Peter Milligan

Promotional push begins for ‘The Best of Milligan & McCarthy’

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Brendan McCarthy has taken to Facebook to plug the upcoming Dark Horse collection The Best of Milligan and McCarthy.  He’s been using it to spread rather fetching memetic images from the classic strips in the book: so far, “Freakwave,” “Paradax” and “Skin” have gone up, presumably with similar designs for “Sooner or Later” and “Rogan Gosh” to follow.

I have to admit, I have a horse running in this race, because Brendan and Pete asked me to write an essay for the book, and it proved damned hard getting the reasons of why and how much I love this material down to less than a thousand words. Anyway, I feel jealous of anyone getting to experience this (inspirational, influential) material for the first time. It’s been downright criminal that its been out of print for so long.  You’ll laugh, you’ll cry, you’ll fall in love, you’ll walk funny for a week.

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A little about each of the stories in DC’s Young Romance special

Whether due to use-it-or-lose-it legal concerns about trademarks, or simply to remind everyone of exactly what it owns, DC Comics has come up with a variety of ways to recycle old titles, ranging from the 1997 Tangent event to the anthologies Mystery in Space and Ghosts to the short-lived National Comics revival.

This week the company brought back Young Romance, the title of the Joe Simon/Jack Kirby-created comic that was published from 1947 to 1975, as a Valentine’s Day special featuring a half-dozen stories of romance in the New 52 DC Universe.

An interesting mix of creators are involved, an interesting enough mix to merit a look at what they might do with some of these characters and couples in eight pages. So join me for mini-reviews of every story in Young Romance: The New 52 Valentine’s Day Special.

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Vertigo to revive Time Warp sci-fi anthology

From Eduardo Risso's cover for "Time Warp" #1

Adding to such recent revivals as Strange Adventures, Ghosts and Young Romance, Vertigo will publish the science-fiction anthology Time Warp #1 in March. Although the announcement at MTV Geek doesn’t specify that the title is a one-shot, all of the previous ones have been.

The issue will feature stories by the likes of Damon Lindelof, Jeff Lemire, Matt Kindt,  Toby Litt, Mark Buckingham, Dan Abnett, Peter Milligan, Ray Fawkes, Simon Spurrier, Gail Simone, Rafael Albuquerque and Tom Fowler, with covers by Eduardo Risso (in full below) and Jae Lee.

Time Warp doesn’t have quite the august history that such titles as Young Romance and Strange Adventures have: Debuting in 1979 amid the renewed popularity of science fiction, and in the wake of the DC Implosion, the anthology lasted just five issues. However, it featured an impressive lineup of talent, including Steve Ditko, Curt Swan, Jim Aparo, Paul Levitz, Gil Kane, Arnold Drake and Denny O’Neil.

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What Are You Reading? with Jimmy Palmiotti

Dark Horse Presents #13

Hello and welcome to another edition of What Are You Reading? Our guest today is writer and artist Jimmy Palmiotti, who you know from All-Star Western, Monolith, Phantom Lady, Unknown Soldier, Creator-Owned Heroes, Queen Crab and countless more.

To see what Jimmy and the Robot 6 crew have been reading, click below.

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Collect This Now | Peter Milligan & Duncan Fegredo’s Girl

Have you ever met a girl and she’s stuck with you in memory, even though you haven’t seen her in decades? For me, it’s Simone Cundy, whom I met in the mid-’90s in the Vertigo miniseries Girl.

Published in 1996 as part of Vertigo’s sub-imprint Vertigo Vérité, the three issue series followed a teenage girl named Simone in the doldrums of teenage angst and depression who’s roused when her doppelganger Polly (with blonde hair) challenges her. Dealing with issues of growing up and coming to terms with yourself, Girl was a great little series that showed an early example of Fegredo’s excellent work and Milligan’s growing assuredness to tell more complicated stories.

