Peanuts Archives - Robot 6 @ Comic Book Resources
The Weather Channel has been widely mocked since deciding in 2012 to name winter storms much in the way the National Hurricane Center names tropical storms, and this year is little different, with sites like Mashable and Philly.com lining up to take their shots. Whether the 2014-15 names are as terrible as Mashable contends is certainly debatable, we will say this: They may be the nerdiest to date.
While the 2012 list included Gandalf, Rocky, Yogi and Orko (the thunder god of Basque mythology, we’re told, not He-Man’s sidekick), this year’s list offers some pretty stiff competition from the likes of Astro, Linus, Quantum and Thor.
Sixty-four years ago today, the beloved and influential Peanuts debuted in nine newspapers with a four-panel strip that set the tone for the future of “good ol’ Charlie Brown,” introduced through the words of Shermy, who admits his hatred for him.
Things didn’t get any better for the round-headed boy in the second installment, in which Patty (no, not Peppermint Patty) punches him in the eye. Snoopy doesn’t arrive until the third, but Schulz ensured the faithful companion wouldn’t make life much cheerier for Charlie Brown over the course of the 17,894 strips that followed.
The late Charles M. Schulz will be the first recipient of the Harvey Kurtzman Hall of Fame Award, presented Sept. 6 at Baltimore Comic-Con as part of 27th annual Harvey Awards ceremony. News of the new award comes in a brief audio interview with convention director Marc Nathan posted on the We Read Comics blog of the Albany, New York, Times Union.
The award will be accepted by Karen Johnson, director of the Charles M. Schulz Museum in Santa Rosa, California, who will also present a panel at the convention showcasing unpublished artwork by the beloved Peanuts creator.
Minneapolis attorney Ken Abdo grew up with two wall paintings of Charlie Brown and Snoopy, by Charles M. Schulz, in his bedroom. He and his wife Karen raised their four children in the same house, but now, with the kids grown, they’re looking to sell the home once owned by the Peanuts creator. However, there’s a problem: What to do with those one-of-a-kind murals.
“I was sort of personally the shepherd, or the keeper of the art, since I was 6 years old,” Abo tells Minneapolis/St. Paul Business Journal.
The 4,500-square-foot Spanish Mediterranean house, where Schulz from 1955 to 1958, is on the market for the first time in 54 years. The Abos hope to find a way to remove the two wall paintings, perhaps for acquisition by the Charles M. Schulz Museum. The house is listed for $850,000, without the art; with it, you’ll pay another $100,000.
Thursday marks 10 years since the first 24 Hour Comics Day. In recognition of this milestone, Nat Gertler, who organized that first day and orchestrated the event annually through 2007, was more than happy to share his recollections of its formation. One detail that surprised was that the 2005 collection features the first sold story by award-winning artist Fiona Staples.
Graphic novels | An estimated 200 students, faculty and community members gathered Saturday at the College of Charleston in South Carolina to protest proposed budget cuts to that school and the University of South Carolina Upstate in retaliation for selecting gay-themed books — including Alison Bechdel’s Fun Home — for their summer reading programs. The South Carolina House of Representatives approved a proposal early this month that would slash $52,000 cut from the College of Charleston and $17,142 for USC Upstate, which represent what each school spent on the programs. The budget is now before the state Senate. [The Post and Courier]
A 1966 original daily Peanuts comic strip from fetched $26,450 at auction earlier this month, surpassing pre-sale estimates of between $15,000 and $20,000.
Featuring Peppermint Patty, Linus and Snoopy, the strip was the top-grossing item in a multi-estate auction held Jan. 18 in Lynbrook, New York, by Philip Weiss Auctions. The auction was devoted primarily to Golden Age comic books, sports memorabilia and comics art, along with some original Disney production cels and paintings.
Welcome to Best of 7, where we talk about, as it says above, “The best in comics from the last seven days” — which could be anything from an exciting piece of news to a cool publisher’s announcement to an awesome comic that came out. So without further ado, let’s get to it …
Efforts that started back in 2010 to put Snoopy on license plates in California have hit a milestone — the special plates, featuring artwork by Charles Schulz, are now available for order. And once 7,500 have been ordered, the Department of Motor Vehicles will begin production.
