It’s time once again for our monthly trip through Previews looking for cool, new comics. As usual, we’re focusing on graphic novels, collected volumes, and first issues so that I don’t have to come up with a new way to say, “ Dark Horse Presents is still awesome!” every month. And I’ll continue letting Tom and Carla do the heavy lifting in regards to DC and Marvel’s solicitations.
Also, please feel free to play along in the comments. Tell me what I missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.
Puss in Boots Movie Prequel – I don’t care for movie prequel comics as a rule, but swashbuckling cats are awesome in any incarnation. As long as these are fresh gags and not just ones warmed up from Shrek, I expect to enjoy this.
Jim Henson’s The Dark Crystal: Creation Myths, Book 1 - I just introduced my son to The Dark Crystal and Labyrinth a couple of weeks ago, so this is great timing. He had the same questions about The Dark Crystal‘s world that I always do, so I’m looking forward to seeing Archaia’s take on answering those. Totally feel like the world’s in good hands with this publisher and these creators.
The Sigh - If Archaia’s snagging Marjane Satrapi’s (Persepolis, Chicken With Plums) new book has been reported already, I missed it. I’m surprised that wasn’t bigger news.
Siegfried, Volume 1 – I’ve been meaning to read P Craig Russell’s Ring of the Nibelung adaptation for years, so I think this might be what pushes me to finally do it. It would be fun to read Russell’s and compare it to this version by Alex Alice.
Their Disney comics may be all but gone — and they will be gone after October — but BOOM! Studios’ kids line, kaboom!, isn’t going away. Joining Snarked!, Wordgirl and the other post-Disney era of kid’s comics from the company will be an ongoing Peanuts series.
The book follows BOOM!’s Happiness Is a Warm Blanket, Charlie Brown, a graphic novel adaptation of the TV special by the same name. They’ll kick it off with a $1 “zero” issue this November, and the regular series will kick off in January.
“It’s a daunting task to follow in the footsteps of a master,” BOOM! Studios Editor-in-Chief Matt Gagnon said in a press release. “But with the team we have assembled and the guidance of the folks at Peanuts Worldwide and Charles M. Schulz Creative Associates, we’re confident that we’ll be delivering to fans the best Peanuts monthly comic book series anyone could imagine.”
Unfortunately the press release makes no mention of the “team” they have assembled to work on the comic. It does note that these will be new, original stories, rather than reprints of any previous Peanuts material. You can find the release after the jump.
Publishing | Sales of comic books and graphic novels in July fell 6.17 percent versus July 2010, with dollar sales of comic books sold through Diamond Comic Distributors falling 4.27 percent and graphic novels falling 10.10 percent year-over-year. Unit sales for comics were only down slightly, at .52 percent, which ICv2 points out “indicates that comic book cover prices have in fact declined. The problem is that circulation numbers have not risen enough to make up for the decline in revenue from lower cover prices.” Marvel’s Amazing Spider-Man #666, which kicked off the “Spider-Island” event, was the best-selling comic of the month, while League of Extraordinary Gentlemen III Century #2 from Top Shelf topped the graphic novel chart. John Jackson Miller has commentary.
Marvel saw a slight increase in its dollar market share for July when compared to June, while DC’s jumped from 28.03 percent in June to 30.55 percent in July. IDW, the No. 5 publisher in terms of dollar share in June, moved to the No. 3 position in July. The top seven publishers were rounded out by Image, Dark Horse, Dynamite and BOOM! [ICv2]
In a press release that reads like a parody of corporate press releases, Peanuts Worldwide announced a series of digital initiatives that they hope will develop Peanuts into “a leading global entertainment and multi-media property.” Because it wasn’t before, apparently—just a meaningless jumble of books, television shows, movies, Broadway musical, syndicated newspaper strip, lunchboxes, etc. Verbiage aside, their new initiatives sound pretty cool.
First, there’s a new the Peanuts website, which is very nicely designed and gives you a daily Peanuts strip (the same one that’s in the paper, I’m guessing, but my paper doesn’t get Peanuts) as well as links to Peanuts merchandise, character profiles and video clips, and a page for the Charles M. Schultz museum. It’s a good start, and I hope they continue to add content.
The second part of the push is digital comics and e-books. The first product to launch was Happiness Is a Warm Blanket, Charlie Brown, an original graphic novel published by kaboom!, the kids’ imprint of BOOM! Studios, which is available both in print and digitally via comiXology and a special Peanuts app (not in the iTunes store yet, as far as I could see). There are more original graphic novels on the way.
Publishers | DC Comics have released details on the midnight release of Flashpoint #5 and Justice League #1 on Aug. 31. The publisher is offering a free over-ship of Flashpoint #5 for retailers who order 125 percent of their order for Flashpoint #1, and the publisher has noted that that these are the only two DC titles shipping that week that can be sold at midnight. The promotion is only available to U.S. and Canadian accounts; due to the Aug. 29 bank holiday, the midnight sale option will not be available to UK retailers. [ICv2]
Legal | Michael Dean looks at the recent ruling by New York federal judge Colleen McMahon that the family of Jack Kirby has no claim to the copyrights of the characters he co-created for Marvel. Dean notes, “Some legal observers were expecting Marvel to be the second major comics-publisher domino to fall when Toberoff filed on behalf of the Kirbys, but there is a key difference between Kirby’s comics work and Siegel’s: It was well established that Superman already existed as a full-blown character concept before Siegel and Joe Shuster pitched him to DC, whereas Kirby, who died in 1994, did most if not all of his Marvel work on assignment from the publisher. In the case of work for hire, the Copyright Act defines the instigating employer/publisher as the Author of the work.” [The Comics Journal]
BOOM! Studios sent out both their Comic-Con International exclusives and their booth/panel schedule yesterday. They include variant cover editions of Happiness is a Warm Blanket, Charlie Brown, Planet of the Apes (with a movie cover) and Duck Tales. The Duck Tales cover, a “homage” to Nintendo Games, is very tongue-in-cheek, considering many have compared the Kaboom! logo to the Nintendo logo.
They’ll also have Mark Waid and Shannon Wheeler signing, respectively, Definitive Irredeemable Vol. 1 and I Thought You Would Be Funnier. And a lot of other creators. Check out their booth schedule after the jump.
We sometimes get so immersed in our little world of words and pictures that it can be difficult at times to remember that comics are part and parcel of the larger pop culture and, as such, could often be referenced in other medium, like films and pop songs.
With that in mind, and since I’m always fascinated by this sort of cross-pollination, I thought I’d make a quick (and by no means definitive) list of some songs based on or about some beloved comic book characters. As a self-imposed caveat, I tried to stay away from theme songs or film contributions, so as much as I love The Ramones’ version of “Spider-Man,” I’m keeping it off the list for that reason.
Oh, and don’t forget to offer you’re own picks in the comments section …
1. Evangeline by Matthew Sweet
Sure, anyone can make up a song about Superman or Wonder Woman, but if you really want to establish your nerd cred, you need to write a song about a comic book character so long-forgotten even serious fans would need ten minutes or so to scratch their heads before saying, “Oh yeah, her.” So it was with Gen X songsmith Matthew Sweet, who penned a rather plaintive paen (“as sung by Johnny Six” the liner notes helpfully tell us) to the “sexy, killer vigilante nun” created by Chuck Dixon and Judith Hunt back in the heady days of the 1980s for Comico Comics. It’s a rather irresistible song — arguably one of Sweet’s best — as the singer looks at the figure he has placed on a pedestal and begs her to forget about all that “marriage to God” nonsense and give him the time of day, at least for a little bit. The fact that it features a really killer hook doesn’t hurt matters much.
Retailing | Bankrupt bookseller Borders Group said in court papers filed Friday that it will name a stalking-horse bidder by July 1, with an eye toward completing the sale of all of its assets by the end of July. The Detroit News spotlights the two private-equity firms that have placed bids to buy at least a majority of the book chain’s 416 remaining stores: Phoenix-based Najafi Cos., which owns the Book of the Month Club, Columbia House and BMG; and Los Angeles-based Gores Group — the likely stalking-horse bidder — whose investments include Alliance Entertainment and Westwood One. [Reuters, The Detroit News]
Legal | Peanutweeter, a blog that combined frames from Charles Schulz’s Peanuts strips with real, out-of-context tweets, has been taken down by Tumblr as the result of a Digital Millennium Copyright Act complaint from Iconix Brand Group, which acquired a majority stake in the Peanuts assets last year. One blogger, however, argues the blog should be considered fair use. [RIPeanutweeter, Boing Boing]
The latest in a long line of historical comic-related auctions is coming up at Heritage Auctions‘ next event –a never-before-seen pre-Peanuts comic strip by Charles Schulz. Here it is:
Created in the late 40s between Schulz’ first work Li’l Folks and the debut of Peanuts in 1950, it contains characters that bear more than a passing resemblance to future Peanuts stars Charlie Brown and Snoopy. The artwork is being offered by the family of the late Frieda Rich, a lifelong friend of Schulz who served as the inspiration for the Frieda character with the famous “naturally curly hair.”
This will be one of many pieces that’ll hit Heritage Auctions’ auction block on May 5, and the organizers expect this piece to bring more than $20,000 alone.
