Paul Pope Archives - Robot 6 @ Comic Book Resources
To help promote the April 14 release of the new edition of Paul Pope’s long-out-of-print 1999 graphic novel Escapo, Z2 Comics has released a video in which the artist describes his vision of the book, and more.
“[It's] my attempt at at making an incredible Fellini meets Jack Kirby mash-up comic book, y’know, like the artist who escapes death,” he explains. “I thought it was time to do something really serious, y’know. I was really into Nick Cave at the time, and the Murder Ballads album came out, and he had ‘Stagger Lee’ and ‘Henry Lee’ and all of these beautiful songs, and it’s like, ‘Man, I think I can do something like this in comics.’”
The new edition, which Pope refers to as “a new book,” is redesigned in the French BD format by Jim Pascoe, and boasts colors by Shay Plummer, more than 50 pages of bonus content, pin-ups by other artists and a two-page alternate ending previously seen only in the French edition.
Events | The second annual Black Comic Book Festival will take place this weekend at the Schomburg Center for Research in Black Culture in New York City. The lineup of guests includes Norwood Steven Harris, Grey Williamson and Tim Fielder. “It is the largest gathering of black comic book fans in the country,” says Schomburg Director Khalil Gibran Muhammad. “There is something for everyone from the aspirational 9-year-old illustrator, to the costumed superheroes, to the lifelong collectors.” [New York Daily News]
Creators | Ed Brubaker discusses the exclusive deal he and Sean Phillips signed with Image Comics, announced last week at Image Expo: ” It’s almost like having your own label or something. Just the fact that we can green-light our own projects and we have approval over format, everything. … I feel like we have such a core audience that seems to follow us from thing to thing, so let’s take advantage of that and really just experiment and go crazy and just be artists.” [IGN]
Conventions | This Japan Times article about Comiket provides a fascinating look behind the scenes of the dojinshi (self-published manga) fair, which each August and December new draws between 560,000 to 590,000 visitors to Tokyo Big Sight. However, even that massive convention center is becoming too small for the event; of the 51,000 booth applications for August’s Comiket 84, only 35,000 were granted because of space limitations. Incredibly, the organizing Comic Market Committee has just eight full-time employees (but more than 3,000 volunteers). [The Japan Times]
Creators | MariNaomi discusses her experience of being sexually harassed by another creator while participating in a panel at a comics convention. That’s right, she was sexually harassed onstage. [xojane]
Legal | More details have emerged about Hirofumi Watanabe, the 36-year-old man suspected of sending more than 400 threatening letters to convention centers, retailers and other sites in Japan associated with the manga Kuroko’s Basketball. The newspaper Mainichi Shimbun revealed Watanabe studied anime at a vocational school but dropped out at age 20. Also, a search of Watanabe’s apartment turned up toilet bowl cleaner, a scrap of paper that said “creating hydrogen sulfide” and, not surprisingly, several volumes of Kuroko’s Basketball.
Oddly, Watanabe claims to be two different perpetrators who use two different accents, standard Japanese and a Kansai accent, and many of the statements he made in his letters and online postings, including that he was acquainted with Kuroko’s Basketball creator Tadatoshi Fujimaki, appear to be false. Anime News Network also reports that when he was arrested, Watanabe had about 20 threat letters in his backpack, and that he told police he was jealous of Fujimaki’s success. [Anime News Network]
Legal | Artist Al Plastino has asked a New York judge to order Heritage Auctions to reveal the name of the consignor who put up for sale his original art for the 10-page story “Superman’s Mission for President Kennedy.” Heritage says the sale has been canceled and the art returned to the consignor, who bought it at a Sotheby’s auction a decade ago. The JFK story was originally scheduled to run in a DC comic dated November 1963, but it was quickly pulled when Kennedy was assassinated. The story was published the following year at the request of the Johnson administration. The last panel of the comic stated the artwork was to be donated to the Kennedy Library, and Plastino believed that to be the case until this fall, when he discovered it was being put up for auction. [Reuters]
Crime | Tokyo police say they have security camera footage of a suspicious man in a mask and gloves near a convenience store where a small amount of nicotine was found in a Kuroko’s Basketball-themed snack. The snacks were recalled after 7-Eleven and other convenience store chains received threatening letters, part of a barrage of threat letters that have been sent out to venues associated with the Kuroko’s Basketball manga and anime. The amount of nicotine found in the Kuroko’s Basketball wafers was well under a lethal dose. [Anime News Network]
Conventions | WonderCon organizers have announced that next year’s show, set for April 18-20, will again be held in Anaheim, California. This will be the third year for the event at that location, after having been uprooted from its longtime home at San Francisco’s Moscone Center first because of remodeling and now because of scheduling conflicts. [Los Angeles Times]
Publishing | Nick Barrucci, CEO and publisher of Dynamite Entertainment, looks back on 10 years in the business, and discusses some upcoming comics, including J. Michael Straczynski’s Twilight Zone and the new kids’ line Li’l Dynamites. [Previews World]
Attendees at Saturday’s Comic Arts Brooklyn will have the opportunity to support a great cause and get their hands on some cool Paul Pope art. The Comic Book Legal Defense Fund will be at table D11 selling, among other things, a limited-edition Paul Pope Battling Boy print. In addition, Larry Marder (Beanworld) and Jeff Smith (Bone, RASL) will be at the booth signing autographs.
Check out the full print below. Comic Arts Brooklyn takes place Saturday from 11 a.m. to 7 p.m. at the Mt. Carmel Church on 275 N. Eighth Street in Brooklyn.