The proceeds from the official Snoopy license plate will go toward a grant program administered by the California Cultural and Historical Endowment to support California’s museums. The plates cost $50 for for a sequential plate or $98 for a personalized plate, with a portion of the higher fee also supporting programs to protect California’s environment. If 7,500 plates aren’t ordered in the first year (Rats!), you’ll have the option to try again next year or have your money refunded.
If you live in California and want to help Snoopy hit the road, you can order your plate here.
I didn’t realize flash mobs were still a thing people do. That said, Mashable’s stunt recreating the dance scene from the timeless animated TV special A Charlie Brown Christmas is well orchestrated, and help along greatly by the editing of the video. It’s much, much better than the usual shaky phone footage, punctuated by giggling.
I like, too, that the performers coordinated the colors of their clothes with those of the Peanuts character (although I’ll note that Linus’ shirt was red, not purple; extra credit for the giant-sized Snoopy).
Conventions | This Japan Times article about Comiket provides a fascinating look behind the scenes of the dojinshi (self-published manga) fair, which each August and December new draws between 560,000 to 590,000 visitors to Tokyo Big Sight. However, even that massive convention center is becoming too small for the event; of the 51,000 booth applications for August’s Comiket 84, only 35,000 were granted because of space limitations. Incredibly, the organizing Comic Market Committee has just eight full-time employees (but more than 3,000 volunteers). [The Japan Times]
Creators | MariNaomi discusses her experience of being sexually harassed by another creator while participating in a panel at a comics convention. That’s right, she was sexually harassed onstage. [xojane]
“I think it’s amazing that all of those things have become part of our culture. He did not set out to write the great American novel, or to do a comic strip that will last 100 years … I think when people asked him, ‘did you ever think your characters would become part of the culture’ it puzzled him a bit and he didn’t have a very good answer for it … I think his answer was something like, ‘I just tried to put everything I had into the comic strip and do the best I could every day.’”
— Jean Schulz, widow of Peanuts creator Charles M. Schulz, on the “classic” status of the comic strips. In an online chat, she also confirmed that her husband could be as “bitter” as you’ve heard. “Yes, he could be cranky particularly if he had person after person after person interrupting him from things … But he was overall a pleasant person.”
Legal | Asterix co-creator Albert Uderzo has filed a legal complaint against his daughter Sylvie and her husband Bernard Choisy, claiming “psychological violence.” The dispute began in 2007, when Sylvie and Bernard were dismissed from their positions at Les Éditions Albert René, which published Asterix; a year later, Uderzo sold his stake in the company to Hachette Livre. The two filed their own legal challenge in 2011, claiming Uderzo, who is now 86, was being exploited by others. In this week’s filing, Uderzo says he is perfectly capable of managing his own affairs, and adds, “The sole purpose of these acts is to undermine our psychological integrity and to hasten our debility, in order to get their hands on our legacy, which they covet.” [The Guardian]
With Halloween just around the corner, Forbes has released its weird (and probably a little morbid) annual list of the top-earning dead celebrities, led by Michael Jackson and Elvis Presley. But at No. 3, for the second year in a row, is the late Peanuts creator Charles M. Schulz.
The cartoonist, who passed away in 2000 at age 77, is estimated to have earned $37 million this year — or at least his creations did. They’re owned by Peanuts Worldwide, a joint venture formed by Iconix Brand Group has partnered with the heirs of Charles M. Schulz, which in 2010 bought the rights to Peanuts from E.W. Scripps Co. (it was part of a $175 million deal for the entire United Media Licensing division, which includes Dilbert and Fancy Nancy). The property’s 1,200 licensing agreements generate annual retail sales of more than $2 billion worldwide.
You can add Charles Schulz to the long list of artists who have been featured in IDW’s Artist’s Edition series. Along with the Jim Steranko S.H.I.E.L.D. and Captain America editions, the Dave Gibbons Watchmen edition and Jack Kirby’s New Gods edition came the news that IDW will release a Peanuts Artist’s Edition.
“Having grown up with Charlie Brown, Linus and his blanket, Snoopy and the Red Baron…I could not be happier about bringing them into the IDW family,” said Ted Adams, CEO and Publisher of IDW Publishing, in a press release. “In the world of comic art, it does not get any bigger than Peanuts.”