The Biggest Superhero Films That Didn't Happen, Part 2
Comic Books, Film
Free Comic Book Day is once again upon us, the day that current and hopefully potential comic fans flock to their local comic shop to sample a buffet of comic choices from publishers large and small. There’s a lot to sink your teeth into this time around, from previews of new or upcoming stuff — like Marble Season and Superman: The Last Son of Krypton #1 to first issues of brand new comics — like The Strangers #1 and Aphrodite IX #1. There are original comics, licensed comics, kids comics, anthologies … basically something for everyone.
Some retailers will offer all-you-can-eat options, while others might have limits on what you can get … so if you have to make a choice, here are six comics we’re particularly looking to sink our teeth into.
Are you getting excited? New teasers and trailers are being released almost every day now. The countdown to Summer Movie Season is officially on, and the big blockbusters adapting comics are looking promising. Iron Man 3 has an armada of armors flying around; can’t really go wrong there. The Wolverine has ninjas as far as the eye can see. And the bearded and brooding Man of Steel might even end up being good. Throw in a little Kick-Ass 2 and RED 2, sprinkle with R.I.P.D. and 300: Rise of an Empire, and top it off with 2 Guns, and you’ve got yourself one fun summer.
While we still get clunkers, the ratio of good to suck has definitely improved. It used to be that the old chestnut response to a movie adapted from a novel could be more often than not applied to movies adapted from comics: The book was better. And it’s often still true. But there are times when the movies do it better than comics, and while that’s great for the filmmakers and audiences, in a way it’s an indictment on the comics-makers.
Comics offer more boundless creativity than almost any medium. With comics, there’s no studio executive, no creation-by-committee made up of shareholders and board members with less experience creating and telling stories than their companies’ interns. It’s why Tony Stark being an alcoholic doesn’t fly with Disney and was removed from Iron Man 3. Comics can still include collaboration and compromise but they can just as easily be the result of a single voice. Even with the most heavy-handed editorially mandated comics, they’re still created by a fraction of people needed to make a Hollywood movie. Comics are generally more spontaneous, imaginative and clever than most major studio movies. But sometimes, Hollywood gets the jump on comics.
Following Thursday’s announcement of the gold titles for Free Comic Book Day 2013, Dark Horse has revealed the rest of its lineup, which includes the long-awaited debut of The True Lives of the Fabulous Killjoys, by Gerard Way, co-writer Shaun Simon, artist Becky Cloonan and colorist Dave Stewart.
Announced in 2009, the follow-up to the acclaimed Umbrella Academy originally was described by the frontman of My Chemical Romance as “almost like a strange kind of love letter to the really great comics of the ’90s that kind of pushed things.” However, in the three years since the announcement, a lot changed.