Comics | A copy of Archie Comics #1, published in winter 1942, sold at auction last week for $167,300, setting a world record for an Archie title and a non-superhero comic. “Archie may have a ways to go to catch the likes of Superman and Batman, his Golden Age counterparts,” said Lon Allen, managing director of comics for Heritage Auctions, “but you can bet that collectors sat up and took notice when this comic brought that price. This amount exceeds the priciest of Spidey and Hulk comic books we’ve sold, which brought in excess of $125,000 each.” [Luxist]
Retailing | REDgroup Retail, which owns the Australian booksellers Borders and Angus & Robertson, has laid off 321 employees at the two chains following the closing of 38 stores. The company entered into administration last month. [ABC News]
Retailing | Borders Group has asked a bankruptcy judge for more time to decide whether to assume or reject its 681 leases, including those for 674 stores. If granted, the extension would give the company until Jan. 12, 2012, to deal with its leases. [Detroit Free Press]
Publishing | In a wide-ranging interview with retail news and analysis site ICv2, Dark Horse CEO Mike Richardson discusses the state of the market, the potential impact of Borders’ bankruptcy, digital comics, the decline in manga sales, the success of Troublemaker and more. Of particular note is Richardson’s confirmation that Apple’s stricter enforcement of a prohibition on in-app purchases outside the iTunes store was behind the delay of the planned January launch of Dark Horse’s digital comics program. He also says that Frank Miller is working on the third issue of his 300 prequel Xerxes, which is expected to be “roughly six issues, but he hasn’t exactly decided yet.” [ICv2.com]
Publishing | Robot 6 contributor Brigid Alverson provides an overview of recent changes to BOOM! Studios’ kids’ line, from the loss of the Pixar licenses to a new imprint name — changed from BOOM! Kids to kaboom! — to the announcement this week of a Peanuts original graphic novel. “BOOM Kids! was designed to publish children’s comics — kaboom! is designed to be a true all-ages imprint, and for that reason Peanuts is the perfect launch title, the sort of material that adults and kids read alike,” CEO Ross Ritchie said. “Roger Langridge’s Snarked! is along these lines, as is Space Warped and Word Girl. I put the Word Girl announcement on my wall on Facebook and immediately there were a zillion adults commenting, ‘My child loves this show but I’m buying this comic book for myself!’ The title mix will be broader for kaboom! than it was for BOOM Kids!” [Publishers Weekly]
BOOM! Studios has been teasing “BOOM! Kids 2.0″ for awhile now, and earlier today they sent out the above image that denotes a name change for their kid’s line, from BOOM! Kids to Kaboom! They’ve also taken down the BOOM! Kids website and replaced it with the teaser.
That was followed a few hours later with this image:
Retailing | The financially troubled Borders Group reportedly could file for Chapter 11 bankruptcy protection as soon as today or Tuesday, setting the stage to close about 200 of its 674 Borders and Waldenbooks stores and eliminate thousands of jobs. [The Wall Street Journal]
Retailing | Diamond Comic Distributors revealed that 98 percent of the more than 500 direct market stores visited by secret shoppers during the first month of day-early delivery were found to be in compliance with the program’s street-date requirements. According to Diamond, of the 10 stores discovered to be in violation of the agreement, one was reported by another retailer while the others were discovered by secret shoppers. [ICv2.com]
Comic-Con | Badges for Comic-Con International sold out Saturday during a marathon online-registration session that taxed the servers of convention sales partner TicketLeap and frustrated ticket buyers. Four-day passes were gone by about 2 p.m. PT; the event sold out by 6 p.m. (Additional passes may become available as cancellations are processed.) As we noted earlier, San Francisco comics retailer Isotope is memorializing Saturday’s experience with a “San Diego Comic Con 2011 Registration Disaster Commemorative Fail Frog button,” featuring a modified version of the TicketLeap logo that frustrated users saw every time they refreshed their web browser.
On the TicketLeap company blog, CEO Chris Stanchak acknowledged that “our platform experienced capacity issues for a 4 hour period” on Saturday: “While we knew the event was going to put significant demand on our system, we did not expect the traffic we received. [...] The traffic we received yesterday was several orders of magnitude higher than our high end estimate. Due to the heavy strain on the system, users for all events across our system received ‘Over Capacity’ errors. This prevented ticket buyers from buying tickets and it prevented event organizers from managing their events.” Tom Spurgeon offers commentary. [Comic-Con International]
A couple of years back I attended a panel at the Alternative Press Expo featuring Jason McNamara, writer of the Martian Confederacy, interviewing the books’ artist Paige Braddock for her spotlight panel at the show. It was an interesting discussion, so when Jason approached me about the possibility of doing an interview on the follow-up to the book, I asked him if maybe he’d be willing to interview Paige instead. And here it is. You can check out a preview of the book here.
by Jason McNamara
She’s an incredible talent, a generous collaborator and a very good friend. I’m talking, of course, about Paige Braddock.
Raised in the South, Paige graduated from the University of Tennessee and spent years working as a journalist before being recruited by Peanuts creator Charles Schulz to join his studio, where she’s now the Creative Director.
After hours, Paige is also the Eisner-nominated creator of Jane’s World, the saga of hapless journalist Jane Wyatt, cracking jokes and suffering one lesbian misadventure after another. Paige employs a classic Sunday-morning approach to modern relationships, creating a natural entry point for all readers. Created as an online strip in 1998, JW became a comic book in 2002 when Paige founded Girl Twirl publishing imprint. Jane’s World continues to be published twice a year as a series of graphic novels and is serialized at Comics.com.
A few years ago, Paige approached me about collaborating on a project. The result was 2008’s The Martian Confederacy, a futuristic Sci-Fi romp, equal parts Noam Chomsky and Dukes of Hazzard. With the upcoming release of our second volume, I thought this would be a great time to catch up.