pinocchio vampire slayer Archives - Robot 6 @ Comic Book Resources
He’s written sentient living planets, talking wooden puppets and the Fastest Man Alive, but The Leg: Or, the Remarkable Return of the Disembodied Limb of Santa Anna may feature Van Jensen’s strangest protagonist yet.
Jensen teamed up with artist Jose Pimienta to tell the tale of, yes, the leg of Antonio López de Santa Anna, the famous Mexican general and president who fought for Mexican independence from Spain as well as against Texas rebels at the Alamo. He later lost his leg while fighting the French in the Pastry War.
And now the leg is back, in a graphic novel that Jensen and Pimienta hope to self-publish by raising funds through Kickstarter. They’re looking for $10,000 to bring story to print, while their $25,000 stretch goal would allow them to also release a Spanish-language edition.
I spoke with Jensen about the Kickstarter and his inspiration for this tale.
Thirty-six questions. Six answers. One random number generator. Welcome to Robot Roulette, where creators roll the virtual dice and answer our questions about their lives, careers, interests and more.
Joining us today is Van Jensen, writer of the Pinocchio Vampire Slayer series and Green Lantern Corps.
Now let’s get to it …
Did we know there’s another Pinocchio, Vampire Slayer story in the works? ‘Cause I just stumbled across this image on the PVS website with the announcement that it’s something creators Dusty Higgins and Van Jensen are working on.
In a throwaway line from Pinocchio, Vampire Slayer, Volume 3, a character mentions a vampire-infested zoo and quips, “Remember the vampire gorilla?” Higgins and Jensen not only remember it, they “have always planned on eventually telling it.” It’ll be a short story featuring all the vampire-slaying puppets from the graphic novels; the creators just have to work out the details of how it’ll be released.
Update: Jensen provides some additional PVS-related info in our comments section: “Also, for those who missed the announcement at Comic-Con, Top Shelf Productions will be publishing an omnibus edition of PVS in 2014. We’re thrilled to partner with the Top Shelf folks and to have the entire story in one place. Digital editions will be coming as well. Release dates not set as of yet, but we’ll announce all of that soon.”
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15, I’d make up for lost time and get the first collection of Mind the Gap (Image, $9.99). Rodin Esquejo is an absolute gem in my opinion, and Jim McCann looks to have crafted a story with some definite suspenseful power. After that I’d get James Stokoe’s Godzilla: Half Century War #3 (IDW, $3.99). This has become one of my favorite serials to come out, which for a work-for-hire book is tough. Instead of doing a story in service of the concept, it uses the concept to create a great story – and Stokoe really loves Godzilla and puts a face to those humans who oppose him. Finally, I’d get the free Cyber Force #1 (Image/Top Cow, $0) because, well, it’s free. I have an unabashed love for the original Cyber Force, and previous reboots haven’t really gelled the way I wanted to. I’m excited to see what Matt Hawkins brings to this, and I’m glad Silvestri is involved even if only on covers and designs.
If I had $30, I’d first stop for Glory #29 (Image, $3.99). I tend to read this series in built-up bursts, and I’m overdue to catch up. I like the monstrous rage Ross Campbell brings to this, and seeing Joe Keatinge capitalize on the artist he has to create a broader story is thrilling. After that I’d get a Marvel three-pack in Hawkeye #3 (Marvel, $2.99), Daredevil #19 (Marvel, $2.99) and AvX Consequences #2 (Marvel, $3.99). I’d buy David Aja illustrating a phone book – seeing him getting a great story is icing on the cake.
