Marvel Studios, Feige No Longer Under Perlmutter's Purview
Comic Books, Film
Graphic novels | The 70th volume of Naruto topped the June BookScan graphic novel charts, followed by Alison Bechdel’s Fun Home and the 23rd volume of The Walking Dead. The rise up the chart by Bechdel’s celebrated 2006 memoir can probably be chalked up to its musical adaptation, which opened in January on Broadway and earned five Tony Awards. [ICv2]
Conventions | Lisa Halverstat rounds up some facts about Comic-Con International, including the number of attendees at the first Comic-Con (100), the number of scheduled events (2,040) and the amount of money con-goers are expected to spend in San Diego ($80.4 million, or $619 per person). [Voice of San Diego]
While those Catwoman sunglasses we showcased earlier this month are undeniably awesome, maybe they’re not quite your style. Perhaps while you’re lounging on the beach you prefer to imagine yourself in Themyscira or, I don’t know, Central City. No matter, now Sun-Staches has you covered.
The company that makes the sunglasses/mask combos has expanded its line of comic book-themed novelty eye wear to include Superman, Wonder Woman, The Flash, Green Lantern, Spider-Man, Robin and Poison Ivy. (There are also Teenage Mutant Ninja Turtles, but I’m not sure anyone over the age of 10 can get away with that.)
Cartoonist Tom Beland, best known for True Story, Swear to God, has posted a series of sketches showcasing comic book heroines — and in one case anti-heroines — as they enjoy a little time to themselves.
Medusa multitasks while reading the newspaper and Storm whips up a fluffy cloud elephant, while Sue Storm won’t allow a little thing like a multi-pronged attack by villains tear her away from a good book. It’s not all Marvel, though: You’ll also see Alana and Hazel from Saga, and Harley Quinn and Poison Ivy from DC Comics.
Sideshow Collectibles, best known for its premium figures, has expanded into limited-edition art prints featuring Marvel and DC Comics properties, and its own Court of the Dead.
Its Premium Art Print line debuts with Gotham Sirens: Poison Ivy by Stanley “Artgerm” Lau, Spider-Woman by Scott Forbes, and Kier: Call of the Forsaken Valkyrie by David Palumbo, with upcoming work promised from the likes of Ariel Olivetti, Kris Anka and Fabian Schlaga.
Priced at $79.99, each 18-inch by 24-inch print is hand-numbered, and includes a penciled artist signature and embossed seal of authenticity.
Artist Juan Carlos Ruiz Burgos recently added the above Zatanna illustration to his deviantART gallery, drawing our attention to his occasional series of frankly amazing tributes to the classic Saturday Evening Post covers using DC Comics characters.
In addition to Zatanna, surrounded on stage by white rabbits, there’s a heartwarming depiction of Clark Kent casually reading The Daily Planet as a little boy gapes in awe at Action Comics #1, The Joker and Harley Quinn on the run like Bonnie and Clyde, Wonder Woman listening thoughtfully to a little girl, and an autumnal Poison Ivy piece that’s probably not safe for work.
Funko has announced Pop! Heroes: Arkham Asylum, its new series of vinyl figures based on Warner Bros. Interactive entertainment’s hit action-adventure video game Batman: Arkham Asylum. The collection features Batman, the Joker, Harley Quinn, Poison Ivy and Killer Croc.
This is particularly timely, considering today’s television casting news: Project: Rooftop showcases Perry Maple’s whimsical redesign of Batman and his allies and enemies, from Robin to Scarecrow to Two-Face.
“The aim for this redesign was to create a colorful, simple, and playful reimagining of the Gotham city universe,” the artist explains on his deviantART page. I think he achieved that goal, too, particularly with Catwoman, Poison Ivy and Harley Quinn, who look as if they stepped out of a fairy tale. However, I also really like is older take on Selina Kyle in a decidedly different style.
Check out close-ups of some of Maple’s redesigns below, and visit his deviantART page for more.
Comics fans searching for a visually bold yet affordable way to liven up a room may find something that suits their tastes, and their budgets, from GeekMyWall, which offers a line of striking typographic posters inspired by comics characters.
Harley Quinn, Batman, Green Lantern, Rorschach, V — they’re all represented in prints beginning at 11 inches by 17 inches or $25. Each figure is created from character-appropriate quotes. For instance, Wonder Woman is, “Of all people, you know who I am … …who the world needs me to be. I’m Wonder Woman.” And The Flash: “‘I’m getting lectured on child safety from a man who’s gone through four Robins?”
They’re also available as T-shirts. And if the comic characters aren’t for you, there are plenty of television- and movie-themed options.
DC Collectibles has revealed their con exclusives for October’s New York Comic-Con, which include a Super Best Friends Forever: Poison Ivy PVC Figure and an action figure two-pack featuring Green Lantern Hal Jordan and Blue Lantern Saint Walker.
Like the three Super Best Friends Forever figures released for San Diego, the Poison Ivy PVC Figure is designed by Lauren Faust and sculpted by Irene Matar. It measures approximately 6.625” tall and is priced at $24.95.
The DC Comics Super Heroes: Hal Jordan & Saint Walker Action Figure 2-pack is sculpted by Robert Lynders. This set is the latest in the 3.75” scale and is priced at $29.95.
Both items can be bought at the Graphitti Designs booth #755 at New York Comic-Con.
If you’ve been keeping up with the events in the DC Universe, then you know things are looking particularly grim for the good guys.
At the conclusion of “Trinity War,” the Justice Leagues faced an invasion from the Crime Syndicate of Earth-3 — “The birthplace of all evil,” as one character called it — evil counterparts of the Justice League. In the first issue of Forever Evil, these villains claimed to have killed all of the Justice Leaguers, they freed all the supervillains from all the super-prisons and organized them into an army called The Secret Society, they did some awful things to Nightwing and then even moved the moon to permanently block out the sun.
To mark the occasion of evil temporarily winning (again), DC declared September Villains Month, and is interrupting the ongoing adventures of its heroes with special “.1″ issues starring various villains. Each of these was to bear a fancy plastic 3D cover that jacked the price up a buck and ultimately created shortages, an artificial collectors/speculators market and irritated a whole bunch of retailers, many of whom were already pretty irritated by having to figure out how to order something like, say, Justice League #23.3: Dial E, which fused one of the publisher’s best selling comics with one of its worst.
We — and by that I mean you and I, for the course of this post — aren’t going to concern ourselves with that aspect of the books, however. Instead, let’s look under those covers, whether they’re the fancy plastic 3D ones or the regular, cheaper “standard edition” ones and concern ourselves with the quality of the comics concealed behind the covers.
These last few days, the good burghers of the Essential Sequential agency have been posting sketch after sketch by Italy’s Matteo Scalera to their Instagram account. Scalera might not be the biggest name in their stable of artists (which includes Dave Johnson, Andrew Robinson and Dan Panosian), but he’s producing stylish work, redolent of another couple of Essential Sequential artists, Eric Canete and Sean Gordon Murphy. I’d throw Declan Shalvey and Robbi Rodriguez in as another couple of touchstones, too. A little further digging reveals Scalera’s blog and his DeviantArt page are the places to find better-quality, less ruthlessly cropped, versions of these illustrations. His DeviantArt account reveals him to be an absolute sketch machine — he’s numbering them, and has reached 533.
When DC Comics announced it was launching a series based on its popular Ame-Comi line of figures, I don’t think I heard a single person say, “Yes! I was hoping for that!” The Ame-Comi collectibles can be imaginative and attractive (some more than others), but no one was clamoring for a series that sexualized DC’s superheroines even more overtly than they already are. In fact, the most common responses were either head-scratching or eye-rolling, depending on how much the person thought DC has legitimately tried to reach out to female readers lately. But then the creators were announced.
Jimmy Palmiotti and Justin Gray write the series and Amanda Conner drew the first couple of installments, which were serialized digitally first, 10 pages at a time. Putting the creators of the well-regarded Power Girl series on Ame-Comi Girls was a smart move and convinced a lot of readers who otherwise would have dismissed the comic – including me – to give it at least an initial look.
Angoulême is synonymous with comics, so it’s probably to be expected that when marriage-equality supporters marched in the French city last weekend they enlisted some familiar faces for the cause.
On her blog, local artist Algesiras posts a handful of photos of banners depicting several famous comic characters sharing a same-sex kiss. There’s Tintin and Captain Haddock, Catwoman and Poison Ivy, Asterix and Obelisk, Minnie Mouse and Daisy Duck, Blake and Mortimer, and Spirou and Fantasio, among others.
“Notice the rings on the hands of the characters,” Algesiras writes. “I think the best one is the one with the Smurfette, because it mocks the fact that the Smurfette is the only female in the Smurfs world. She’s not alone anymore.”
The 40th annual Angoulême International Comics Festival kicks off Jan. 31.
Russian artist Lora Zombie has a portfolio full of work influenced by comic book iconography, though posed in a resolutely non-traditional form. She paints DC Comics’ female characters in work reminiscent of classic pin-up art, while her take on their male counterparts features them in a particularly non-dynamic fashion (but dig Batman’s Chuck Taylors!). Prints of all these are available at Eyes On Walls. Much more below.
I can’t say I know much about the French comic artist Bengal — I wasn’t even sure of his gender until I looked up his Lambiek entry. As far as memory serves, none of the series he’s worked on in France have been translated into English. My only exposure to his work is an anglophone edition was the sizable gallery of his art in the second issue of Ashley Wood’s defunct art-mag Swallow from 2006. Lately he’s been blogging commissions of characters from U.S. comics and media. In lesser hands, the drawings would be more typical cheesecake. Bengal’s poses tend to be more interesting than that, expertly using body language to suggest characterization and narrative. Even his version of that stereotypical nerd fantasy, the slave-girl Leia, avoids a straightforward charge of exploitation by concentrating the viewer’s gaze on her indignant, accusatory stare.