EXCL. PREVIEW: Superman Escapes a Black Universe in "Dark Knight III" #5
Publishing | As Tokyopop returns to the graphic novel market, CEO Stu Levy talks about what he learned when the company stopped doing print in 2011, what happened with Tokyopop Germany, and how he sees the market now. Tokyopop is relaunching in print with three manga based on Disney properties, which Levy compares to the Korean tacos popularized by the food truck Kogi in Los Angeles: “To me that’s the epitome of fusion food done right, and I think what we’re doing with Disney manga is along those lines. It’s Japanese manga artists interpreting Disney characters and stories in a way that makes it uniquely manga, but it also retains the essence of Disney and the beloved characters that are a worldwide brand for a reason.” [ICv2]
Conventions | Ahead of this weekend’s Chicago Comic & Entertainment Expo, the Chicago Tribune looks at the growth, and the economics, of the convention, which last year drew a reported 71,000 attendees — about 40 percent of which come from outside Illinois. [Chicago Tribune]
Comics | The comics industry has undergone seismic changes in the past few years, and Heidi MacDonald rounds up some recent comments from retailers and pundits about what they’re seeing. It’s a good read that leads to many other good reads, but here’s the takeaway: “ The real issue — one that many people in the industry may have trouble dealing with — is that the comics audience has changed. They didn’t get into comics during the first run of the Ultimate universe. They didn’t come in with the original 52 mini series or Final Crisis. They probably didn’t even start with the New 52. The methods and product mixes that were formulated to deal with a readership that grew up when comics were a niche product for nerds have to be reevaluated when new readers are coming in from the top properties in every form of entertainment, from graphic novels that they were taught in school, from webcomics, from creators with strong social media, from every which way. There is no well marked four lane highway to comics any more, just a delightful variety of roads, interstates and worn down dirt paths.” [The Beat]
Awards | Victoria Jamieson’s Roller Girl, a graphic novel about a middle-schooler who joins a roller derby team that changes her life, was one of three children’s books named Newbery Honor Books over the weekend by the American Library Association during its midwinter meeting. The John Newbery Medal is given each year to the “most distinguished” children’s book published the previous year, and the Newbery Honor Books are basically the runners-up. Three other graphic novels were Honor Books in different categories: Liz Suburbia’s Sacred Heart won an Alex Award, given to adult novels with teen appeal; Written and Drawn by Henrietta, by Liniers, was a Mildred Batchelder Honor Book, which recognizes books originally published in languages other than English; and Don Brown’s Drowned City: Hurricane Katrina and New Orleans was a Robert F. Sibert Honor Book, a category that recognizes excellence in nonfiction young adult books. [Publishers Weekly]
Publishing | French satirical magazine Charlie Hebdo will release a special double-size issue on Jan. 6 commemorating the one-year anniversary of the jihadist attack on its Paris office by that left 12 people dead. One million copies will be produced of the issue, which will feature drawings by the cartoonists killed in the massacre, as well as illustrations by current staff members. A special “survivors issue” released after the attack sold 7.5 million copies worldwide. [The Guardian]
Publishing | Calvin Reid and Heidi MacDonald assemble a roundtable of comics insiders to for a detailed discussion of how the graphic novel market has evolved over the past 10 years, how their own business models have evolved, and what challenges they expect the future to bring. “Graphic novels are now firmly established in the book market worldwide in every genre: superhero, creator-owned, kids, middle-grade, young adult, webcomic, media tie-ins … etc,” says Kuo-Yu Liang, vice president of sales & marketing for Diamond Book Distributors. “While the overall book business is flat, most retailers are reporting comics/graphic novels and related merchandise as one of the few segments growing.” [Publishers Weekly]
Digital comics | With Naruto creator Masashi Kishimoto appearing this week at New York Comic Con, Viz Media is launching a dedicated Naruto app that will offer a chapter of the series every day for free (each chapter will be free for seven days). The app will sync with the VizManga digital comics platform, and users who buy one or more volumes of Naruto on either digital service this month will also get a bundle that includes the original pilot chapter Kishimoto created for the series, plus editors’ notes, chapter reviews and fan art. Viz is also offering discounts individual volumes throughout the month of October, with the first five volumes selling for $1.99 each. [Crunchyroll]
Publishing | Todd Allen pulls the camera way back for a broad look at four challenges facing the comics market: the shift from serial comics to graphic novels, editorial changes at DC Comics and Marvel, and the virtual monopolies that comiXology has in the digital sector and Diamond Comic Distributors has in print. How could that play out? “In the best-case scenario, Marvel’s relaunch sticks with the audience, DC restaffs and regains its footing, the Direct Market retailers embrace risk diversification and increase their stock of independent comics, bookstores continue to expand their graphic novel selections. Comics enter a legitimate golden age. In the worst case, Disney and/or Warner Bros. both tinker with their formula of making monthly print comics and Direct Market retailers face a new and uncertain business model.” [Publishers Weekly]
Fandom | Twelve-year-old Cameron Bippen was looking forward to attending Tampa Bay Comic Con, but had to miss the event due to unexplained seizures. Following his release from the hospital, Cameron’s neighbors in Riverview, Florida, threw him his own comic convention, complete with costumed guests and a visit from members of the Tampa Bay 501st Star Wars Legion. [Fox 4 News]