If I could splurge, I’d lash onto Charles Burns’ The Hive (Pantheon, $21.95). I’m reluctantly late to the game when it comes to Charles Burns, but X’ed Out clued me into his awesome cartooning power. After devouring his previous work, I’m excited to read The Hive as it first comes out. I don’t quite know what to expect, but after finally coming around to Burn’s skill I’m up for pretty much anything. Continue Reading »
If I had $15, I’d start with a couple of Marvel firsts, even though one of them isn’t technically a first issue: Uncanny Avengers #1 ($3.99) and Red She-Hulk #58 ($2.99). This is the first week of Marvel NOW, and they’re starting with books by creative teams I’m excited about. Next I’d get Stumptown V2 #2 ($3.99) and wind things up with the Halloween Eve one-shot. I actually supported the Kickstarter for the latter, so my copy is probably already on the way to my mailbox, but hypothetically let’s assume that it wasn’t. It’s by Brandon Montclare and Amy Reeder, two creators whose work I’ve enjoyed in the past. So if it wasn’t coming to me in the mail, it would come home in a paper bag from the comic shop.
If I had $30, I’d add an outgoing Marvel title (Marvel THEN?), Fantastic Four #611, which features the end of Hickman’s run before he moves on to Avengers and Matt Fraction takes over the first family of Marveldom. Next I’d grab Green Lantern Corps #13 ($2.99) as I like the direction the GL books have been headed in lately, and Conan #9 ($3.50), the second half of Brian Wood’s collaboration with Vasilis Lolos. Finally, I’d grab Point of Impact #1 ($2.99), the new crime book by Jay Faerber and Koray Kuranel.
This is a splurge in price only; if I had $50, then Chris Ware’s Building Stories would definitely have been at the top of my buy list this week. It’s a big box of little comics, as Chris put it, and as luck would have it I really do have $50 in gift certificates that I got for my birthday to buy it with. Thanks Mom and Dad!
Next month will see the release of the final installment in Van Jensen‘s and Dusty Higgins‘ Pinocchio, Vampire Slayer series of books, Of Wood and Blood, Part Two. To mark this milestone as well as find out what creative projects he intends to pursue in the future, I cajoled longtime friend of the blog Jensen to do an interview. I was pleased to learn that while Pinocchio, Vampire Slayer is coming to a close, Joe Pimienta is illustrating Jensen’s upcoming graphic novel, The Leg. More immediately, Jensen will be busy this upcoming weekend in Atlanta–as he will be at Dragon*Con, so be sure to visit him if you are there.
Tim O’Shea: You’re ending Pinocchio on a high note, while the project seems to still be doing well. Why step away — and how hard was it to do?
Van Jensen: When Dusty and I were working on the first volume, I came up with this notion of how to explain where Pinocchio came from (the original story has him as a sentient piece of wood that is carved into a puppet, not a puppet that’s magically brought to life) and tie that into the origin of the vampires. We realized it would make a perfect contained storyline; the question was always whether the book would sell enough for us to explore the whole story.
If I had $15, the third issue of Batman Inc. would be a must for me this week [after Chris turned in his picks, DC announced that the issue will be delayed until next month], especially since it features the return of Matches Malone, a character I wasn’t even aware I missed until now. I might also spring for the first issue of Axe Cop: President of the World, a new limited series featuring the hatchet-swinging lawman.
I read very little manga by Moyoco Anno, but what I have read has impressed me and what I’ve read about her has made me want to seek more of her work out. So with $30, I’d almost certainly nab Sakuran, Vol. 1, about a high-priced courtesan/geisha looking to escape her gilded cage.
If I really, really wanted to splurge, I’d plunk $125 down for the second printing of the Wally Wood EC Stories Artist Edition from IDW, of which I’ve only heard wonderful things. If my splurging had to be a little budget-friendly, and I was in a more academic mood, I’d at least flip through Cerebus: The Barbarian Messiah, a collection of critical essays on Dave Sim’s controversial opus.
Back in 2009 writer Van Jensen and artist Dusty Higgins introduced three simple yet brilliant words into the comic book vocabulary–Pinocchio Vampire Slayer. Over the course of the previous two volumes, the little wooden boy and his friends won our hearts–and staked a few along the way–as each lie brought a new weapon to use against Pinocchio’s enemies.
The print version of the final volume, Of Wood and Blood, isn’t due until this summer, but SLG Publishing will release it as a series of digital comics on comiXology and their own website (we managed to get an advance copy, which you can read right now). The first issue is free, while subsequent issues will cost 99 cents.
