SDCC: Marvel: Spider-Man and His Amazing Friends Panel
Conventions | With the long-planned expansion of the San Diego Convention Center stalled indefinitely, the Los Angeles Times offers an overview of efforts to keep Comic-Con International in the city past 2016, and what suitors like Los Angeles and Anaheim, California, have to offer. “The proposals we’ve received are pretty amazing,” says Comic-Con spokesman David Glanzer. “It’s not an easy decision.” However, the San Diego Tourism Authority remains confident that convention organizers will sign a deal — possibly with a month — to remain in the city through 2018, based on an agreement for nearby hotels to offer their meeting space for Comic-Con programming. (The Tourism Authority has already asked hotels in the Comic-Con room block to freeze their rates at 2015 levels for the next two years.) [Los Angeles Times]
Legal | A Tunisian court denied cartoonist Jabeur Mejri’s appeal of an eight-month sentence on charges of insulting a public official. Mejri was sentenced to seven and a half years in prison in 2012 for drawing cartoons that insulted the Prophet Mohammed, but was pardoned by President Moncef Marzouki earlier this year. Before he was released, however, news leaked that he had also been charged with embezzlement stemming from his time working for the Tunisian railway. Mejri was released from prison in March, but six weeks later he was arrested again, this time on charges of insulting a court official. His support committee said Mejri is being subjected to “judicial harassment” and released a statement saying “It’s clear … that there is a desire not to accept the presidential pardon and to keep Jabeur in prison at all costs, to make him pay dearly for his freedom of expression and deter him from any further attempts.” [Naharnet]
Terry Moore is offering Rachel Rising fans a unique opportunity: to be murdered by 10-year-old serial killer Zoe in the pages of his horror comic.
“The down side of winning this contest is, it will result in your grizzly, fictional death. Awww,” he explains on his website. “The up side is, you will be forever immortalized in comics history! Yaaay! Long after you and I are gone, the issue with your demise will be around somewhere, enjoyed by later generations who will know your face and first name and talk about your encounter with our beloved psycho.”
OK, it’s the last weekend before Christmas. This is it: Time to gird your loins and brave those last-minute gifts for friends and family you’re just not sure about. Or heck, maybe you were invited some place and you feel like you should bring a gift along. A Secret Santa deadline? Unexpected company who doesn’t have anything under the tree? Did you just get something practical and want to supplement it so you’re not just the Sock Giver? Don’t worry, comics are here to help!
“But Carla,” you cry, “not everyone likes comics! I want to be cool and hip, not just the nerd who foists other nerd stuff on people!” “Well,” I reply, “comics are for everyone, even those who have no interest in the medium.” There are just so much comic influence in the media right now, from TV and movies to games and other visual aesthetics, it’s hard to escape comic culture entirely. Trust me, even those who have never picked up a comic in their lives and have sworn off the idea of ever looking at words and pictures together in a sequence have a little bit of comics in their lives somewhere and, this Christmas is a good time to capitalize on it.
If you can, please try and make it in to your friendly neighborhood comic shop for some of these goodies. They’ll be glad you did! Otherwise, Amazon has their last minute shipping dates here. All right, let’s do this …
To see what Ethan and the Robot 6 crew have been reading, click below …
Hello and welcome to another edition of What Are You Reading? Our guest today is writer and artist Jimmy Palmiotti, who you know from All-Star Western, Monolith, Phantom Lady, Unknown Soldier, Creator-Owned Heroes, Queen Crab and countless more.
To see what Jimmy and the Robot 6 crew have been reading, click below.
Terry Moore fans have recently been greeted with a variety of opportunities to support his work recently–given that on March 28, comiXology released the first half of Moore’s Harvey award-winning, adventure series Echo (which ran from 2008—2011) for all of the company’s digital platforms (iPhone, iPad, Android, Kindle Fire and the Web). As noted by Moore in anticipation of the release: “comiXology is releasing issues 1-15, plus the first three TPB collections. Issue one is just .99 cents. The remaining issues are $1.99 each. The first TPB, Moon Lake is just $6.99 and also comes with bonus material: aka sketches and designs”). Also on March 28, Robert Kirkman offered readers a five-page preview of Moore’s current creator-owned horror ongoing, Rachel Rising, in The Walking Dead 95. Later this month, folks will be able to buy the first Rachel Rising TPB, The Shadow of Death. This Wednesday, comiXology will release the remainder of the Echo series (issues 16-30, and the final three TPBs). I respect the fact that Moore is making sure to maintain a strong relationship with the brick-and-mortor retailers that have supported his work throughout his career, while not turning a blind eye to the potential gains of digital distribution. We talk about that, as well as Rachel Rising in general–as well as his How to Draw projects. I was pleasantly surprised to learn that Moore someday hopes to see his work released in full color–and that he approaches his black and white current projects with that hopeful inevitability in mind.
Tim O’Shea: How did Robert Kirkman broach the possibility of previewing Rachel Rising in Walking Dead? What was your initial reaction to his proposal?
