SPIDER-MANDATE: The Lowe-down on "Secret Wars," Tie-Ins and Stacey Lee
One of the more interesting phenomena of the past few weeks has been the slow re-awakening of Tokyopop, which has returned to life after shuttering its manga operations more than a year ago; the current plan is to co-publish a small number of books as print-on-demand with the anime retailer RightStuf. The first few were volumes 1-3 of Hetalia: Axis Powers, a hugely popular Japanese manga; the next was the final volume of the OEL manga series Bizenghast; and the latest is the third volume of Psy-Comm, another original graphic novel.
Tony Salvaggio, the former manga columnist for Comic Book Resources, is the writer of Psy-Comm and has kept the flame burning for a number of years now, since the first volume came out in 2005. He had to get a new artist for the second volume, and the third just missed the chance to be published before Tokyopop shut down its original graphic novel line in 2008. Tokyopop did publish it online, for free, the following year, but when the company took down its site, the book disappeared as well. With the new announcement, we checked in with Salvaggio about making Psy-Comm, working with Tokyopop, and staying with a comic for the long haul.
Robot 6: Let’s start with the book. It’s been a while. Can you give us a quick description of what Psy-Comm is about?
Tony Salvaggio: Psy-Comm is set in a world where corporations have replaced nations and countries and exist as Corp-States and war has been replaced with televised battles that settle the differences between them. Each Corp State has its own Psychic Commando — the Psy-Comms –media superstars that inspire even the non-psychics to fight in the wars for fabulous prizes. One Psy-Comm’s past comes back to haunt him and he decides to run away from his Corp-State and celebrity status, taking along a rival Psy-Comm in training.