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As they teased back in September, Renae De Liz (The Last Unicorn, Womanthology) and her husband Ray Dillon (Servant of the Bones, The Last Unicorn) have launched a Kickstarter campaign to fund a graphic-novel adaptation of J.M. Barrie’s Peter Pan.
“The original story is one of the most beautiful, inspired things I have ever read, and I hope to convey that beauty to the best of my abilities into this graphic novel,” De Liz writes on the project’s Kickstarter page. “I also intend to further explore Peter Pan and Captain Hook’s backstory by adapting parts from J.M Barrie’s The Little White Bird ( prequel to Peter and Wendy) and a little known informations given by Barrie about Jas. Hook into the story.”
They’re seeking a rather sizable amount — $48,000 — to fund production of the first of three planned volumes, which will be released by IDW Publishing. Pledge incentives range from a copy of the 90-page Peter Pan: The Companion Guide to signed editions to an appearance as a background character in one or more panels. Just a day into the campaign, they’ve already raised $6,424.
I debated waiting until the Kickstarter launch to post about this, but it’s never too early to start getting excited about something this cool. Renae De Liz (The Last Unicorn, Womanthology) and her husband Ray Dillon (Servant of the Bones, The Last Unicorn) are adapting J.M. Barrie’s Peter Pan for comics. Judging from the teases on the project’s blog (and previous experience with De Liz’s work), it’s going to be amazing.
You can follow their progress either on the project’s blog or on Twitter, but De Liz also gives some additional details on her own blog where she talks about her inspiration for the book, publishing plans, and the possibility of donating some proceeds to the Great Ormond Street Hospital for Children, the spiritual copyright holder of Peter Pan. It’s still early in the creation process, but thanks to cool art like the animated cover below, this will be fun to watch as it develops. From Womanthology, De Liz has some experience using Kickstarter in a successful way, so once that campaign launches in about a month, expect to hear a lot more about this.
Chris Schweizer is a creator that lives in my neck of the woods: Atlanta. I always enjoy the opportunity to support (albeit imported) local talent. I recently email interviewed him about Crogan’s Vengeance (Oni Press), described by the publisher as “the first in an ongoing series of adventure graphic novels spanning continents and centuries as cartoonist Chris Schweizer climbs through the various branches of the Crogan clan’s family tree! Volume one of THE CROGAN ADVENTURES series introduces us to ‘Catfoot’ Crogan, an honest sailor who finds himself thrust into a life of piracy! Crogan never wanted to be a pirate and he never dreamed he’d wind up at odds with the most dangerous buccaneer ever to sail the Spanish Main! But there’s more to this fight for ‘Catfoot’ than just staying alive, there’s also CROGAN’S VENGEANCE!”
As noted at Schweizer’s own site: “He received his BFA in Graphic Design from Murray State University in 2004, and did his post-graduate work in Sequential Art at the Atlanta branch of the Savannah College of Art and Design . . . he now teaches as a professor of Sequential Art and Animation at SCAD-Atlanta.”
Thanks to Schweizer for an interview and thanks also to Oni’s Cory Casoni for facilitating the interview.
Tim O’Shea: Your pirate tale really relies on strategy being conveyed in battle partially with dialogue and visually, how did you strike a balance that did not make it too detailed or not detailed enough, while still being entertaining?
Chris Schweizer: A lot of it was gut instinct and hope. In some of the scenes where strategy came into play, I was very mindful of the potential to get bogged down in factual minutia. I tried to combat this a couple of different ways – firstly, by giving the bare minimum amount of information needed to understand what was going on, making sure that once an idea had been put forth in dialogue that it wasn’t repeated in subsequent dialogue. The other was panel composition and subject focus. Showing the different members of the crew in varying states of readiness rather than simply following the protagonist, Catfoot, around, bought me a little bit of extra reader attention during these expository battle preparations… at least, I hope it did.