Ayer Reveals Jared Leto's Tattooed "Suicide Squad" Joker
Despite what you might believe, the problem isn’t that female superheroes are oversexualized in comics and on film — no, according to Fox & Friends, it’s they’re not being sexualized enough.
In a particularly odd segment of Sunday’s show that frequently tipped into full-on parody, co-host Clayton Morris began by worrying that test footage from Genndy Tartakovsky’s animated Popeye movie signifies the “wussifying” of the classic character, as he doesn’t sport his iconic pipe and tattoos.
Although there have been plenty of events — with still more to come — in celebration of Batman’s 75th anniversary, Popeye’s 85-year milestone has gone largely unnoticed. However, King Features Syndicate and Los Angeles’s Hero Complex Gallery are about to remedy that.
The official “Popeye: A Tribute Art Show” premieres Friday, with more than 100 artists from around the world paying homage to the spinach-eating sailor introduced in 1929 in E.C. Segar’s Thimble Theatre comic strip.
Curated by by the illustrator Chogrin, the show features works by such artists as Francesco Francavilla, Brent Engstrom, Miranda Dressler, Scott Balmer, Alina Chau and Shawn Dickinson. Of course, they’re just for starters. You can see some of the pieces below, and more on the art show’s blog and Facebook page.
The world was saddened to learn of Robin Williams’ passing on Monday, and the circumstances surrounding his death only made it more tragic. Most of us, however, prefer to remember the comedy legend through the times he made us smile.
Perhaps it was his goofy silliness as the alien Mork, or his stellar voice work in Aladdin, or the way he managed to fill out the form of an old lady in Mrs. Doubtfire. He had loads of dramatic roles as well, from The Fisher King to Dead Poets Society. Williams could make you empathize with the hurting soul underneath the clown, the man behind the facade.
For all his versatility — from playing a cartoon bat trying to save the rainforest to a frightening stalker working at a photo booth — it’s a shame Williams was never in a superhero movie, especially in an era when the likes of Robert Redford, Jack Nicholson and Anthony Hopkins have embraced such genre roles.
Oh, wait. Williams did play a superhero, of sorts: He was Popeye the Sailor Man.
If you ever wondered what might happen if you were to combine Sailor Moon and Popeye the Sailor Man, Gold Digger cartoonist Fred Perry may have the answer. However, his mashup, titled Momeye the Sailor Scout, isn’t merely a one-off illustration — it’s a full-fledged comic coming soon from Antarctic Press.
Scheduled for August release, Momeye the Sailor Scout mixes Sailor Moon‘s Usagi Tsukino with E.C. Segar’s Popeye in a homage/parody that, according to the publisher, is “not just gender-bent, it’s gender punched through the ceiling!” Whereas Popeye gets his strength from spinach, Momeye gets hers from avocados — and she’ll need it, as she’ll be up against her “best frenemy,” Bruta.
Last year IDW Publishing released an amazing series of one-off crossovers featuring Mars Attacks and different titles in its line. It covered a lot of ground and showed some unusual and fun pairings, but one we never got to see was Evan Dorkin’s Popeye Vs. Mars Attacks.
He relates in a blog post a situation where, in the span of a few hours, he was offered to write the book, pitched to IDW despite initial reluctance, got his pitch accepted, and then opted out. Although the 2013 one-shot was ultimately written by Martin Powell and illustrated by Terry Beatty, it’s interesting to read Dorkin’s ill-fated pitch and his summary of events behind the scenes.
Dean Mullaney has a bit of good news for fans of former Popeye writer and artist Bobby London: The next volume of the Library of American Comics’ collection Popeye: The Classic Newspaper Comics by Bobby London will include the first three weeks of the abortion-themed sequence that got London fired — and six weeks’ worth of unpublished strips that were never sent out to newspapers.
Here’s what happened back in 1992, as related at the time by London in an interview with the Comic Art and Graffix Gallery: After writing a strip in which the Sea Hag said “Drat! There goes Roe v. Wade” without getting any pushback from his editors, London figured the topic was fair game and created a storyline in which Olive Oyl, who has a serious Home Shopping Network addiction, gets a baby robot she doesn’t remember ordering and decides to send it back. Despite the fact that the robot is a spitting image of Bluto, Popeye’s arch enemy, Popeye wants her to keep it. Two clergymen overhear them arguing and jump to the wrong conclusion, that Olive Oyl is “in a family way” by Bluto and wants to get an abortion (although the actual word is not used in the strip — the clergymen just call it “the A-word”). One clergyman muses that she must keep the child, and when the other one points out that Bluto is the son of Satan, he retorts, “You fool!! Without Satan, we’re out of a job!! No Satan, no US … You dig?!!”
Passings | Award-winning science fiction and fantasy author Lucius Shepard, whose work included Life During Wartime and The Jaguar Hunter, passed away March 18. He was 66. Shepard ventured into comics writing on a few occasions, with the series Vermillion, part of DC Comics’ short-lived Helix imprint, and with contributions to Vertigo anthologies Gangland and Flinch. [Tor.com, BoingBoing]
Creators | American Vampire artist Rafael Albuquerque talks about the upcoming “Second Cycle” of the Vertigo series, which returns after a hiatus of more than a year. [Hero Complex]
Manga | Roland Kelts looks at the international popularity of One Piece, whose sales number 300 million volumes in Japan and 45 million in the rest of the world. The piece includes an interview with creator Eiichiro Oda — he says he writes what he imagines his 15-year-old self would like to read — as well as editors from Viz Media, the American publisher of One Piece, who discuss the reasons for its popularity overseas as well as the global impact of manga piracy on these manga pirates. [The Japan Times]
Conventions | Which shows are money-makers for creators, and how much do they make? The answers, broken out into a handy infographic, may surprise you. [The Devastator]
King Features Syndicate apparently has decided the best way to reinvigorate the 83-year-0ld Betty Boop is to kill her, and then resurrect her as a zombie.