I caught up with Jensen and Higgins to talk about the third volume, what the series has meant to them and what they plan to do after it’s finished.
JK Parkin: What was going through your heads as you put the finishing touches on this volume? Was it bittersweet, relief, accomplishment … or some combination of all three? Did the fact that this is your last hurrah with these characters make it more difficult to finish?
Van Jensen: It was kind of an emotional conclusion for me, I’ll admit. I didn’t want to say goodbye to any of the characters, even the drunkards in the bar in Rome. Beyond that, this third book is in some ways a long meditation on death (don’t worry, there’s still plenty of humor!), so I think I’d been in a pretty dark mindset for the months that I was writing it. But, as usual, I was mostly excited to see Dusty take my script and bring it to life.
Dusty Higgins: What keeps popping back into my head as I finish these last pages (and I’ve still got a lot to go) is a sense of wonder that three years into this project I’m still working on it. When I first approached Van the with the idea, I wouldn’t have guessed I’d be working on a third volume. I’d actually intended to get that first book out and move on to something else, but things happen and the story took on a life of its own. It’s always a bit sad to look at a page and think, that might be the last time I draw that character and there are redshirt vampires I’ve felt that way about, but it’s also a relief knowing soon our foray into Pinocchio’s world will be complete in a way that Van and I are both satisfied with. We didn’t make concessions on the story, we told it the way we wanted to and we’re not dragging it out for the sake of dragging it out. Knowing you have that creative freedom and being able to finish a story the way you feel it should finish… that’s what makes me want to keep doing this.
Writer Van Jensen and artist Dusty Higgins announced in December that the third and final volume of their Pinocchio Vampire Slayer saga, Of Wood and Blood, will begin serialization this month. While the previous volumes were released as graphic novels, volume three will begin life as a digital comic available on comiXology and SLG Publishing’s website before it becomes a real boy, er, book next summer.
SLG plans to post the first and second issues on their site later this week. The first issue will be available for free, and each subsequent issue will be 99 cents. If you don’t want to wait to read the first issue, though, we’ve got you covered — you can read it right here, right now!
Check out Pinocchio, Vampire Slayer: Of Wood and Blood #1 below, and be sure to read the interview I did with Jensen and Higgins.
The third and final volume of Van Jensen and Dusty Higgins’ Pinocchio, Vampire Slayer trilogy will debut next month as a serialized digital comic, available through the SLG Publishing website and comiXology.
Pinocchio, Vampire Slayer: Of Wood and Blood picks up where the cliffhanger ending of the second volume left off, with Pinocchio and his friends shipwrecked and Carlotta in the clutches of the vampires. The first issue will be available for free, and each subsequent issue will be 99 cents. Jensen said they decided to serialize the book digitally to support SLG publisher Dan Vado’s digital first initiative, in which SLG comics debut electronically. A print edition of Of Wood and Blood is planned for summer 2012.
You can check out the cover for the second issue, which also comes out in January, after the jump.
Pinocchio, Vampire Slayer writer Van Jensen sends word that Dusty Higgins’ cover to the second volume of their undead-slaying trilogy is being turned into a limited edition state, which is available for pre-order on the SLG Publishing website. Check out the swell animated gif, which gives you a 360-degree look at it in all its glory.
This just over six-inch figure will be cast in high density polystone and will be nearly made to order in terms of its production run. It was designed by Figurebang Toys. Available exclusively from SLG, they will stop taking orders for this piece on Oct. 31. The statue will cost $189 for pre-orders, and those who place orders won’t be charged until the statue ships.
The serious business of Comic-Con got underway Thursday in San Diego with a wave of panels and announcements. Here are the highlights:
• Announcements at the Marvel panel included Jeff Parker and Patrick Zircher’s Hulk of Arabia arc, a new Deadpool arc, an Avengers Academy recruitment drive and Villains for Hire, a new spin on the Heroes for Hire concept. Also in the works: A series of Avengers Origins one-shots.
