Vaughan & Chiang's "Paper Girls" Builds a Familiar Yet Disconcerting World
Cully Hamner is an artist who never disappoints me. So I was immensely pleased that he and I were able to finalize this email interview in the chaos of the holiday season just in time for our one-year anniversary at Robot 6. We start the interview discussing his current collaboration with Greg Rucka on The Question co-feature in Detective Comics. From there, due to the film that is currently in production and the trade paperback collection that was released in mid-2009, we discussed his 2003/2004 Homage/Wildstorm collaboration with writer Warren Ellis, RED. There’s so many projects I could have discussed with Hamner, but I’m grateful he was willing to discuss RED to the degree he did. Hamner is clearly an artist who looks forward, not back–which makes me appreciate his indulging my RED interest in this discussion.
Tim O’Shea: How hard is it to convey emotion with the Question, the face is taken out of the dynamics, but you do still give a hint of her facial dynamics in certain scenes?
Cully Hamner: It’s a matter of considering that, even though you see no specific facial features, the planes of the face are still there and will react to light and shadow. It’s not a total blank, you know, Renee’s real face is under there, along with a range of expressions. So, when I look at it like that, it becomes a much simpler thing than you might think. So, what I do is just go ahead and draw an outline of the modeling on the face, and Dave McCaig (and before him Laura Martin) colors over that, and then drops my linework into a color. It’s not a full range of emotion like a detailed face would have, but I’ve been able to get across a few things well enough. Seems to work.