EXCLUSIVE: Lemire, Ramos Launch "Extraordinary X-Men" Post-"Secret Wars"
Crime | A man was spotted on security video last week at New York Comic Con stealing a one-of-a-kind, 20-inch Dunny figure hand-painted by by Jon-Paul Kaiser valued at $2,000, plus two other items, from the Clutter Magazine booth. [DNAinfo New York]
Legal | Chinese cartoonist Wang Liming, who uses the pen name “Biantai Lajiao” (Perverted Chili Pepper), has applied for a visa to remain in Japan, saying he’s afraid to return to China. Liming’s account on the Chinese social media site Weibo, where he published his cartoons, was shut down in August, and the People’s Daily newspaper has called him a traitor and accused him of being pro-Japan. Last year, he was arrested and held overnight on charges of “suspicion of causing a disturbance.” “China’s situation surrounding freedom of speech has worsened during these six months,” Wang said in an interview. “I have no idea where the borderline is (between what is permissible and what is not anymore).” [The Asahi Shimbun]
The British Library has debuted a trailer — a “Curators’ Introduction” — to promote “Comics Unmasked: Art and Anarchy in the U.K.,” the largest comics exhibition to date in the United Kingdom.
Opening Friday to the public, “Comics Unmasked” spans the history of British comic books, from the 19th century to the present, exploring how they’ve addressed such subjects as violence, sexuality and drugs while breaking boundaries. The exhibition kicks off with a screening of the documentary Graphic Novel Man: The Comics of Bryan Talbot, followed by a conversation with Bryan Talbot, Mary Talbot and Kate Charlesworth.
Publishing | Eight months after the launch of DC Comics’ New 52, Marc-Oliver Frisch takes a look at the reboot and concludes that it is not the “game-changer” it was touted to be. After an initial burst of sales when the series was launched, DC’s monthly numbers have settled down to about half the September sales, above the previous year’s levels but best described, as Frisch puts it, as “solid but not spectacular.” [Comiks Debris]
Digital comics | Anthony Ha looks at the success of the Pocket God comic, which is marketed alongside the game; more than 200,000 copies of the first issue have been sold, and sales for the whole series total 600,000. Dave Castelnuovo of Bolt Creative thinks the strong sales are due in part to the 99-cent cover price: “Meanwhile, the traditional publishers don’t want to undercut their print prices, so they’re usually charging $2.99 or $3.99 for new issues. (Some older comics are available for considerably less.) Castelnuovo says that’s ‘just too expensive’ for digital comics, especially when they’re competing with something like Angry Birds, which offers more content for just 99 cents. And although Marvel and DC are sell digital collections, Castelnuovo argues that they should be doing more to bundle dozens or even hundreds of issues together, so that readers can ‘blaze through them’ the way that they will consume entire seasons of Mad Men or Game of Thrones.” [TechCrunch]
The U.K. comics scene has been heating up of late, and we can only hope that 2012 will see a British Invasion of the comics variety. The BBC has coverage of the latest development: The launch of The Phoenix, a weekly children’s comic published by David Fickling (whose David Fickling Books is an imprint of Random House). The name is apt: The Phoenix is a reprise of an earlier attempt, The DFC, which garnered a lot of praise but shut down after 43 issues. The Phoenix is launching with a nice lineup of stories and talent, including Neill Cameron, Simone Lia, Gary Northfield and Jamie Smart (who draws Desperate Dan for the long-running weekly The Dandy). Unfortunately, it’s print-only and not available digitally, so most U.S. readers won’t get to see it just yet.
Meanwhile, Strip Magazine, a monthly comic dedicated to serialized action tales, has released its second issue. Unlike The Phoenix, Strip is available digitally as an iPad app, which means we Yanks can read it, too. (I think the high point of my year was learning that The Beano and The Dandy are now available as iPad apps.)
If you’re not quite ready to let go of Christmas yet (hey, it’s supposed to be 12 days!), check out the classic British Christmas comics that Lew Stringer (another talented artist) has posted at his blog. It’s a fascinating look back in time. Dandy artist Andy Fanton posts a more modern Christmas comic (very much in the Dandy style) at his blog.
And finally, we had the U.S. release last week of Nelson, the collaborative graphic novel by 54 creators, each of whom contributed a chapter about one day in the life of a young woman. The contributors include Roger Langridge, Duncan Fegredo, Warren Pleece, Posy Simmonds and Darryl Cunningham, and publisher Blank Slate is donating the proceeds from the sale of the book to the homelessness charity Shelter.
Publishing | Marvel reportedly has issued a round of Digital Millennium Copyright Act notices to Google in an effort targeting Blogger sites that serve as clearinghouses for links to pirated comics. (Blogger was purchased by Google in 2003.) One such blog, Comics Invasion, already has been shut down. [Bleeding Cool]
Passings | Pulitzer Prize-winning editorial cartoonist Paul Conrad passed away Saturday of natural causes. He was 86. The winner of three Pulitzers, an achievement matched by just two other cartoonists in the post-World War II era, Conrad worked for the Los Angeles Times for nearly 30 years, and earned a place on President Nixon’s infamous “enemies list.” [Los Angeles Times, Comic Riffs]
Organizations | Friends of Lulu, the comics advocacy group whose struggles have come to light in recent months, is in danger of losing its tax-exempt status as a charitable organization. Johanna Draper Carlson reports the 16-year-old group appears on the Internal Revenue Service’s “List of Organizations at Risk of Automatic Revocation of Tax-Exempt Status,” which includes organizations “for which the IRS does not have a record of a required annual filing for 2007 and 2008, and whose 2009 return, due on or after May 17 and before October 15, 2010, has not yet been received.” [Comics Worth Reading]
Publishing | One year ago today, Disney announced its intent to acquire Marvel Entertainment. James Hunt looks back at the purchase and its effects: “A year on, the content of Marvel’s books has seen no significant shift. It’s true that the year-long ‘Dark Reign’ meta-arc has recently given way to a more upbeat, optimistic ‘Heroic Age’ meta-arc, where heroes are heroes and villains are villains, but mature readers comics such as Punishermax, Deadpoolmax and, yes, the sequel to Kick-Ass are all still coming out. If Miramax could aim its product at adults from within Disney’s backyard, so, it seems, can Marvel.” [Den of Geek]