DC Comics has hired a slew of writers and artists in the wake of the New 52; someone has to do all those new books, right? But as you would expect, there are a lot of proposed pairings of creators and projects that were nixed before they saw print.
Earlier this week, Powers artist Michael Avon Oeming revealed artwork he had done for DC when he was in line to illustrate the recently launched Katana. Although DC ultimately went down a more realistic route with artist Alex Sanchez, these two pieces by Oeming are a bittersweet taste of what could’ve been.
You wouldn’t think it, but comics are a relatively new art form. Sure, people have used drawings to tell stories as far back as the caveman era, but comics as a realized art form are just over a 100 years old. Creators have frequently been flying by the seat of their pants to understand (and work successfully in) comics, with many of them learning for themselves as comics-specific classes are still relatively rare. As a guide to help artists avoid common mistakes, writer/artist/editor Larry Hama assembled what would become a key part of any creator’s toolkit: Wally Wood’s 22 Panels That Always Work.
After the original has been photocopied, faxed and passed around for more than three decades, artist Michael Avon Oeming has created an homage/update to that seminal reference using characters from his and Brian Michael Bendis’ Powers comic. Take a look:
It may be some time before we see an adaptation of Powers on FX, where the pilot reportedly remains in limbo until executives can decide whether to move ahead with reshoots. However, don’t have to await their verdict to see the comic by Brian Michael Bendis and Michael Avon Oeming in live-action form, thanks to the “Who Kill Retro Girl?” fan film by director Michelle Massey and cinematographer Adam Goral, which stars Brian Bedell as Christian Walker and Madeline Blue as Deena Pilgrim. Who needs Jason Patric and Lucy Punch?
If the first day of the Chicago Comic & Entertainment Expo was dominated by announcements from Dark Horse and DC Comics, then the second day belonged to Marvel, which followed through on its teaser for a new series, revealed an Icon relaunch, and shuffled some creators. Here are some of the highlights from Saturday (along with a couple of holdovers from Friday):
• As usual, the “Cup O’ Joe” panel was where Marvel rolled out its biggest publishing announcements, beginning with confirmation that the teaser released last week is indeed for a Hawkeye ongoing series reuniting The Immortal Iron Fist collaborators Matt Fraction and David Aja. In the title, which debuts in August, Clinton Barton will be accompanied by fan-favorite Young Avenger Kate Bishop as he fights organized crime in New York City. “It’s very Avengers, by which I mean John Steed and Emma Peel. There’s a whole healthy person between the two of them,” Fraction told Comic Book Resources. “There’s a line in Rocky where he says, ‘I got bumps. You got bumps. Together we fit,’ or something like that — the two of them fit together. Each one has what the other doesn’t, which means they work very well together. She’s young, incredibly gifted, incredibly cultured, and incredibly headstrong. She doesn’t suffer his crap and also wants to be someone worthwhile, but she’s trying to figure out how to make that possible. She follows him not because of his abilities, but his accomplishments. So they work together quite well. It’s an apprentice and master style relationship.”
Thinking about some of the news from SDCC this year — specifically, the Sixth Gun news, about it being made into a television series by the Syfy network — it struck me: Indie comics are the small-screen Marvel. And I’m not quite sure what that’s going to mean for their future.
Hello and welcome to What Are You Reading? Our special guest today is Ryan Cody, creator of Icarus and illustrator of Villains and Jesus Christ: In the Name of the Gun. You’ll be seeing more of Icarus around these parts starting very soon …
To see what Ryan and the Robot 6 crew have been reading lately, click below.
Very busy writer Brian Michael Bendis became an even busier writer this weekend. With little fanfare — it “happened by accident” — Bendis spent over an hour on Saturday answering reader questions via his Twitter account.
The 125-message micro-interview cost him some followers, irritated Warren Ellis (not really), and was eventually cut off by Twitter, but by the time all was said and done some interesting info had hit the Internet courtesy of his tweets.
First up, Bendis spilled the beans on a trio of upcoming projects with familiar collaborators:
* Bendis and his Daredevil: Wake Up partner David Mack will reunite for a new Hornhead project, Daredevil: End of Days, next summer. The project was first announced in February 2007, with Bendis and Mack as co-writers and art from Alex Maleev, Bill Sienkewicz, and Klaus Janson. (Daredevil will also appear in New Avengers #60.)
* Look for a creator-owned crime project from Bendis and his Daredevil and Spider-Woman collaborator Alex Maleev next summer.
We typically leave Hollywood news to CBR’s “Comics Reel,” but this tidbit seems worth including in our coverage of New York Comic Con: Writer Brian Michael Bendis has confirmed that the Powers television series is in active development as a pilot for FX.
Bendis had teased in September that the adaptation might be bound for the cable network, home to such dramas as The Shield, Rescue Me and Damages.
“I just handed in a draft to the network and we’re getting our notes from the network as soon as this thing is over,” Bendis told MTV’s Splash Page today. “So next week I’ll get the notes, and as long as they don’t involve sock puppets and some sort of orgy scene that I’m not interested in, then hopefully it will go in the right direction.”
Created by Bendis and Michael Avon Oeming, Powers was published by Image Comics from 2000 until the creators moved the superhero police procedural to Marvel’s Icon imprint in 2004. The series previously had been optioned as a movie by Sony Pictures.