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Milligan & McCarthy’s ‘Summer of Love’ — a little comics archeology

In the U.K. in 1987, right at the height of the Reagan/Thatcher era of populist conservatism, a group of former members of the left-wing think tank Big Flame somehow decided it was a good time to launch a new, staunchly socialist, tabloid Sunday newspaper.  The mistakes made at The News on Sunday may have gone down in legend among Britain’s journalists, but history will give them credit for one thing: Somebody there had great taste in comics.

The paper featured two strips by two creative teams from two classic runs in 2000AD, producing work that was almost identical in nature to what was being commissioned by that era’s Tharg, Steve MacManus. Fresh from their work on Slaine, Pat Mills and Glenn Fabry originated the strip “Scatha,” another Celtic-themed slice of sword and sorcery (the strip was featured by the Bear Alley blog way back in 2008). Pete Milligan and Brendan McCarthy, just off 2000AD‘s “Sooner or Later,” came up with “Summer of Love,” a similar mix of social commentary, puns, quips and surrealism.

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Greatest Comic of All Time | Paradax! Remix

The greatest comics of all time don’t appear on bestseller charts or canon lists or big-box bookstore shelves.  They are the property of the back issue bins and thrift store crates and convention hawkers of America, living like the medium itself in the unseen crags and pockets of publishing history…

Paradax! Remix, drawn by Brendan McCarthy, colored by Frankie Stein and McCarthy, scripted by Peter Milligan.  Cover-dated August 1987.  Published by Vortex Comics.

How acquired: As a major proponent of old-school analog back issue hunting, it pains me to admit that everything leading to my ownership of this comic happened online.  Brendan McCarthy is one of a very few great cartoonists whose complete works can be feasibly tracked down by normal dudes with rent to make and girlfriends’ acting classes to pay for, and having decided to become one such dude, I used the unofficial guide that can be pieced together from this Comics Comics Magazine comments thread as a road map for a shopping spree at an online back issue retailer.  Two weeks later a box of McCarthy comics, including this one, showed up.

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Kiss Kiss Bang Bang and Route 666 revivals ‘shelved’ by Marvel

More than three months after Marvel said it was merely delaying the debuts of Kiss Kiss Bang Bang and Route 666, Senior Vice President of Publishing Tom Brevoort revealed this morning that the planned revivals of the CrossGen titles “have been shelved for the time being.”

Announced in August at FanExpo Canada, Kiss Kiss Bang Bang and Route 666 were set to join recent revivals of Ruse, Sigil and Mystic in December and February, respectively, under Marvel’s fledgling CrossGen imprint. Buoyed by nostalgia for the defunct publisher, Ruse and Sigil had solid enough debuts, selling an estimated 28,500 copies each in February 2011. But by their conclusions in June, sales of Ruse had plummeted to about 10,500 copies, and Sigil to 8,900. Mystic‘s August premiere was considerably weaker, moving around 18,800 copies. By October’s Issue 3, that figure had tumbled to about 6,000, suggesting nostalgia only goes so far.

Written by Roberto Aguirre-Sacasa and illustrated Peter Nguyen, Route 666 was to re-imagine the CrossGen horror series, transplanting protagonist Cassie Starkweather to the 1950s, where she was a deputy to U.S. Marshal Evan Cisco. Likewise, writer Peter Milligan and artist Roman Rosanas put a new spin on the Mike Perkins-Tony Bedard espionage comic Kiss Kiss Bang Bang, with a young agent ordered by MI6 to assume the role of super-spy Charles Kiss.

(via Blog@Newsarama)

Comics A.M. | Neil Gaiman comments on end of Spawn dispute

Spawn #26

Legal | Neil Gaiman comments briefly on the settlement agreement that ends his decade-long legal dispute with Todd McFarlane over Medieval Spawn, Angela and Cogliostro, and a handful of derivative characters: “The main thing is, I feel like an awful lot of good things have come out of it. … I think the various decisions, particularly the [Judge] Posner decision, were huge in terms of what the nature of dual copyright in comics is. What is copyrightable in comics is now something that there is a definite legal precedent for. There were a lot of things that were … misty in copyright [law] that are now much clearer. And it’s of benefit to the creator.”

