His work might have a rushed, “dashed-off” look to it at times, but don’t kid yourself: Frank Santoro puts a lot of time and consideration into his comics. In fact, it’s safe to say he puts more thought into the overall structure and design of his pages than a lot of his contemporaries, as anyone who has read his “Layout Workbook” series of posts on TCJ.com can attest.
Santoro’s latest comic, the stand-alone graphic novel Pompeii, deals quite overtly with issues of art and craft, as it follows the story of aspiring ancient Roman artist Marcus who’s slaving away as an assistant to the more established painter Flavius (who has his own problems). Marcus is at something of a crossroads, frustrated by his slow progress under Flavius’ tutelage, but unwilling to move back home or reconsider his options, despite the pleadings of his girlfriend, Lucia. As you might expect given the book’s title, things come to a head quite violently with the eruption of a nearby volcano.
Overall Pompeii is a fast-paced but moving, almost tender at times, work, that begins almost as a sex farce but quickly turns into a more considered and elegiac consideration of careers, youth, love and the purpose of art and artistry in our lives.
I talked with Santoro recently about his new book and its conception.
Digital comics | Viz Media announced Wednesday it has brought its entire library to iBooks. Viz manga are already available on Kindle, Nook, Kobo and its own app, so this pretty much completes the set. [ICv2]
Crime | Manga creator Takaaki Kubo was arrested Tuesday on charges of threatening a city councilor in the town of Amagasaki. Kubo, whose series Bakune Young was published in North America in the early 2000s by Viz Media, was arrested after police traced a threatening e-mail message to his home computer. [Anime News Network]
Creators | Art Spiegelman has been the subject of four retrospectives so far this year, the latest at the Jewish Museum in New York. Charles McGrath talks to him about what he calls “The Great Retrospection,” as well as his tobacco addiction and, oh yeah, comics. [The New York Times]
Batwoman Vol. 3: World’s Finest (DC Comics): It’s difficult to talk about this comic without also discussing the announced departure of its creative team which, like several others that have worked on DC’s New 52, left amid quite public complaints of editorial interference.
As an auteur-driven book starring a relatively new character that’s barely been drawn by anyone other than artist and co-writer J.H. Williams III, the whole affair strikes me as strange, as Williams seems to be at least as big a factor in the book’s continued existence as the word “Bat” in its title. And it’s stranger still he and co-writer W. Haden Blackman are only now reaching the breaking point, as from a reader’s perspective, DC appeared to have pretty much left them alone to do their own thing; like Grant Morrison’s Batman Incorporated and the Geoff Johns-written portions of Green Lantern, this book seems set in its own universe and is sort of impossible to integrate into the New 52 if one thinks about it for too long (with “too long” being “about 45 seconds”).
Regularly cited as one of the best of DC’s current crop of comics, Batwoman is definitely the company’s best-looking, and most intricately, even baroquely designed and illustrated. As for the word half of the story equation, I found Batwoman — and this volume in particular — to be extremely strange, even weird, more than I found it to be good.