Axel-In-Charge: In-Depth with Alonso on Marvel's "All-New, All-Different" Lineup
What exactly is “the Earth One series”? I’m a little confused. So too is its publisher.
The line of original graphic novels launched in 2010 with J. Michael Straczynski and Shane Davis’ Superman: Earth One. The premise seemed to be the reintroduction of the character in a modern setting for a new audience. (Not unlike Marvel’s millennial Ultimate imprint then, but in a more bookstore/library-friendly format.)
That was followed with a sequel and Batman: Earth One, by Geoff Johns and Gary Frank. Now the Teen Titans get a turn with this book by Jeff Lemire, Terry and Rachel Dodson and Cam Smith. Despite the blurb, the graphic novels aren’t connected in any way other than design, format and, perhaps, intended audience.
The “Earth One” designation remains particularly perplexing, given the baggage the phrase is freighted with, its ever-changing meaning and the fact that these books are presumably targeted at readers who don’t know or care about the oft-rebooted DC Multiverse’s various parallel-Earth settings.
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Emerald City Comicon may not come with the metric ton of announcements that Comic-Con International does, but in a way it’s all the better for it. Comics still feel as if they’re front and center just where I like them, and the announcements have more charm because they aren’t screaming to be heard over the din of film and television rollouts.
One year, I’ll get up to Seattle to experience the event firsthand, but in the meantime, I get to absorb all the news and photos like everyone else, as they’re posted online. ECCC even streamed all of its panels on flipon.tv. Anything that happened in Room 301 is free for anyone to watch. Everything else can be purchased with a full archive pass for $14.95. Or if, you don’t want to sit through hours of panel footage, there’s CBR’s coverage or, heck, try Google or something.
A number of announcements jumped out as particularly noteworthy, so let’s run through The 6 Best Things from ECCC. And from my count, Dark Horse won Emerald City. Your miles may vary though, so post your favorites in the comments.
This year’s CBLDF Liberty Annual from Image (#5) has this lovely cover from Terry Dodson and Rachel Dodson. I’m always a sucker for an image of a girl on a scooter (see also: Adi Granov’s redonkulously-proportioned effort from 2009). Or on a cafe racer. As Ringo once put it, “I’m not a mod or a rocker, I’m a mocker.” Lots more below, from Simon Gane, Becky Cloonan, Chris Weston, Ron Wimberly and others.
Hello and welcome to What Are You Reading?, our weekly look at the comics, books and other things we’ve read this week. Today our special guest is Jason Green.
Jason Green is the editor of comics coverage for the St. Louis-based pop culture website PLAYBACK:stl, and a writer and editor for the comics collective Ink and Drink Comics, whose fourth release (a Western anthology titled Off the Wagon) will debut at this year’s C2E2.
To see what Jason and the Robot 6 crew have been reading, click below.
Here’s a great catch by blogger Corey Blake and a great “is this real life?” moment for the rest of us: An Amazon listing for a hardcover collection of the 2003 miniseries Trouble by Mark Millar and Terry Dodson, slated for release on June 8, 2011.
For those of you who don’t recall those heady days, Trouble was part of the short-lived, Bill Jemas-shepherded revival of Marvel’s Epic imprint and an attempt to create the first hit romance comic in god knows how long. (I know, nothing says “romance comic” like Wanted, Kick-Ass, Nemesis, and Superior writer Mark Millar, but this was the same Nu-Marvel era that gave us Bendis/Maleev Daredevil, Milligan/Allred X-Statix, Millar/Hitch Ultimates, Morrison/Quitely New X-Men and so on, so cut ‘em some slack.)
Quite aside from whether the book was or wasn’t a good read, Trouble caused trouble for two reasons. First, it was basically a mildly randy sex dramedy about the teen years of Aunt May, Uncle Ben, and Peter Parker’s parents Mary and Richard…and it revealed that Peter was secretly May’s son through a hushed-up teen pregnancy. (I think — I’ve never been able to figure out how the very elderly May Parker made sense as the aunt for teenage Peter Parker, and having her be a teen herself at the time of his conception only confused me further.) At the time, Millar stated that this would be Spider-Man’s new origin if the book went over well. It didn’t, so the book never made it into official continuity.