michael Bendis, Mark Bagley, Danny Miki and Paul Mounts. The book features an Avengers team that mirrors the one from the film fighting a revamped version of their classic foes The Zodiac.
“I believe Tom [Brevoort] came to me and said it wouldn’t be a bad idea to have a book out that had these characters in print. Because you’re involved in what’s going on in the creative committee, you’re probably the perfect guy to do it,” Bendis told CBR back in February. “[I thought] what we need is a book like this in continuity that matters, that’s really huge.”
The timing couldn’t have been better, as issue #3 reveals the big bad behind the Zodiac, which mirrors events in the Avengers film. But how is the comic itself? Here’s a round-up of reactions from various folks around the web:
If you were one of those folks who not heard of artist Nick Dragotta before this year, it’s quite feasible you learned about the storyteller after his work on Fantastic Four 588 (the silent mourning for Johnny Storm issue). If Dragotta’s next project is half as successful as I expect it to be, even more folks will know and like his art. That project? He and writer Joe Casey’s six-issue Marvel miniseries, Vengeance [set to be released July 6]. As described by Marvel: “When MAGNETO of the X-Men tries to rescue a young Mutant on the run, he accidently kicks off a series of events that will shake the very Marvel Universe to it’s core! Who are the new TEEN BRIGADE?! Who are the Brotherhood and what do they want with the YOUNG MASTERS OF EVIL?! And how is the RED SKULL pulling the strings from beyond the grave?” My thanks to Dragotta for the interview (and for the above preview art from the first issue). Once you’ve read this interview, be sure to also read Timothy Callahan’s When Words Collide column/Joe Casey interview.
Much of this Jimmy Palmiotti email interview happened right before Friday’s announcement that Jimmy Palmiotti, Justin Gray and Amanda Conner are saying goodbye to Power Girl once they finish issue 12. I could have reworked many of the Power Girl questions, but I chose to keep the remainder of Power Girl questions intact, as there’s still a few issues of the run (the focus of the discussion) and Palmiotti (as he always does) gave some great answers. Any interview with Palmiotti has to include his and Gray’s continuing work on Jonah Hex, of course. Finally, Palmiotti often has some creator-owned work set to release, and this time around it’s his and Gray’s collaboration with artist Giancarlo Caracuzzo on Random Acts of Violence, a 72-page graphic novella (published by Image and set to be released on April 28, 2010). I always enjoy the chance to interview Jimmy, and this go around proved no different.
Tim O’Shea: Can you divulge some more details about Power Girl 12 — and from a writer’s standpoint, how enjoyable/bittersweet is it to get to this 12th (and final one for the team) issue, where you get to (as the solicits put it) “All the pieces of the puzzle come together…”? As a creative team did you accomplish a great deal of what you had wanted to do in the 12 issues?
Jimmy Palmiotti: We all knew that issue 12 was going to be Amanda’s last issue on the book for a while but we didn’t know just how much her work and Power Girl became one for us. As we got closer to the deadline to find another artist, Justin and I started really thinking about how it would be next to impossible to find a replacement and even if we did, how it would be difficult to write a book like this for someone else…so we just figured it was time to move on, be a real team and all of us leave the book for the next crew to take on. That said, we know who the new writer is, are excited about who it is and have fed them the scripts and even asked if there was anything we could do with the book to leave it in a place where they need it and so on. Fans of the title will be happy that the book does not skip a beat and will be pretty excited with what the title has in store. Leaving the book is a hard thing to do, especially since we gave it our heart and soul and Amanda , Paul and John put so much into each and every page … but at the same time we look back at the 12 issues and are really proud of the work we have done and how we built on to Power Girl’s legacy.
Let’s just say the last 3 issues are going to be remembered as the best in the run and we couldn’t be happier with all the support we have been given by our editors Brian and Mike and the rest of the D.C. crew. it was a dream gig on all levels. I don’t think I ever laughed as hard or had more fun on any title.