X-POSITION: Nicieza Body-Slides From "Age of Apocalypse" to "Deadpool & Cable"
Ruby quartz doesn’t sound that unattainable, but finding sunglasses similar to what X-Men leader Cyclops wears is harder than you might think. Freelance editor/journalist Rachel Edidin has written an excellent buying guide for Cyclops fans who want to look like the cinematic Scott Summers.
“I own a lot of red sunglasses – in fact, for a long time, all the sunglasses I owned were red,” Edidin admits. “It’s part homage, part aesthetic preference (red sunglasses are cool, okay?), and part security blanket: Cyclops is a character I identify pretty closely with for a lot of reasons, and the sunglasses have become a pretty central touchstone for that metaphor. (Plus, everyone needs at least one ridiculous visual affectation, right?)”
“No idea has proven more damaging to the comics industry than the myth that its professionals — not just creators, but retailers, even distributors — work for love and not money. It’s a philosophy that has justified exploitation of creators and theft of intellectual property. It’s allowed the entire industry to pass the buck for its failures — from publishers to retailers, and retailers to — for decades. And it’s why the comics industry lingers in a frozen adolescence, clinging to a shrinking target audience like a sea captain railing at the storm — when the real problem is the rotting wood of his own hull.”
– Rachel Edidin, former Dark Horse editor turned freelance writer and editor, addressing reactions to Amazon’s announced purchase of comiXology for Wired.com
Digital comics | In today’s Amazon-acquires-comiXology article, Rachel Edidin deflates much of the hype, and the panic, surrounding the deal, pointing out that comics distribution is already a monopoly, large corporations already run the comics market, and comics have been available on Kindle all along: “Is the concern […] a distribution monopoly? If so, the direct market is in no position to criticize: over the last 15 years, Diamond Comics Distributors has consumed almost all independent print distribution in comics, and dictates practices and policy to retailers and publishers alike. The idea that print comics are somehow more independent than their digital cousins — or a scrappy underdog fighting the good fight against evil corporate profiteers — is frankly ridiculous.” [Wired]
Awards | Michael Cavna talks with Kevin Siers of the Charlotte Observer about winning the Pulitzer Prize in cartooning. [Comic Riffs]
Earlier this week many of us delighted at the reveal of Ming Doyle‘s homage to John Byrne’s classic X-Men #137 (Phoenix Must Die!). The commission was done for Rachel Edidin in anticipation of the first episode of Rachel and Miles X-Plain the X-Men, Edidin’s new podcast with Miles Stokes that debuts this weekend.