political cartoons Archives - Robot 6 @ Comic Book Resources

Comics A.M. | DiDio and Lee on DC’s move, changing audience

Gotham Academy #1

Gotham Academy #1

Publishing | DC Entertainment Co-Publishers Dan DiDio and Jim Lee talk about the state of the comics market, DC’s upcoming move from New York City to Burbank, the growing female audience and more. “There’s also a diversification within the audience itself the past couple of years,” Lee observed. “You’ve seen more women, more female readers, in general. When we launched Batgirl and Gotham Academy, those books struck a different note, different tonality, and that was in large part due to editor Mark Doyle bringing these projects together with different kinds of creators. It was our way of broadening the base of the Batman family of books but doing it in a different way to attract a different audience. I think it speaks well to the future that we’re not just going to strike the same note looking for the same customer. [...] You can’t necessarily rely on the same continuity, the same core hardcore comics-driven material; you have to diversify, broaden your net and bring in different voices to the company.” [ICv2]

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Comics A.M. | $2,000 Dunny figure stolen at New York Comic Con

The stolen Dunny

The stolen Dunny

Crime | A man was spotted on security video last week at New York Comic Con stealing a one-of-a-kind, 20-inch Dunny figure hand-painted by by Jon-Paul Kaiser valued at $2,000, plus two other items, from the Clutter Magazine booth. [DNAinfo New York]

Legal | Chinese cartoonist Wang Liming, who uses the pen name “Biantai Lajiao” (Perverted Chili Pepper), has applied for a visa to remain in Japan, saying he’s afraid to return to China. Liming’s account on the Chinese social media site Weibo, where he published his cartoons, was shut down in August, and the People’s Daily newspaper has called him a traitor and accused him of being pro-Japan. Last year, he was arrested and held overnight on charges of “suspicion of causing a disturbance.” “China’s situation surrounding freedom of speech has worsened during these six months,” Wang said in an interview. “I have no idea where the borderline is (between what is permissible and what is not anymore).” [The Asahi Shimbun]

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Comics A.M. | Cosplay, and the fight against harassment

NYCC's "Cosplay Is Not Consent" poster, designed by Amy Reeder

NYCC’s “Cosplay Is Not Consent” poster

Cosplay | Visiting New York Comic Con, Andrea Romano takes a look at the world of cosplay, the issue of sexual harassment — one person notes it’s certainly not exclusive to cosplay, observing, “There’s harassment when a woman is just wearing a crop top on the street” — and efforts being made to stop it.  Convention organizers placed their new anti-harassment policy front and center this year, and it seems to have helped: There were just eight reported incidents of sexual harassment during the four-day event. [Mashable]

Conventions | Fensterman talks at greater length about NYCC’s anti-harassment measures in this article, which contrasts the comics scene with what’s going on in the gaming world. [Time]

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Comics A.M. | A peek behind the scenes of New York Comic Con

New York Comic Con

New York Comic Con

Conventions | ReedPOP Senior Vice President Lance Fensterman talks about how New York Comic Con reached 151,000 attendees this year, what went well, what could have gone better, and what he learned for next time. The new badges and check in/check out system, introduced last year, let producers know exactly how long people stayed at the show, and that turned into a nice surprise for two attendees: “There was a couple [last year] who literally spent every minute that was possible at New York Comic Con for three and a half days. We reached out to them and did something special for them—gave them a bunch of free stuff and free tickets because they were at the show longer than anyone who wasn’t paid to be at the show.” [ICv2]

Political cartoons | Egyptian cartoonists Mohamed Anwar and Andeel discuss the difficulty of critiquing Egyptian president Abdel Fatah al-Sisi, who doesn’t tolerate dissent; Anwar is a cartoonist for a mainstream newspaper and pulls some punches as the tradeoff for reaching a wide audience, while Andeel has moved over to the alternative press, where he can speak more freely. [The Guardian]

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Comics A.M. | Thousands attend Russia’s first comic con

Russia Comic Con

Russia Comic Con

Conventions | Thousands filed into Moscow’s Crocus Expo over the weekend for what’s billed as Russia’s first-ever comic convention. While Misha Collins of long-running CW series Supernatural was a big celebrity draw, the main attraction appeared to be the idea of the convention itself. “I’ve wanted to come for years,” 31-year-old Elena Formina told The Guardian. “There have always been geeks and fans here, it’s just now they call it Comic-Con. American, Russian – all fans are the same. They love their heroes. It’s about sharing that love.” [The Guardian]

Passings | Italian comics creator Lorenzo Bartoli died Sunday at the age of 48. Bartoli made his comics debut in 1988 in the pages of the comic anthology L’Eternauta but is best known as the co-creator, with Roberto Recchioni, of John Doe, a comic about an employee of a firm that deals with the management of death. His series Dolls was published in the United sTates by Sirius, and his Morrigan appeared in Heavy Metal. He also wrote two cyberpunk novels under the name Akira Mishima. [Comicus]