While the details of the settlement are confidential, it’s known that Gaiman and McFarlane now share ownership of Spawn #9 and #26, as well as the first three issues of an Angela spin-off series. [Comic Riffs]

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Food or Comics? | Bulletproof Coffee: Disincaffeinated

Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.

Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.

Fantastic Life

Chris Arrant

If I had $15, I’d try something new first with the Xeric-winning Fantastic Life GN (Big If, $9.95) by Kevin Mutch. I’ll always give Xeric winners a second look, and this looks built for me: slackers, punk rock, zombies. Next up I’d get the ongoing adventures of Butcher Baker – the Image one – with Butcher Baker Righteous Maker #8 ($2.99). I’ll admit that the series went off a little bit around #5, but I’m still holding on for hopes it’ll right itself or I’ll figure out what I’d been missing. Lastly, I’d get Secret Avengers #21.1 (Marvel, $2.99). Seriously, is Rick Remender becoming the writer of all-things secret in the Marvel U? I’m not complaining though, as he’s bringing his Uncanny X-Force mojo and, from what it looks like, a lot of new cast members.

If I had $30, I’d get my usual pull of The Walking Dead #93 (Image, $2.99) and a Hickman two-fer, Fantastic Four #602 (Marvel, $2.99) and FF #14 (Marvel, $2.99). If you would have told me two years ago I’d be seeing two Fantastic Four titles (and two I’d be reading, no less) I would have been gobsmacked. Hickman does it again. And that’s it.

What, you say I didn’t spend my full $30? It’s a light week for me, so I’d spending the remaining on bags and boards or, *gasp*, food as it says in the title. Tijuana Flats, Taco Tuesday, be there.

Coming back if I could splurge, and I’d put down my tacos and pick up the ADD HC (Vertigo, $24.99) by Douglas Rushkoff, Goran Sudzuka and Jose Marzan Jr. From the outside it looks like The Hunger Games meets Ender’s Game, and Rushkoff looks to be just the one to make that mash-up more than, well, a mash-up.

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Marvel’s Route 666, Kiss Kiss Bang Bang delayed but not canceled

Route 666 #1 cover sketches, by Peter Nguyen

In the wake of a wave of cancellations from the House of Ideas, there emerges some good news for fans of CrossGen: While Marvel’s revivals of Kiss Kiss Bang Bang and Route 666 won’t debut in December and February, as originally announced, the publisher assures the titles aren’t canceled but merely delayed.

A Marvel spokesman tells Robot 6 the planned four-issue miniseries are simply being moved around on the publisher’s 2012 calendar.

Announced in August at FanExpo Canada, Route 666 and Kiss Kiss Bang Bang are set to join recent revivals of Ruse, Sigil and Mystic under Marvel’s fledgling CrossGen imprint. Buoyed by nostalgia for the defunct publisher, Ruse and Sigil had solid enough debuts — for miniseries, in any case — selling an estimated 28,500 copies each in February. But by their conclusion in June, sales of Ruse had plummeted to about 10,500 copies, and Sigil to 8,900. Mystic‘s August premiere was considerably weaker, moving around 18,800; by October’s Issue 3, that figure had fallen to less than 6,500.

Written by Roberto Aguirre-Sacasa and illustrated Peter Nguyen, Route 666 re-imagines the CrossGen horror series, transplanting protagonist Cassie Starkweather to the 1950s, where she’s a deputy to U.S. Marshal Evan Cisco. Likewise, writer Peter Milligan and artist Roman Rosanas put a new spin on the Mike Perkins-Tony Bedard espionage comic Kiss Kiss Bang Bang, with a young agent ordered by MI6 to assume the role of super-spy Charles Kiss.

Food or Comics? | A pre-Thanksgiving four-color feast

Wolverine and the X-Men

Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.

Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.

Chris Arrant

If I had $15, I’d get one from almost every box–Image’s Invincible #85 ($2.99), DC’s DMZ #71 ($2.99), Marvel’s Wolverine and The X-Men #2 ($3.99) and independent title RASL #12 ($3.50). Not much to say about any of these I haven’t already said, except anytime Cory Walker draws a book I’d pay twice cover price.