Conventions | Coast City Comicon returns this weekend to Portland, Maine, and Batman artist Chris Burnham, who will be a guest, drums up excitement by explaining the nuances of Batman’s nostrils to the local newspaper. Other guests include Mike Norton, Yanick Paquette, Rachel Deering, Ben Templesmith, Alex de Campi, JK Woodard and Lee Weeks. [Portland Press-Herald]
Publishing | Jamal Igle and Kelly Dale have been named marketing co-directors of Action Lab Entertainment, with Igle handling public relations and promotions and Dale coordinating retailer outreach. [ICv2.com]
Creators | Brian Heater interviews Paul Pope for the latest RIYL podcast. [BoingBoing]
Creators | Ed Piskor talks about his love of hip-hop and his latest graphic novel, Hip Hop Family Tree. [TribLive]
“I see a kid superhero like Battling Boy or Aurora West to be symbols of the potential of youth to do something new and different, to invent a new solution to old problems. [...] Too often, I think the superheroes we see in films and comics are too perfect, too established, too impervious to real fault or challenge. I like the idea of writing a story focusing on kid superheroes who mess up and must learn from their mistakes.”
On the heels of the debut this week of Battling Boy, Paul Pope’s much-anticipated (and already widely praised) all-ages graphic novel, First Second Books has announced a prequel, The Rise of Aurora West.
Battling Boy centers on on the son of a war god who’s sent by his father to rid the Monstropolis of monsters after Haggard West, the previous protector of the continent-sized city, is assassinated (another prequel, the one-shot The Death of Haggard West, was released in July).
Co-written by Pope and J.T. Petty and drawn by David Rubin, Wired.com reports The Rise of Aurora West uncovers the backstory of its title character, Battling Boy’s ally and the daughter of Haggard West. The prequel will arrive in July 2014, ahead of Pope’s sequel to Battling Boy.
Paul Pope’s Battling Boy debuts this week, which is a big deal for all sorts of reasons. I like how publisher First Second has been trailing the last week of build-up through its Twitter feed, releasing postcard-like graphics pairing panels from the book with advance praise for the release. As if we weren’t already salivating at the prospect of Pope properly commencing his first major project since 2006′s Batman Year 100.
Miami Book Fair International has provided ROBOT 6 with an exclusive first look at Paul Pope’s Generation Genius Days poster created for the 30th annual event. That of course is the artist’s own Battling Boy reading J.R.R. Tolkien’s The Fellowship of the Ring while surrounded by monsters (the graphic novel debuts Oct. 8 from First Second).
Held Nov. 17-24 at Miami Dade MDC’s Wolfson Campus in downtown Miami, this year’s fair will commemorate 500 years since Ponce de Leon landed in Florida by celebrating Spain’s culture literature. Famed Spanish comic artist Francesc Capdevila, better known as Max, created the event’s official poster.
The nation’s largest literary gathering, Miami Book Fair International includes as part of its programming Generation Genius Days (Nov. 21-24), which features learning and literacy activities for children and teens.
Publishing | Calvin Reid talks to publisher Josh Frankel, who is relaunching his Zip Comics (the publisher of Harvey Pekar’s Cleveland) as Z2 Comics. The first books under the new name will be reprints of a sort: Paul Pope’s Escapo, which he originally self-published in black and white, and Dean Haspiel’s Fear My Dear, which first appeared as a webcomic at Act-I-Vate. Escapo will be colored and Fear My Dear will be re-colored. The company will publish strictly graphic novels, no periodicals, and they will be distributed by Diamond Comic Distributors. [Publishers Weekly]
Passings | Toledo, Ohio, cartoonist Pete Hoffmann, whose comic strip Jeff Cobb was syndicated nationwide, died last week at the age of 94. Hoffman was also a ghost artist for Steve Roper and illustrated the panel cartoon Why We Say, which explained the meaning behind common sayings. He “got ambitious” and decided to strike out with his own strip, and the result was Jeff Cobb, a serial about an investigative reporter, which ran from 1954 to 1975. In this 2004 interview, he talks about his work and shows off his first published drawing, which appeared in the Toledo Times when he was four years old. [Toledo Blade]
Boutique home video distributor Criterion commissioned Samuel Hiti (Los Tiempos Finales, Death-Day) and a list of other great comics artists to create artwork for the individual films in the company’s box set for the long-running Zatoichi series starring Shintaro Katsu as a blind, but incredibly quick and accurate swordsman. Hiti designed the cover for Zatoichi the Fugitive, the fourth in the series.
Twenty-five Zatoichi films were produced between 1962 and 1973, making it the longest-running action series in Japanese history. There was also a four-season TV series in the late ’70s. The Criterion box set collects those first 25 feature films in one package for the first time, but doesn’t include 1989′s Zatoichi the Blind Swordsman, written and directed by Shintaro Katsu himself.
Comics strips | Matt Saracini looks at the impact on Australian cartoonists of a cost-cutting decision by media giant News Corp. Australia to replace individual comics pages in their largest newspapers with one national page. In the process, some more expensive locally produced strips were jettisoned in favor for cheaper syndicated ones from overseas, like Garfield and The Phantom. News Corp. owns more than a hundred daily, weekly, biweekly and triweekly newspapers. [SBS.com]
Creators | Syrian cartoonist Ali Ferzat, now living in Kuwait after troops loyal to Syrian President Bashar al-Assad attacked him and broke both his hands, talks about his decision to portray al-Assad explicitly in his cartoons, rather than sticking to more generic themes like freedom and human rights: “It was a big decision to start to draw Bashar and, yes, I was scared of what might happen, particularly when I was attacked. But I had a responsibility to do what I did. If I am not prepared to take risks I have no right to call myself an artist. If there is no mission or message to my work I might as well be a painter and decorator.” [The Guardian]