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Comics A.M. | Two GNs among inaugural Kirkus Prize finalists

From "El Deafo"

From “El Deafo”

Awards | The finalists for the inaugural Kirkus Prize literary awards include two graphic novels: Roz Chast’s Can’t We Talk About Something More Pleasant? is one of six nominees in the Nonfiction category, and Cece Bell’s El Deafo is one of the picks for the Young Readers award. The winners in all three categories, who will receive $50,000 each, will be announced during a ceremony held Oct. 23 in Austin, Texas. [The Washington Post]

Manga | A prequel to Osamu Tezuka’s classic Astro Boy manga is in the works for the Japanese magazine Monthly Hero’s. Tezuka’s son, Makoto Tezuka, is supervising the production of the story, which focuses on the time before the “birth” of the iconic robot boy. [Anime News Network]

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Comics A.M. | Gaiman, McCloud & Smith on Banned Books Week

Neil Gaiman

Neil Gaiman

Banned Books Week | Michael Cavna talks with Jeff Smith, Scott McCloud and Neil Gaiman about the importance of Banned Books Week. Says Gaiman, “I get tired of when people say that no books are banned just because [you can get it elsewhere]. Say you’re a kid in a school district [that banned a book] and there’s not a local Barnes & Noble and you don’t have 20 or 50 bucks in disposable income … That book is gone. It was there and now it’s not. The fact you can buy it on Amazon doesn’t make that any less bad.” [Comic Riffs]

Banned Books Week | Charles Brownstein, executive director of the Comic Book Legal Defense Fund, discusses comics and censorship in a video interview. [Reason Magazine]

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Comics A.M. | Pulitzer-winning cartoonist Tony Auth passes away

Tony Auth

Tony Auth

Passings | Tony Auth, editorial cartoonist for The Philadelphia Inquirer from 1971 to 2012, died Sunday at age 72. Auth, who won both the Pulitzer and Herblock prizes during his lengthy career with the newspaper, began drawing as a child, when a lengthy illness confined him to bed for a year and a half. He graduated from UCLA in 1965 with a bachelor’s degree in biological illustration, and worked as a medical illustrator for a time. He began his cartooning career doing a weekly cartoon for a local alternative newspaper and then started drawing a thrice-weekly cartoon for the UCLA Daily Bruin. He left the Inquirer in 2012 to pursue digital cartooning and became the Digital Artist in Residence for WHYY’s News Works. In addition to his cartooning work, he illustrated 11 children’s books. His editorial cartoons have been collected into two books, and Temple University has begun fund-raising for an archive of his work. Michael Cavna has a roundup of tributes from Auth’s colleagues at Comic Riffs. [The Philadelphia Inquirer]

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Comics A.M. | Warner Bros. plans buyouts, possible layoffs

Warner Bros.

Warner Bros.

Business | DC Entertainment parent company Warner Bros. is expected to offer buyouts to an unspecified number of employees as part of an effort to increase profits following a disappointing summer at the box office. The cuts are thought to be spread across the film, television and home entertainment units; if not enough workers accept buyouts, unnamed sources contend the studio may resort to layoffs. Warner Bros. wouldn’t comment on the report. [Bloomberg]

Legal | Hirofumi Watanabe has filed an appeal in Tokyo District Court, seeking to overturn his conviction on charges of sending threatening letters to venues and retailers linked to the Kuroko’s Basketball manga and anime series. Watanabe admitted to all the charges on his first day in court, and after he was sentenced to four and a half years in prison, he said, “I’m glad to accept the ruling so I can live over four years in prison,” so this is a reversal for him. [Anime News Network]

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Comics A.M. | Chinese cartoonist fears returning home

A cartoon by Biantai Lajiao

A cartoon by Biantai Lajiao

Political cartoons | “I think it might be pretty risky to go back home,” says Chinese cartoonist Wang Liming, who’s on Japan in a business trip and is thinking about staying there. “If I go back, they might use my cartoons as an excuse to detain me.” Liming, whose pen name is Biantai Lajiao (Perverted Chili Pepper), was arrested and briefly detained in 2013 on charges of “rumor-mongering,” stemming from a post on the microblog site Weibo. This time, an anonymous commenter on a state-owned discussion board called Liming a “traitor” because of a cartoon he posted online that showed mainland Chinese being sent to Hong Kong to oppose the Occupy Central pro-democracy campaign and demonstrate how to kowtow to the government. “That post is written like something out of the Cultural Revolution,” Liming said, calling it a “smear campaign.” He has 500,000 followers on Weibo and another 340,000 on Sina Weibo, and he says he is losing income because his accounts have been shut down. [Radio Free Asia]

