Peter Tomasi Archives - Robot 6 @ Comic Book Resources
Wednesday was Batman Day, the official date for celebrating the character’s 75th anniversary. It’s fine to have a Batman Day, I guess — I’ve been getting emails from online bookstores saying “Celebrate Batman Day with our sales!” so it’s coming across in practice like President’s Day — but Batman is so ubiquitous in pop culture that you might as well have a McDonald’s Day or a Coca-Cola Day. (In a perfect world there would be a Rockford Files Day.)
Anyway, appropriately enough, each of the two regular Bat-books DC published this week looked at one end of Batman’s timeline. Batman Vol. 2 #33 wrapped up “Zero Year,” the latest (and perhaps the most epic) version of the character’s origins; and Batman and Robin Vol. 2 #33 presented “Robin Rises, Part One,” the latest chapter in Damian Wayne’s posthumous saga. While the former ended impressively, the latter is off to a slow start.
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Amazing X-Men, Vol. 1: The Quest For Nightcrawler (Marvel): Writer Jason Aaron transitions quite seamlessly from his 42-issue (or eight-trade paperback) run on Wolverine & The X-Men to this new series, which maintained the same setting and much of the same cast, only a switch of focus. Rather than the student body of the Jean Grey School For Higher Learning, the stars of this series are the superhero teaching staff, with a few additions not seen in Wolverine & The X-Men (Firestar coming in to replace Kitty Pryde, who was spirited away from the cast by Brian Michael Bendis to appear in his X-Men books, plus Northstar and the guy whose name is in the subtitle and is front and center on the cover).
Aaron’s main partner for this first volume is penciler Ed McGuinness (inked by Dexter Vines and colored by Marte Gracia), an artist whose big, muscular, cartoony style fits perfectly with the slightly zany tone of the story, and Aaron’s X-Men comics in general. Cameron Stewart draws the sixth issue in this collection, a sort of epilogue in which most of the other characters you would want to see reunite with Nightcrawler do so.
This week DC Comics released four more annuals, three of which are set in the past and one of which is a big, bridging chapter in an ongoing plot line. All are penned by the regular writers of their series, and are $4.99 for 38 pages. What else do you need to know?
Oh, who made them, what they’re about and whether they’re any good? Oh, sure, I can tell you that …
While DC Comics sacrificed some bragging rights in 2011 when it rebooted its superhero line, even the never-before-renumbered Action Comics and Detective Comics, one consequence of relaunching TEC was that it was only a matter of time — 26 months, to be exact — before the company got around to publishing a new Detective Comics #27. And that the second Detective Comics #27 would see release during the 75th year of Batman’s career, well, all the better.
The first Detective Comics #27, published in 1939, was, of course, the first appearance of Batman. The anthology’s cover was surrendered to an arresting image of a spooky man in tights, wearing a bat-mask and sporting huge bat-like wings, scooping up a gangster in a headlock while swinging in front of the yellow field above a city skyline. “Starting this issue,” the cover trumpted, “The Amazing and Unique Adventures of The Batman.” Inside, Bob Kane and Bill Finger’s pulp- and film-inspired detective hero cracked the “The Case of the Chemical Syndicate,” and the amazing and unique adventures begun therein have yet to cease.
DC has honored that milestone in various ways over the years, with notable celebrations including Michael Uslan and Peter Snejbjerg’s 2003 Elseworlds one-shot Batman: Detective No. 27, and 1991′s Detective Comics #627, in which the Alan Grant/Norm Breyfogle and Marv Wolfman/Jim Aparo creative teams did their own takes on “The Case of the Chemical Syndicate,” and both the original story and a 30th-anniversary version by Mike Friedrich and Bob Brown were reprinted.
This week brings Detective Comics (Vol. 2) #27, and another opportunity to celebrate that original issue, and Batman’s 75th anniversary, which DC does in a 90-page, prestige-format special issue — essentially a trade paperback with some ads in it — featuring contributions from the writers of all four of the main Batman books of the moment and about as strong a list of contributing artists as a reader could hope for.
Avengers: Endless Wartime (Marvel Entertainment): Marvel’s new line of original graphic novels — note the “Marvel OGN” logo on the spine — is off to a pretty strong start with this continuity-light Warren Ellis-written, Mike McKone-drawn story of an Avengers squad facing a new form of semi-sentient weapon evolved from a generation-old attempt to marry Nazi science with Norse magic.
That’s a good conflict for an Avengers comic, as the team includes a Nazi-fighting hero and a Norse god, and, better still, both Captain America and Thor were tied to the this new weapon’s origin.
Ellis does his usual fine job of mixing current science, speculative next-level science, elements of our zeitgeist and corporate superheroes with something that feels appropriate, cool and like the writer has something to say. Additionally, he has a pretty decent handle on the characters, and does a relatively good job of singling out particular voices (this is the first time in a long time that I’ve read an Avengers comic where everyone didn’t talk like Brian Michael Bendis).
Cap, Thor, Iron Man, Wolverine, Captain Marvel, Black Widow and Hawkeye, who reflects Matt Fraction’s version, are a bit of a rag-tag group, but they seem to be assembled primarily for their military backgrounds. “Do you know, I just realized I’m the only non-soldier in the room,” Tony Stark says at one point, and Captain Marvel sneers back, “That’s right, Tony. You’re just an ex-arms manufacturer in a metal death suit.”
If you’ve been keeping up with the events in the DC Universe, then you know things are looking particularly grim for the good guys.
At the conclusion of “Trinity War,” the Justice Leagues faced an invasion from the Crime Syndicate of Earth-3 — “The birthplace of all evil,” as one character called it — evil counterparts of the Justice League. In the first issue of Forever Evil, these villains claimed to have killed all of the Justice Leaguers, they freed all the supervillains from all the super-prisons and organized them into an army called The Secret Society, they did some awful things to Nightwing and then even moved the moon to permanently block out the sun.
To mark the occasion of evil temporarily winning (again), DC declared September Villains Month, and is interrupting the ongoing adventures of its heroes with special “.1″ issues starring various villains. Each of these was to bear a fancy plastic 3D cover that jacked the price up a buck and ultimately created shortages, an artificial collectors/speculators market and irritated a whole bunch of retailers, many of whom were already pretty irritated by having to figure out how to order something like, say, Justice League #23.3: Dial E, which fused one of the publisher’s best selling comics with one of its worst.
We — and by that I mean you and I, for the course of this post — aren’t going to concern ourselves with that aspect of the books, however. Instead, let’s look under those covers, whether they’re the fancy plastic 3D ones or the regular, cheaper “standard edition” ones and concern ourselves with the quality of the comics concealed behind the covers.
When Batman and Robin #18 arrives in stores Wednesday, you’ll notice the cover by Patrick Gleason and Mick Gray is decidedly different from the one solicited by DC Comics in December. Gone are the hopeful red hues of a Gotham City at sunset, replaced by the somber blue-gray tones of night.Gone, too, is what might be mistaken for a grin on Bruce Wayne’s face, now eclipsed by shadow.
And oh, yeah, it’s also missing a grinning Damian Wayne, soaring through the air at his father’s side, replaced by the darkness within the folds of Batman’s cape. Never has Gleason’s skull-shaped signature seemed more appropriate.
While the other Bat-Family titles receive completely new covers for the “Requieum” storyline, which deals with the aftermath of Damian’s death in Batman Incorporated #8, Batman and Robin #18 is the only one to boast a modified image — one made more eerie by the absence of Robin.
It’s an entirely silent issue,” writer Peter J. Tomasi told Comic Book Resources. “No text, no sound effects, storytelling at its purest form — show don’t tell — and, holy crap, does Patrick Gleason show why, in my humble opinion, he might be one of the best Batman artists ever. He knocks it out of the park.”
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15 this Wednesday, it’d be all Image for me – starting with Nowhere Men #3 (Image, $2.99). The Beatles as a scientific supergroup, through the lens of Dr. Strangelove? Let’s do this. I’ve been a big fan of Nate Bellegarde for a while, and this book finally seems to capture what’s unique about him – his comedy, his stark scientific acumen, and his humanism. After that I’d get Glory #32 (Image, $3.99). Beautiful cover by Ricken here, and reads like a great manga building up to some epic battle. After that I’d get Brian Wood and Ming Doyle’s Mara #2 (Image, $2.99). I tried to hold back my expectations before reading Issue 1, and I was blown away – so now Issue 2 has something to prove. Finally, I’d get Invincible #100 (Image, $3.99) (Cory Walker’s cover, if you want to know!). I’ve said it before, but I’ll say it again: I think Invincible is better than The Walking Dead. No need to compare the two really, though, because no matter how you cut it, this series is great … and what Kirkman and Ottley have planned for the 100th issue looks to be unique – both for the promised deaths and the promise of seeing what could have been had Mark Grayson chosen differently.