At the Licensing Expo, held this week in Las Vegas, the company signaled it would like a little of that Walking Dead/Warm Bodies money by announcing it willtake the iconic cartoon and comic-strip character into “unexplored territory” with Betty Boop Zombie Love – which, as Topless Robot notes, does bring to mind necrophilia, which doesn’t seem like a recipe for merchandising bonanza.
“With a new style guide and art treatments, the wide-eyed beauty is clearly a victim of the zombie craze currently infecting the world,” the King Features press release states. So, yeah, expect the undead flapper to appear on clothing soon.
As a tribute to Beastie Boys co-founder Adam “MCA” Yauch, who passed away May 4, 2012, artist James Curran is showing “A Year and a Day,” an exhibit at Beach London that features 35 framed prints, each showcasing three iconic representations of references made in the band’s lyrics. Among them are comic-book nods to Captain Marvel, Popeye and underground artist Vaughn Bode.
A limited number of prints will be available for sale during the exhibition, which runs through Sunday, with proceeds benefiting Macmillan Cancer Support. You can check out the related video below, along with two more comics-related images.
IDW may be one of the Big Five publishers in the direct market — that is, one of the five publishers whose titles are listed separately from those of the hoi polloi in Diamond Comic Distributors’ Previews catalog. But unlike the Biggest Two, IDW’s line consists mainly of comics based on a variety of licensed concepts*, and therefore do not feature shared settings like the DC Universe or the Marvel Universe.
You’d think that would prohibit the company from doing the sorts of line-wide crossover stories that DC and Marvel have been pumping out with regularity, but IDW has found a pretty clever way to have its licensed comics cake and eat its intra-company crossovers as well, by dreaming up a fairly generic threat, and then having that threat appear in a bunch of unrelated comics whose characters never really meet.
Rather than all the characters teaming up to fight the same threat on the same battlefield at the same time, as in your Crisis on Infinite Earths or Civil War or whatnot, IDW’s crossovers are a bit more like individual battles in large-scale wars taking place in different dimensions.
So, for example, 2011’s Infestation crossover pitted zombies from the publisher’s Zombies Vs. Robots comics against characters from G.I. Joe, Transformers, The Ghostbusters and Star Trek, in two-issue miniseries set in different universes. That was followed by Infestation 2, in which Lovecraftian space-god-monster-things invaded the home universes of G.I. Joe, Transformers, Dungeons & Dragons, Teenage Mutant Ninja Turtles and 30 Days of Night.
More recently, IDW published a much smaller-scale, simpler crossover story of sorts in Mars Attacks …, in which the little green skull-faced men of the 1960s Topps collectible cards (and 1996 Tim Burton movie) “invaded” comics featuring a comically diverse group of licensed characters. For the more patient among us, it arrived in trade format this month, in a collection titled Mars Attacks IDW.
Welcome to “Cheat Sheet,” ROBOT 6′s guide to the week ahead. There’s plenty to do this weekend on both coasts, as Boston and Washington, D.C., play host to Boston Comic Con and Awesome Con, while Fan Expo Vancouver explodes in British Columbia and the Los Angeles Times Festival of Books arrives at the University of Southern California.
Meanwhile, our contributors select their picks for the best comics going on sale Wednesday, including Danger Girl Trinity #1, Popeye Classics Vol. 1 and Marshal Law: The Deluxe Edition. Plus, a preview of Bandette #4!
Publishing | Image Comics provided the retail news and analysis website ICv2 with worldwide pre-order figures for 15 of its March titles, allowing for comparison with estimates of Diamond Comic Distributors sales to U.S. direct market stores. [ICv2.com]
Creators | Mark Waid pens a tribute to the late Carmine Infantino. [Hero Complex]
Creators | Gilbert Hernandez distinguishes between autobiography and art in his new graphic novel, Marble Season, which takes on a 1960s suburban childhood not unlike his own. [Chicago Reader]
Hello and welcome to What Are You Reading?, our weekly look at all the comics and other stuff we’ve been reading lately. Our special guests today are Brendan Tobin and Pedro Delgado, who run the March MODOK Madness site. And with this being March, the madness is in full swing, so head over there to check out a lot of fun art featuring everyone’s favorite big-headed villain.
To see what Brendan, Pedro and the Robot 6 crew have been reading, click below.
Hello and welcome to What Are You Reading?, our weekly look at the books, comics and what have you that the Robot 6 crew have been perusing of late. Today we welcome our special guest Steven Sanders, artist of such comics as Wolverine and the X-Men, Wolverine, S.W.O.R.D, Our Love is Real, The Five Fists of Science and more. He’s currently using Kickstarter to raise funds for a “Creative Commons art book” called Symbiosis.
“Symbiosis is a world-building art book that tells the story of a woman’s travels through a world where the symbiotic relationship that we have with technology is made much more visceral,” the Kickstarter page reads. “All sources of power are generated by bio-etheric engines, with which the operators share a direct mental link. The story-telling is loose and mostly visual. It will be told with art that uses a variety of media and formats: fully painted, colored line art, black-and-white line art, and comic art. What you do with this story is up to you. Enjoy it on its own merits, or take it and spin it off into any of a million different directions.”
To see what Steven and the Robot 6 crew have been reading, click below: