Soule Finds a Weakness in the Afterlife, Discusses Surprise "Inhuman" Return
Business | DC Entertainment parent company Warner Bros. is expected to offer buyouts to an unspecified number of employees as part of an effort to increase profits following a disappointing summer at the box office. The cuts are thought to be spread across the film, television and home entertainment units; if not enough workers accept buyouts, unnamed sources contend the studio may resort to layoffs. Warner Bros. wouldn’t comment on the report. [Bloomberg]
Legal | Hirofumi Watanabe has filed an appeal in Tokyo District Court, seeking to overturn his conviction on charges of sending threatening letters to venues and retailers linked to the Kuroko’s Basketball manga and anime series. Watanabe admitted to all the charges on his first day in court, and after he was sentenced to four and a half years in prison, he said, “I’m glad to accept the ruling so I can live over four years in prison,” so this is a reversal for him. [Anime News Network]
Normally, when we talk about art – which, of course, is different from mere entertainment – we like to phrase it in rarefied terms. We tend to want our art to focus on the examination or discussion of high-minded ideals like truth, beauty, justice, wisdom, or the existence of a sentient spiritual being and subsequent afterlife. Stuff like that. We want our movies, music and books to be concerned with the ethereal world, and not so much with the physical one, especially unpleasant or embarrassing tasks like defecating or sexual congress. Being reminded that only a thin layer of skin holds in all those slimy organs, blood and other icky stuff keeps us from musing on what special snowflakes we all are (not to mention the horror of our own eventual death).
When we do acknowledge that stuff, it tends to be in the form of “low” comedy or horror films, where jokes about going to the bathroom, violence, lustful urges and other aspects of our daily physical lives that make us uncomfortable, can be digested more easily because we often exhibit it in as loud and gross a manner as possible.
But delving knee-deep into viscera and body fluids doesn’t ipso facto mean you have to forego subtlety, nuance or poetry. Take Johnny Ryan’s Prison Pit series for example.
ComiXology has removed 56 titles from its iOS app this week — they range from Angry Youth Comix to Sex to The Boys: Herogasm — to adhere to Apple App Store policies. They’re still available for purchase from comiXology.com.
“In order to comply with the Apple App Store guidelines regarding adult or inappropriate content, some new releases were rejected for our iOS app this week,” a statement on the comiXology blog reads. “In addition, certain previously released titles that fall outside of these guidelines were also rejected and will be removed from sale.”
The announcement comes a little more than a month after the digital-comics distribution platform rejected Saga #12 in an effort to adhere to Apple policies, an action originally attributed to the computer giant. In the aftermath, Image asked that Black Kiss II, XXXombies and Sex #1 be revisited, resulting in all three being approved for the comiXology and Image Comics iOS apps. Now, however, all three have been removed.
The list of removed titles also includes Jess Fink’s Chester 5000, Reed Waller and Kate Worley’s classic Omaha the Cat Dancer, Johnny Ryan’s Prison Pit and the gay-comics anthology No Straight Lines, which features the work of Alison Bechdel, Howard Cruse and Eric Shanower, among others.
Update (11:50 a.m.): ComiXology contacted ROBOT 6 to clarify that it was notified by Apple that those titles didn’t meet the App Store content guidelines, and therefore were pulled from the iOS app.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15, I’d spend the first $3.99 on the first issue of 47 Ronin, a retelling of a Japanese legend written by Mike Richardson and illustrated by Stan Sakai. I saw a preview of this and it looks phenomenal. Next up is my favorite soap opera, Life With Archie #24 ($3.99), in which Moose contemplates running for the Senate and The Archies reunite. This comic is consistently well written and the stories really drag me in. I’ll slap down another $3.99 for Popeye #7, because I’m a Roger Langridge fan. And because I love a bargain, I’ll finish up with Freelancers #1, a new series from BOOM! Studios that looks kinda fun — and hey, there’s a variant cover by Felipe Smith, one of my favorite manga artists.
If I had $30, I’d revert to my childhood and pick up the Doctor Who Annual ($12.99) from Penguin. When I was a kid, the British comics annuals were the high point of the holidays, and I’m pretty sure I have a vintage Doctor Who one tucked away somewhere. It’s probably aimed at kids but that just means I can share it with my nephew and nieces.
The splurge item to get this week is the new box set of Hayao Miyazaki’s Nausicaa of the Valley of the Wind. This is Miyazaki’s longest manga by far, and the story continues after the movie ends. It’s going to be the same large format as Viz’s earlier box set, but the seven volumes are being bound as two this time. It’s $60, but I noticed Amazon is offering a steep discount, so I’ll add another splurge: Nickolai Dante: Sympathy for the Devil ($29.99), a story that ran in 2000AD. I saw artist Simon Fraser describe it at NYCC this way: “Nikolai Dante is a swashbuckling hero from the far, far future, the year 2666, where he is alternately working for and against the czar, and for his own family and against his family, and in the meantime trying to get as drunk and screw as many women as he possibly can.” Sold!
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.
If I had $15 this week, I’d continue to support the DC relaunch by picking up Wonder Woman #1, Legion of Super-Heroes #1 and Green Lantern Corps #1 (All DC, $2.99). I’d also grab the first issue of IDW’s new ongoing Star Trek book ($3.99), which adapts episodes of the original TV show into the new movie continuity, because I’m nerdy like that.
Welcome to another edition of What Are You Reading? Today our special guest is Kevin Colden, whose comic work includes Fishtown, I Rule the Night, Vertigo’s Strange Adventures and Yours Truly, Jack the Ripper, among others. He’s also the drummer for the band Heads Up Display.
To see what Kevin and the Robot 6 crew have been reading lately, click below …
Fantagraphics sent over their list of books debuting at the San Diego Comic-Con later this month, and boy is it packed tighter than my suitcase on vacation day. The publisher will have almost two dozen new books at the show, including the last Mome; new stuff from Michael Kupperman, the Hernandez Bros. and Johnny Ryan; tons of Eurocomics; a Lou Reed/Edgar Allan Poe joint; and more. Check them out:
Love & Rockets New Stories 4 by Los Bros Hernandez: Featuring new stories by Jaime and Gilbert, including new material featuring Maggie set in the present and during her teen years.
Mark Twain’s Autobiography by Michael Kupperman: Probably the one I’ve been looking forward to the most, Kupperman publishes Mark Twain’s “biography” since the day the author/humorist died through last year — including his affair with Marilyn Monroe and his time-traveling adventures with Einstein.
Prison Pit Vol. 3 by Johnny Ryan: More deranged, twisted ultraviolent fun from Ryan.
Fresh from perverting Small Wonder, Prison Pit‘s Johnny Ryan tweets that this is the last week you can buy art from his show at the Mishka NYC gallery. That means it’s your last chance to snag extremely affordable takes on an array of horror icons, from the Exorcist print above to pieces based on The Fly, Scanners, It’s Alive, Basket Case, H.P. Lovecraft, the Coffin Joe movies, Ryan’s own Prison Pit rogues and beasts, and much more. What are you waiting for, fright fans?
Over on the CBR mothership, two potential “book of the year” candidates are talking about what makes them tick. First up is Daniel Clowes, author of Wilson. In a report on Clowes’s Dan Nadel-hosted spotlight panel at APE, CBR’s Karl Kelly reveals that Clowes thinks none too highly of the readability of classic comics even by artists he admires:
“I realized at a certain point that the thing that keeps me drawing comics and the thing that has always moved me along is that comics history is really disappointing,” Clowes responded. “It’s not the same as the history of novels, history of art, history of movies, the body of work is pretty spotty. The things we imagined don’t really exist. We imagine that Alex Toth did really amazing comics in the 50s that really worked, that were like Howard Hawk’s movies, but he didn’t do that. He never made a comic you could read. It’s terrible, and I say that thinking that he was one of the greatest geniuses of the 20th Century.”
Welcome once again to What Are You Reading? This week our special guest is Paul Maybury, creator of the webcomic Party Bear. His work can be found in Comic Book Tattoo, various volumes of Popgun and 24seven, and, of course, the full-length graphic novel Aqua Leung. Be sure to check out the sketches he shares.
To see what Paul and the rest of the Robot 6 crew have been reading lately, click on the link …
Sabbath bloody sabbath, that’s a kick-ass cover! With Prison Pit Book 2 — the sequel to Johnny Ryan’s hugely acclaimed, splatterific sci-fi bloodbath — due to debut at Comic-Con this week, Fantagraphics has already unveiled the cover for the third volume in the series, headed your way in 2011. My left hand is involuntarily making devil horns even as a type. (Related: It’s hard to type with just a pinky and index finger on one hand.)
Johnny Ryan’s Prison Pit — it’s not just for blood-soaked killing machines named Cannibal Fuckface anymore! Now you can own a page from Volume One of Ryan’s acclaimed, ultraviolent action opus. Several stunning pages are available for sale at Comic Art Collective. They really tie the room together, man.
Well, who’s this adorable little gentleman? Why, it’s Cannibal Fuckface, star of Johnny Ryan’s gruesomely good action comic Prison Pit. This felt doll version of the blood-soaked bruiser was constructed by Ryan’s wife Jenny, and here he hangs on the Christmas tree, making the season bright. Alas, with Prison Pit, Vol. 2, on the way this summer, his troubles are far from out of sight.