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Comics A.M. | Man accused in Tokyo store theft turns himself in

"Tetsujin-28 go" figure

“Tetsujin-28 go” figure

Crime | Kazutoshi Iwama, the 50-year-old man accused of shoplifting a Tetsujin-28 go figure worth more than $2,400 from a Mandarake store in Tokyo, has turned himself in to police. The theft became a matter of high public interest when Mandarake posted a security-camera photo of the man, with his face pixelated, and threatened to show his face if he didn’t return the figure by Aug. 12. The stunt attracted scores of journalists to the store, but Iwama reportedly told police he wasn’t aware of the threat until after he sold the figure to a secondhand store … for about $623. [Anime News Network, The Japan Times]

Publishing | Alex Segura, senior vice president of publicity and marketing for Archie Comics and editor of the newly renamed Dark Circle superhero line, talks about where the comics are coming from, what to expect — and his new dual role at Archie: “Usually, I’m the PR guy collecting the information from editorial and deciding how to announce it. Now, I was the editor getting the details together for the PR guy to announce and basically having conversations with myself. I’m exaggerating slightly.” [13th Dimension]

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Comics A.M. | South Korea court rules ‘One Piece’ show can go on

From "One Piece"

From “One Piece”

Legal | A South Korea court has ruled an exhibition devoted to One Piece can be held as planned after it was abruptly canceled earlier this month following allegations that Eiichiro Oda’s popular pirate manga contains images that resemble the Rising Sun flag, considered a symbol of Japanese imperialism in South Korea. The company staging the One Piece show, which includes life-sized statues, rare figures and Oda’s sketches, asked the court to step in after the War Memorial of Korea in Seoul pulled the plug on the event just days before its scheduled July 12 opening. The court found that One Piece can’t be considered to “[hail] Japanese imperialism” simply because it depicts a flag reminiscent of the Rising Sun; and even if those images are of the Rising Sun flag, it’s mainly shown in a negative light. [The Asahi Shimbun]

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Comics A.M. | Alcaraz’s ‘Hate City’ cartoons spark legal threat

One of Lalo Alcaraz's cartoons about the protests in Murrieta, California

One of Lalo Alcaraz’s cartoons about the protests in Murrieta, California

Editorial cartoons | The public-relations consultant hired by the city of Murrieta, California, after residents protested the arrival of refugee children to be processed there, told cartoonist Lalo Alcaraz that referring to Murietta as “Hate City USA” was “actionable.” “There IS a fine line between your constitutional right to draw cartoons and expressed (sic) your opinions,” Hermosillo wrote in a comment on Alcaraz’s Facebook page, “and falsely, deliberately, and maliciously labeling and attacking an entire community as racist or as ‘Hate City.’ You are working overtime to damage Murrieta and such a false premise is actionable. There’s a fine line between humor and stupidity. You may have crossed that line at your own peril.” Murrieta spokesperson Kim Davidson walked that back, however, saying the city has no plans to sue Alcaraz. [The Press Enterprise]

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Comics A.M. | Oz Comic-Con scrutinized for scarcity of female guests

Oz Comic-Con

Oz Comic-Con

Conventions | Clem Bastow notes a disconnect at Oz Comic-Con in Melbourne, Australia, where women were a slight majority in the audience but were severely underrepresented as guests; DC artist Nicola Scott was the only woman in the comics contingent. Organizer Rand Ratinac said it was purely a matter of availability: “We offered for literally dozens if not hundreds of different guests, we always do, because you’re dealing with people whose schedules they sometimes can’t lock in until a month before the event. This time, of the people that we wanted, there were just a lot of guys that were available. Next year, it could be a whole bunch of girls; it all just depends who can come.” But Scott points out that there are simply fewer women in superhero comics than in the other sectors of the industry and superhero creators are what brings the audience in the door. [The Guardian]

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Comics A.M. | A nonprofit alternative for some publishers?

SLG Publishing

SLG Publishing

Publishing | Spurred by the GoFundMe campaign launched last week by Dan Vado to get SLG Publishing “back on its feet,” Comic-Con and the Business of Pop Culture author Rob Salkowitz wonders whether a nonprofit model might make sense for some indie/niche publishers: “Contrary to popular perception, however, being a non-profit doesn’t mean you can’t make money. Lots of successful non-profits generate revenues in the millions and pay their staff, executives and contributors salaries comparable with those in the private sector. They can also pay contractors and contributors like performers or creators full market rates. They just don’t pay shareholders, and they plow any excess revenues back into their operations.” [ICv2.com]

Passings | Michael Cavna rounds up tributes and remembrances from the colleagues of the editorial cartoonist Etta Hulme, who died last week at age 90. [Comic Riffs]

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