Legal | DC Comics has filed a trademark lawsuit against clothing manufacturer Mad Engine, claiming one of its T-shirt designs infringes on the iconic Superman shield (it replaces the signature “S” with “Dad”). The shirt was sold through Target, which isn’t part of the suit. DC sent a cease-and-desist letter to Mad Engine on June 1, but, the publisher claims, the clothing company didn’t respond until June 19 “in an effort to allow the Infringing T-Shirt to remain available for sale through Father’s Day.” [The Hollywood Reporter]
Retailing | David Harper asked 25 comics retailers how they feel about their business (spoiler: mostly optimistic), what their customer base is like, how they determine which comics to order (some really interesting comments here), and their thoughts on the industry as a whole. With the caveat that it’s a small group, it’s fascinating stuff. [Sktchd]
Manga | A special treat awaits moviegoers who see Boruto: Naruto the Movie in Japanese theaters in August: A special Naruto book that includes both the final chapter of the original Naruto manga and a new one-shot story by Naruto creator Masashi Kishimoto. [Anime News Network]
Creators | Sophie Campbell discusses working on Jem and the Holograms and the reactions she received earlier this year after coming out as trans: “I didn’t know how people would react, my family in particular of course, and I was worried about being fired from Jem because I was scared that IDW or Hasbro would feel like this wasn’t what they signed up for… It’s only been a couple months, but so far it’s been the opposite of what I was expecting. My family has been super great even though it’s tough for them, and as far as work goes, I’ve actually gotten more offers than I’ve ever had, and my publishers have been more than amazing.” [The Advocate]
Legal | There’s one fewer party in the lawsuit over the use of the term “comic con”: Newspaper Agency Corp., which produces materials for Salt Lake Comic Con, has settled with the organizers of Comic-Con International in San Diego. Comic-Con sued both in August, claiming trademark infringement. Update: A Comic-Con International spokesman clarified that the settlement with the Newspaper Agency Corp. — a printing, advertising and delivery company owned by The Salt Lake Tribune and the Deseret News under a joint operating agreement — is already in effect, with the company agreeing to a court order that prevents it from using the mark “Comic-Con,” “Comic Con” or its variants in the materials it produces. The lawsuit against Salt Lake Comic Con organizers continues. [The Salt Lake Tribune]
Crime | Someone tossed a homemade fire bomb into the offices of the German newspaper Hamburger Morgenpost at about 2 a.m. on Sunday. Firefighters put out the fire quickly, and no one was in the offices at the time. The paper published three of the controversial Prophet Muhammad cartoons from Charlie Hebdo on Thursday with the headline “This much freedom must be possible!” [The Telegraph]
Editorial cartoons | Michael Kupperman relates his frustrating, and short-lived, experience as a cartoonist for The New York Times. [The Hooded Utilitarian]
[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]
Copyediting is a strange profession: If you do your job well, no one will know you did it at all. It’s when you don’t—or, more likely, when the copyeditor is eliminated—that people notice. I was reading a comic from a major publisher just the other day and encountered a glaring typo that popped me right out of the story.
As a former copyeditor myself, I was touched by Calista Brill’s post at the First Second blog about their copyeditor, Manuela Kruger, who passed away recently.
Despite never having had a conversation with her, I felt like Manuela and I were friends, communicating across the written page. Manuela would return her copyedited printouts of our books to us with a cover letter sharing her thoughts—always perceptive, and sometimes very funny—about the book she had just marked up. The notes and asides she added to her copyediting corrections often made me laugh—made me feel like I had a friend reading along with me.
There are a lot of people whose work goes into making a graphic novel see the light of day, and a lot of them are pretty invisible to the reader and even to the person who wrote or illustrated the book in the first place. But their contributions are invaluable, and it’s a very sad day when you lose one of them.
Passings | Tony Auth, editorial cartoonist for The Philadelphia Inquirer from 1971 to 2012, died Sunday at age 72. Auth, who won both the Pulitzer and Herblock prizes during his lengthy career with the newspaper, began drawing as a child, when a lengthy illness confined him to bed for a year and a half. He graduated from UCLA in 1965 with a bachelor’s degree in biological illustration, and worked as a medical illustrator for a time. He began his cartooning career doing a weekly cartoon for a local alternative newspaper and then started drawing a thrice-weekly cartoon for the UCLA Daily Bruin. He left the Inquirer in 2012 to pursue digital cartooning and became the Digital Artist in Residence for WHYY’s News Works. In addition to his cartooning work, he illustrated 11 children’s books. His editorial cartoons have been collected into two books, and Temple University has begun fund-raising for an archive of his work. Michael Cavna has a roundup of tributes from Auth’s colleagues at Comic Riffs. [The Philadelphia Inquirer]
Passings | Comics journalist and commentator Bhob Stewart died Monday at the age of 76. Stewart kicked off his career in 1953, at the age of 16, by publishing an EC fanzine; the following year, as Carol Tilley documented in a recent talk, he sent a copy to anti-comics crusader Fredric Wertham, along with some tart commentary. Stewart went on to become an influential voice in the conversation about comics; he wrote several books, taught classes at the School for Visual Arts, and curated the first exhibit of comics art in a major American museum. Heidi MacDonald credits him with inventing both Wacky Packages and the term “underground comics.” [The Beat]
Editorial cartoons | German cartoonist Burkhard Mohr has apologized for a cartoon depicting Facebook founder Mark Zuckerberg with a hooked nose, an image that critics said was reminiscent of Nazi propaganda. The cartoon appeared in the early editions of the Munich newspaper Sueddeutsche Zeitung, but Zuckerberg’s face was replaced by an empty hole in later editions. “I’m very sorry about this misunderstanding and any readers’ feelings I may have hurt,” Mohr said. “Anti-Semitism and racism are ideologies that are totally alien to me” [ABC News]