INTERVIEW: Gail Simone Guides 'Blockbuster Update' of Red Sonja, Vampirella and Dejah Thoris
[Editor’s note: Every Sunday, Robot 6 contributors discuss “The best in comics from the last seven days” — from news and announcements to a great comic that came out to something cool creators or fans have done.]
Meags Fitzgerald‘s Photobooth: A Biography is my favorite sort of book, the history of a common object that folds in all sorts of interesting side stories along the way. Photobooths were once ubiquitous in malls and shopping centers; you put in your quarter, mugged for the camera, waited what seemed like forever, and collected your strip of three or four photos to swap with friends or pin to your bulletin board. When I was growing up they were just sort of there, and nobody thought too much about them.
You’ve seen them at amusement parks and train stations, and perhaps even glimpsed some makeshift ones at weddings and other large social functions. Photo booths have been a part of Americana for generations, despite digital technology threatening to make them a relic of yesteryear. Still, most of us give them little thought beyond the opportunity to get a quick picture taken.
Not so with Meags Fitzgerald. The Canadian artist has been obsessed with the technology, history and aesthetics of photo booths for years, and she’s managed to turn her interest into a graphic novel, Photobooth: A Biography, which will be released in May by Conundrum Press. As you might expect, it delves deeply into the history of the device, its significance and what is being lost in the move to digital.
I interviewed Fitzgerald by email last week about her upcoming book and abiding love for this disappearing technology.