Strong Talks Merging "Super-Cute" with "Super-Psycho" for "Arkham Knight's" Harley Quinn
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Passings | Inker Rick Ketcham has passed away. Details are sparse, but Ketcham’s Facebook quickly filled with tributes from friends and colleagues who hailed his kindness, his professionalism, and his willingness to mentor others. Ketcham worked on a number of titles for DC Comics, Marvel, Dark Horse, Image Comics and other publishers, including The Amazing Spider-Man, Buffy the Vampire Slayer, G.I. Joe, New X-Men, Runaways and Venom. [Tsunami Studios Facebook]
Conventions | Ace Parking, which manages parking at the San Diego Convention Center and six other nearby lots, will move to a lottery system this year to assign permits for Comic-Con International (those lots are Hilton Garage, Petco Lots, Padres Parkade, Diamond View Tower, Horton Plaza and Gaslamp City Square). For a shot at one of those spaces, you have to email Ace Parking by April 12. A drawing will be held on April 15, with the winners receiving information about how to purchase permits for their assigned location. See the full details on the Ace Parking website. [SDCC Unofficial Blog]
Once in a while, when I go into the comics shop to snag my weekly pile, there will be something on the shelf that catches totally unaware. On Oct. 2, I was delighted to discover the Comic Book Legal Defense Fund’s Liberty Annual 2013 (published by Image Comics). Given that all the proceeds from the book (previewed here at CBR) benefit the CBLDF, I wanted to interview Dark Horse Editor-in-Chief Scott Allie, who directed the project. While I had his attention, I couldn’t pass up the chance to discuss some of the Dark Horse line as well.
Tim O’Shea: While seemingly an obvious question, I still think it worth asking: Why is it so important to you to volunteer your time for a project like the CBLDF Liberty Annual?
Scott Allie: Free speech is a near and dear cause, for me and for Dark Horse, and it’s still an uphill battle for comics. There are preconceptions about this art form that invite attacks, and we need to work to defend against that. I want creators and publishers to be free to put out what they want to put out, and for retailers to sell it without fear of prosecution, for readers to travel with their books without fear of incarceration. The CBLDF isn’t just about raising money in court cases. They’re about educating the population about the art form we love, and I want to be a part of that.