Chris Pine Reportedly Closes "Wonder Woman" Deal
Continuing with our annual “Looking Forward, Looking Back,” we asked creators and other industry figures what they liked in 2014, what they’re looking forward to in 2015, and what projects they have planned for the coming year.
In this installment, we hear from Joe Keatinge, Sarah Glidden, Dustin Weaver, Jesse Jacobs, Rachel Deering, Will Sliney, Jess Smart Smiley, Neil Kleid, Tim Seeley and Van Jensen!
Saturday, aka Day 2, of HeroesCon was much busier for creators, so I didn’t always get the opportunity to chat with them that I did on the first day of the Charlotte, North Carolina, convention. In those instances, in place of project updates I provide links to the creators and/or their related works.
Comics | A CGC-certified 9.6 copy of 1963’s The X-Men #1, by Stan Lee and Jack Kirby, fetched a private-sale record of $250,000 in a deal brokered by Pedigree Comics. That same comic, said to be one of just two certified near-mint copies in existence, went for a then-record $200,000 in March 2011; a 9.8 copy sold at auction in July 2012 for $492,938. The all-time record remains the $2.6 million paid in a 2011 auction for a near-mint copy of Action Comics #1. [CGC Comics]
Comics | Joe McCulloch puts together a nice guide to the self-published comics of Steve Ditko. [Comics Alliance]
Comics | If you want to read Franco-Belgian comics but don’t know where to start, Jared Gardner has you covered, with a brief introduction and some recommended works that have been translated into English. [Public Books]
Ahead of the Oct. 31 release of Amelia Cole and the Unknown World #4 from Monkeybrain Comics, artist Nick Brokenshire has provided ROBOT 6 with a look at his process for creating Page 4 of that issue. If you’re unfamiliar with the series, by Brokenshire, writers Adam P. Knave and D.J. Kirkbride, and letterer Rachel Deering, the first three issues are available on comiXology.
A wee while back, my friends Adam and DJ asked me if I fancied doing a process diary-type thing for Comic Book Resources. I was surprised because I am a new artist in the wondrous world we know collectively as “comics.” Of course, what with our book being picked up by Monkeybrain and put out on comiXology, I said yes. We are obviously in the business of drawing attention to our work so that we can sell copies which in turn will allow us to make more comics. … But that isn’t the real reason that I want to share this little snapshot of the way we do things. The main reason for me is: love of the process. Even as an unknown, I relish the chance to share the little I have learned with anyone that may enjoy or benefit from this information.
A few years back while I was training to be a high-school art teacher (which is what I do as a day job now), I stumbled upon the revelation that the only way to achieve anything is by starting. I had been drawing comics characters and chopped-up bits of comics but never managed to finish anything. Then, upon listening to the experiences of professionals on podcasts like Word Balloon and Art and Story, as well as interviews on blogs and magazines, the same little snippet of advice kept popping out: start. Start to write and start to draw. After you start, don’t stop. Even when you don’t think the work is that good, don’t stop. That’s the only way to get better. So I started and I think I’m getting better. I’m a long way from being as good as my heroes, but I’ve made a start. So, for those of you who want to make comics, whether you dream of super-stardom or like me, just like to tell stories, here’s a brief breakdown of the process I go through to make comics. Hope it helps you start.
To see what Ed and the Robot 6 crew have been reading lately, click below.
Happy Mother’s Day and welcome to another edition of What Are You Reading? Today our special guest is Ryan Ferrier, who I spoke to a couple of weeks ago about his comic Tiger Lawyer and recently kicked off an Indie GoGo project to fund the second issue.
To see what Ryan and the Robot 6 crew have been reading, click below.