Publishing | Sales of comics, graphic novels and digital comics totaled $750 million in 2012, making that year the best of the millennium so far for the comics business, according to the retail news and analysis site ICv2. Total print sales were estimated at $680 million and digital at $70 million, a hair over 10 percent of print and almost triple the 2011 total of $25 million. The website also breaks down the top properties in eight graphic novel categories (superheroes, genre, manga, etc.), based on interviews with retailers, distributors and manufacturers. Interestingly, Hawkeye is nestled at No. 7 on the list of Top 10 superhero properties, between Iron Man and Spider-Man. [ICv2]
Publishing | Torsten Adair takes a look at IDW Publishing’s financials, and they’re looking pretty good. [The Beat]
Retailing | Saying that video games, texting and digital comics have killed interest in collectibles, 80-year-old Joseph Liesner is closing his Sunnyside, Queens, store Comic Book Heaven after nearly three decades. “The store’s not making any money,” he says, “and, besides, I’m as old as Methuselah.” The store will remain open for another two months, with Liesner using the time to search for a much younger girlfriend via a sign in the window. [Sunnyside Post]
Retailing | Publishers Weekly’s annual comics retailer survey yields some interesting commentary, although the sample size is small (just 10 stores): Sales are up, retailers are optimistic, and Saga is the hot book right now. Also, booksellers who underestimated the demand for Chris Ware’s Building Stories lost out to direct-market retailers who didn’t, making for some nice extra sales during the holiday season. And while readers seem to be getting tired of the Big Two and their event comics, they are more enthusiastic than ever before about creator-owned comics, and Image is doing quite well. [Publishers Weekly]
Awards | Ladies Making Comics presents the complete list of women Eisner nominees for this year, noting that women have been nominated in almost every category. [Ladies Making Comics]
Failure (Alternative Comics): Faithful readers of ROBOT 6 may recall the name of cartoonist Karl Stevens from a fall 2012 story about his Boston Phoenix strip Failure being canceled after an installment referred to Bud Light — one of the paper’s advertisers — as “diluted horse piss.” The Phoenix denied this at the time, and, coincidentally, several months later ceased publication all together (after a brief time in which it was split into five different newspapers with five different editors — Cyclops, Emma Frost, Namor, Colossus and Magik — until Cyclops assumed control over all five papers and it took the combined might of all of the Avengers to stop him … there’s a comic book joke for you!).
While that history may not be particularly relevant to readers, Stevens covers his side of the incident in his introduction to the Failure collection, which packages the final installments of his strip — right up to, and a few past, the “horse piss” one — into 150 pages of gorgeously drawn material.
What is important is that this is some great work, of the must-read variety. Failure, at this point in its existence, had become a sort of slice-of-life strip, with one to four panels devoted to anecdotes from his own life, including his relationship with his girlfriend, funny things his friends said or funny things he overheard. There are, additionally, plenty of flights of fancy starring his descendant in the far-flung future, and recurring characters like Bongbot, a time-traveling robot bong, and Pope Cat, a cat who is also the pope (if I’ve got that right).
What keeps Failure from being as mundane as you might imagine it, based on how I just described its premise, is what an incredible artist Stevens is. He works in a lush, highly detailed, representational style, as if he were drawing portraits rather than cartoons. Check this out:
Auctions | The original art for two Peanuts Sunday comics, one of them autographed by Charles Schulz, sold for a combined price of $78,200 at auction on June 6. [artdaily.org]
Creators | Zander Cannon and Kevin Cannon, who are doomed to be forever yoked by the parenthetical phrase “no relation,” reminisce about the days when they were paid for their work in beef, and talk about their digital-first strategy, serializing Zander’s Heck and Kevin’s Crater XV in their monthly digital magazine Double Barrel before releasing them in print. Mark Waid drops in to praise the Cannons for their digital strategy, saying, “If you let the audience access your material over the Web rather than force them to search — often in vain — for a retail outlet, they’ll be your fans for life.” [Minneapolis Star Tribune]
Welcome to “Cheat Sheet,” ROBOT 6′s guide to the week ahead. Now that everyone is coming down from the high (or the low, depending upon your opinion) of Man of Steel‘s $125.1 million opening weekend, it’s time to settle back in for some actual comic books. And this week, there are plenty to recommend, from new-series debuts like Brother Lono and The X-Files Season 10 to original graphic novels like Paul Joins the Scouts and Primates.
But that’s not all, as this weekend also brings the fifth annual Kids Read Comics convention …
Legal | The Malaysian cartoonist Zunar has appealed a court decision upholding his 2010 arrest and detention, claiming police acted in bad faith when they arrested him under the Sedition Act because of his book Cartoon-O-Phobia, which had not yet been released at the time of his arrest. No charges were ever filed, as the police could not identify any actual seditious content in the books. A court ruled in July 2012 that Zunar’s arrest was lawful but ordered the police to return the books they had confiscated and pay him damages. An appellate court will hear the case next week. [The Comics Reporter]
Publishing | Heidi MacDonald takes a look at Marvel’s new graphic novel line, which will launch in October with Warren Ellis and Mike McKone’s Avengers: Endless Wartime. [Publishers Weekly]