If I had $30, I’d make up for lost time and get Brian Ralph’s Cave-In (Drawn & Quarterly, $14.95) . I’m reticent to admit this, but I’ve never read this book. I loved Daybreak, but never found a copy or the motivation to seek out more … but this Wednesday that will change.
For splurging, I already have most of this in the single issues, but I can’t help but splurge on the new collection X-Men: Mutant Massacre (Marvel, $34.99). This was my first crossover in comics, buying back-issues before I discovered events like Crisis on Infinite Earths and Secret Wars. In my rose-colored glasses, it’s an ideal crossover for not being too overbearing and relating to a conflict or situation that isn’t superhero-specific. Love the Morlocks, love Uncanny X-Men and the associated books around this time, so I’m buying this and spending an evening enjoying it all over again.
Hello and welcome to another edition of What Are You Reading? Today our special guest is Chris Williams, editor of the web series The Variants.
To see what Chris and the Robot 6 crew have been reading, click below …
Hey kids, it’s time once again for What Are You Reading?, a weekly look into the reading habits of your Robot 6 bloggers. This week our special guest is Rik Offenberger, comics journalist and public relations coordinator for Archie Comics.
To see what Rik and the Robot 6 crew have been reading, click below.
Welcome to What Are You Reading? Our special guest today is Chris Duffy, editor of First Second’s Nursery Rhyme Comics. We spotlighted this anthology project all week here on Robot 6; check out our interviews with Chris as well as contributors Scott C., Aaron Reiner, Richard Sala and Eleanor Davis.
And to see what Chris and the Robot 6 crew have been reading, click below.
Hello and welcome once again to What Are You Reading? This week our special guest is Elisabeth Forsythe, marketing manager for online comic shop Things From Another World and frequent contributor to The Blog From Another World.
To see what Elisabeth and the Robot 6 crew have been reading lately, read on.
DC spent the day rolling out announcements about the Batman books in anticipation of its line-wide September relaunch…with one conspicuous absence until the very end.
So, Bruce Wayne is reclaiming sole possession of the mantle of the Bat, while Batman and Detective Comics are swapping creators: Batman writer/artist Tony Daniel will be taking over Detective Comics, while ‘Tec writer Scott Snyder is taking over Batman with artist Greg Capullo of Spawn fame. Both books will star Bruce Wayne rather than his protege and stand-in Dick Grayson beneath the cape and cowl.
Once dead, twelve heroes and villains were resurrected by a white light expelled from deep within the center of the Earth. The reason behind their rebirth remains a mystery. But it will not be a mystery for long. This is the Brightest Day.
So reads the mission statement which began each issue of the year-long, twice-monthly, just-concluded Brightest Day miniseries (written by Geoff Johns and Peter Tomasi, drawn by various artists). One might therefore be forgiven for thinking that BD would have used this premise to mold those characters into an imperfect ensemble, in order to explore collectively what “life after death” meant in a superhero context.
Instead, BD farmed out almost half its potential cast to other titles, thereby transforming itself (rather quickly) into a multi-headed Rebirth-style rejuvenation. From there it reintroduced readers to Aquaman, Hawkman and Hawkgirl, Firestorm, J’Onn J’Onzz, and Deadman, and used them in turn to reintroduce … well, you probably know by now, but let’s wait a while to talk about that.
Paul Cornell and Scott McDaniel will unite for a three-issue arc on Batman and Robin as the debut of Peter Tomasi and Patrick Gleason as the new regular creative team is delayed until February.
As announced in July, Tomasi and Gleason were to take the reins from Grant Morrison and Cameron Stewart with November’s Issue 17. However, Editor Mike Marts tells IGN.com that their work on Brightest Day led to difficulties.
“Both Peter and Patrick were pulling double duty on Brightest Day and Batman and Robin — no easy task, even for dedicated and hard-working creators like these guys,” Marts tells the website in an e-mail. “So rather than have them running ragged on both titles we decided to make their lives a little easier by delaying the start of the run on Batman and Robin. This way, they can give priority to the important storylines they’re taking care of now in Brightest Day, then recharge and refocus for their debut on B&R.”
Cornell, who’s been busy with Action Comics and the Knight and Squire miniseries, says his arc features a new villain and centers on the theft of the corpse of one of Bruce Wayne’s former girlfriends.
“This is a very dark story, in the Grant Morrison tradition,” Cornell says, “with some evil stuff going on under the surface and some mad bubbles on top.”