• T.H.U.N.D.E.R. Agents is coming back in November; the new comics will be written by Nick Spencer and drawn by Wes Craig.
• At the Marvel Digital panel, Marvel senior vice president of publishing David Gabriel announced that Marvel will begin simultaneous print and digital release of its Spider-Man and X-Men comics, starting next week with Amazing Spider-Man #666 and Spider Island line.
• At the Vertigo panel, Executive Editor Karen Berger announced a new graphic novel called Marzi that would ba marketed to both young and old readers. She also said that Vertigo will launch a new Halloween anthology in October and a totally new series later this year.
Van Jensen and Dusty Higgins will wrap up their epic Pinocchio, Vampire Slayer trilogy with the final volume next summer — Pinocchio, Vampire Slayer: Of Wood and Blood. Jensen debuted the cover and title in San Diego this week, and sent over a description of the book:
Pinocchio, Vampire Slayer: Of Wood and Blood, the final graphic novel in the trilogy, will be released in summer 2012 from SLG Publishing. The book picks up after the cliffhanger ending to Pinocchio, Vampire Slayer and the Great Puppet Theater as a human Pinocchio and his decimated band of slayers struggle onward in their fight against vampires. Weighing in at about 250 pages, Of Wood and Blood will mark an epic conclusion in the former puppet’s battles against the bloodsuckers.
You can find Van at the SLG Publishing booth this week.
Welcome to another installment of “Food or Comics?” Every week we set certain hypothetical spending limits on ourselves and go through the agony of trying to determine what comics come home and which ones stay on the shelves. So join us as we run down what comics we’d buy if they only had $15 and $30 to spend, as well as what we’d get if we had some “mad money” to splurge with.
Check out Diamond’s release list for this week if you’d like to play along in our comments section.
If I had $15, I’d spend the first $2.99 on the last King City, which definitely appears on this week’s list. Yay! Then I’d split the remaining $13 between two DC Comics: Paul Cornell’s Action Comics Annual #13 ($4.99), in which a young Lex Luthor meets Darkseid (Editor Wil Moss promised me on Twitter the other week that this will fulfill my sick, sick desire for more comics like Jack Kirby’s Super Powers toy tie-ins from the 1980s, so I’m entirely sold) and Vertigo Resurrected: Winter’s Edge #1 ($7.99), a collection of long out-of-print seasonal tales starring Vertigo favorites and forgotten ghost characters from Christmas Past. Be warned: I’m a sucker for Holiday comics, so expect to see me picking those a lot in the next few weeks. It’s the Most Wonderful Time Of The Year, after all.
It was bound to happen at some point and today’s the day: I interview a talented creator who frequents the same comic shop I do. As Pinocchio, Vampire Slayer and the The Great Puppet Theater writer Van Jensen and I realized several months or so, he and I both shop at Book Nook (located in Decatur, Georgia). Jensen was kind enough to do an email interview regarding the December 2 release of the second volume in the Pinocchio, Vampire Slayer universe. As regular readers are well aware, we are big Pinocchio, Vampire Slayer fans here at Robot 6. Back in late October, we offered an exclusive sneak preview of the book, which we invite you to peruse after reading the interview.
Tim O’Shea: I think it’s safe to say that the latest volume of Pinocchio: Vampire Slayer is being released later than you would have hoped. I mainly ask, because unlike most delayed book situations where the delay results from creators missing deadlines, that’s not the case here. Care to explain some of what delayed the book?
Van Jensen: The very short answer is overseas printing. The costs for printing are such that it’s cheaper to have a book printed in Asia and then shipped via the Pacific. That distance lends itself to delays arising. Both of the Pinocchio books, for instance, were in cargo containers that got held up in customs.
I know it’s frustrating to fans, though. And it’s frustrating to Dusty and me. We’re both newspaper guys, and that job drills the importance of deadlines into your head. You get your work done, and it’s in print the next morning, every morning. I really pride myself on turning work in early. So with the book being late, I feel like it’s breaking a promise to the fans, and I feel awful about it.