Terry Moore: It actually started with Eric Stephenson. We were both at Comics PRO in Dallas recently and Eric told me he liked Rachel Rising. That’s great, I said. Back home, I got an email from him telling me Robert liked it too, and they offered me the preview in an upcoming issue of The Walking Dead. I was thrilled, because it’s a great opportunity to reach new readers, especially with an endorsement. Such a great break for Rachel.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15, I’d skip lunch and dig in to the overdue Choker #6 (Image, $3.99). I almost considered waiting for the trade on this one, but I know once I see the shiny object in front of me in stores I’ll want to find out the ending to Ben McCool and Ben Templesmith’s story. After that I’d get Uncanny X-Force #23 (Marvel, $3.99), which still holds the crown for my favorite current Marvel book. I was hesitant of Remender & co. going off into Otherworld despite my fascination with the realm going back to my Excalibur days, but I’m being rewarded with good story for my allegiance. The only thing it’s missing is an appendix reminding me of older stories that he references here. Last up would be a two-fer with Spaceman #5 (DC/Vertigo, $2.99) and Walking Dead #95 (Image, $2.99). I’ve talked about both at length here, and they continue to buffet me with greatness.
If I had $30, I’d first snag Daredevil #10 (Marvel, $2.99) to see more of Paolo Rivera’s work over the solid storytelling by Mark Waid. Then, I’d rub my eyes to make sure I’m not seeing things and pick-up the 5+ year delayed book Sharknife, Vol. 2 (Oni, $11.99). I’ve been a big fan of Corey’s work back when he was doing inspired Mega Man rip-offs, and the chance that I’ll finally see this sequel is exciting and heartbreaking. I hope the quality of the book inside is enough to stave off my feelings about the severe delay the book had.
And for splurging, I’d spend my CBR paycheck on Gone To Amerikay (DC/Vertigo, $24.99). This book is at the intersection of three reasons I’d buy it: Colleen Doran, Derek McCulloch and historical Irish narratives. I’d hold McCulloch’s Stagger Lee up to any graphic novel of the past decade in terms of skill and potency, so to see him pair that with Colleen Doran’s crafty linework bears my immediate attention.
Terry Moore announced on his blog last week that he will release his comics digitally via comiXology, beginning with Strangers in Paradise and hopefully going on to Rachel Rising, his current series. Actually, he lets one of his would-be readers, Aaron, do most of the talking:
I went to Bedrock Comics today, asked about Rachel Rising #5, and was told that they only ordered two copies, and both were pre-orders. The shopkeeper said when the book first came out, he ordered more, based on track record, but they didn’t sell. I simply don’t have the time to go searching around, and I don’t buy enough comics to warrant a pull list. I’m not sure what the problem is that there “isn’t a single penny” for you with digital, but I’d buy PDFs straight from this site if I could. Unfortunately, I can’t justify $6.99 plus shipping for a comic….
There is something profoundly wrong with the distribution system when a title from a leading creator can’t be found at a comic store in a major metropolitan area. I can’t see how digital would be any worse for you, and it would be a lot better for me (and I’m betting plenty of others). I want to support your work, but it shouldn’t be this difficult.
This is the problem, in a nutshell, for independent creators like Moore. I’m sure if Aaron were looking for the latest DC or Marvel title, there would be no problem, but it’s hard for retailers to take a risk on titles that may not sell — or that don’t sell well for the first couple of issues. You can’t blame them for that, but it presents an obstacle to new or alternative creators whose work may take a while to catch on. Moore isn’t abandoning print, or the direct market, but he’s a good example of a creator who will probably add readers with digital.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.
If I had $15: I’d be all over Fatale #1, as I’ll grab anything Brubaker and Phillips do together. I’d go out on a limb and say that’s one of the best and consistently stellar collaborations in comics going on right now. I’d probably get the latest issue of The Boys as well, because that’s what I do.
If I had $30: Well, I haven’t read the first volume yet, but everyone says that the transgender manga series Wandering Son is stellar so I’d at least give it a look through, and perhaps nab volume one as my splurge for the week.
Legal | The Second Circuit Court of Appeals backed the 2010 decision by a federal judge to dismiss a comic writer’s claims that Adam Sandler, Judd Apatow, Columbia Pictures and parent company Sony Picture stole his idea for a hairdresser-turned-hero and transformed it into the movie You Don’t Mess With the Zohan. Robert Cabell filed a copyright-infringement lawsuit in February 2009 accusing the moviemakers of ripping off his comic The Hair-Raising Adventures of Jayms Blonde, about a Navy SEAL-turned-hairdresser who fights crime armed with a blow dryer. [The Hollywood Reporter]
Creators | The Hero Initiative reports that comics creator Josh Medors, who has a rare form of cancer, has been released from the hospital after being treated for a lung infection. [Hero Initiative]
Creators | Dave McKean discusses his most recent work, the erotic graphic novel Celluloid. [Suicide Girls]
“Rachel is a woman who wakes up one morning in the woods and realizes that she’s sitting on a freshly dug shallow grave,” he told Comic Book Resources’ Kiel Phegley. “She freaks out, digs up some of the dirt and realizes the person in the grave is her. The story goes from there, showing how she goes back into down to figure out what’s going on. This is a woman who has died, but she’s back. And she remembers who killed her. That’s the starting point for the first issue.”
And it explains the cover. The first issue is due in July.
Terry Moore just announced his new series, Rachel Rising, yesterday, so he was getting a bit of attention at his booth. I asked him how far ahead he has written the story, and he said, “I have plotted out through the first trade. I have a really good feel for her and for the setting of the town, but I’m still think of new things. It’s like when you prepare for a tennis match, and things start happening after you start playing.”