If I had $30, I’d sneak out of Thanksgiving preparations to first get a book I was surprised I liked as much as I did, despite the last issue’s ending: Shade #2 (DC, $2.99). One thing I wasn’t amped to see was Deathstroke, but given James Robinson and Cully Hammer’s track record I’ll give them the benefit of the doubt. Next up would be the epic (in my mind, at least) team-up of Warren Ellis and Michael Lark on Secret Avengers #19 (Marvel, $3.99). Seeing Ellis boil down the concept into “Run the mission. Don’t get seen. Save the world.” Hits me right between the eyes, and this new issue’s preview has be salivating over it. Last up, I’d pay the giant size price tag for Fantastic Four #600 (Marvel, $7.99) although my patience has worn a little thin with ending the series then bringing it back for #600.

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Comics A.M. | Other publishers benefit from DC’s New 52 bump

Teenage Mutant Ninja Turtles

Publishing | IDW’s Chief Operating Officer Greg Goldstein attributes a bump in the company’s September sales to several factors, including DC’s big relaunch: “The reality is the DC New 52 brought some people into comic book stores that hadn’t been in comic stores for a while, and we had the opportunity to sell them some of our books as well as the other books that are available to them. But clearly, people who had not been focused on comics came out of the woodwork a bit.” It didn’t hurt that IDW had its own launches of properties familiar to those outside of comics, including the new Teenage Mutant Ninja Turtles series, an ongoing Star Trek series and the Star Trek/Legion of Super-Heroes crossover. [ICv2]

Legal | A Belgian judicial adviser has recommended that the nation’s courts reject a four-year-old bid by a Congolese student to have Herge’s 1931 Tintin in the Congo banned, or at least restricted, because of its racist depictions. The recommendation is being viewed as a major setback for the case, as the opinion of the Procureur du Roi (Senior Crown prosecutor) is requested and typically followed by the court. [The Guardian]

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Artist Mikel Janin unleashes trailer for Justice League Dark #1

On the heels of Brett Booth’s teaser for Teen Titans #1 arrives this slick and creepy trailer for Justice League Dark #1 from series artist Mikel Janin. Written by Peter Milligan, the title brings together Shade the Changing Man, Madame Xanadu, Deadman, Zatanna and John Constantine to battle face the dark forces unleashed by The Enchantress.

Justice League Dark #1, which features a cover by Ryan Sook, arrives on Sept. 28.

(via DC Women Kicking Ass)

DC relaunch scorecard: DCnU or DC No?

Green Lantern #1, by Dave Johnson

Although it seems like DC’s big relaunch announcement came out an eternity ago, it actually took the publisher less than two weeks to roll out the 52 titles and their creative teams for the big relaunch/reboot/overhaul coming in September. Now that the cats are out of their respective bags, I thought I’d see where various creators and characters will land after the reboot.

So I went back through DC’s August solicitations to see who was writing or drawing what, and tried to map everyone to their post-relaunch project — if they had one. However, looking at DC’s August solicitations, there seem to be several fill-in issues, so where appropriate I tried to map the most recent ongoing creative teams to their new projects (for instance, I consider Gail Simone and Jesus Saiz the regular creative team for Birds of Prey, even if they aren’t doing the last two issues before September hits). Keep in mind that I just went through the ongoing series and skipped over all the miniseries … of which there are a lot, what with Flashpoint winding up in August.

It’s also worth noting that although several creators didn’t appear in the “big 52″ announcements, that doesn’t mean their tenure with DC is necessarily over — some, like Frazer Irving, have said they have future projects that haven’t been announced. So I tried to note where creators have talked publicly about their post-relaunch plans with DC (or lack thereof, as the case may be). The same could probably be said for some of DC’s characters as well. Or, as Gail Simone said on Twitter: “Again, September is NOT THE END. There’s still plans for characters that we haven’t seen yet.”

So let’s get to it ….

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