Marvel's "Jessica Jones" Will Go "All the Way Dark," Promise Rosenberg & Loeb
What do you do when you find out your father has transformed into a monster an now runs a halfway house for people like him? Join him, naturally!
That’s what cartoonist Kelly Yates suggests in his new digital comic series Monsther, distributed by Artist Alley Comics. In this recently launched series, young Eva Monst is just as clueless as you when she enters the world of monsters trying to reform themselves at her father’s recovery house. In the #0 issue, we see one of the monsters attempting to guide the reader, as if a monster yourself, from going lapsing back into your monstrous ways.
Yates is a notable cartoonist on the comics scene, doing a trio of work on DC’s heroes line before committing most of his work on IDW Publishing’s growing line of Doctor Who books. In 2009 Yates did his first creator-owned series, Amber Atoms, at Image.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15, I’d first snap up a book I’ve been trying to track down for years: Amazing Spider-Man: Hooky (Marvel, $4.99). This 1986 lost classic features Bernie Wrightson drawing a webhead story featuring monsters and alternate worlds – looks like a real gem. Now to convince Marvel to republish John Paul Leon’s Logan: Path of the Warlord… Next up would be Secret Service #1 (Marvel/Icon, $2.99). I’ll buy pretty much anything Dave Gibbons puts out these days, and seeing him with Mark Millar is bound to be a unique experience. Next up is Saga #2 (Image, $2.99); Brian K. Vaughn is really setting up a world – like a sci-fi sitcom here, with loads of direction to go in. Lastly I’d get Conan the Barbarian #3 (Dark Horse, $3.50). Can I admit I might like this more than Northlanders? Brian Wood’s definitely expanding how people think of him with this story, and Becky Cloonan is making a lot of editors look foolish for not putting her on these kinds of books sooner.
If I had $30, I’d start out with Secret #1 (Image, $3.50). Manhattan Projects seems more up my alley than this story, but Jonathan Hickman’s built up some credit in me to try anything new he puts out even if I’m not too interested. Next up would be Northlanders #50 (DC/Vertigo, $2.99), which I’m sad to see go. I think this will be one of those series that achieves more popularity after it’s over, and it’s a shame DC can’t find a way to continue it. After that it would be Glory #25 (Image, $2.99). I was a bit shaky on the story after Joe Keatinge’s first issue, but everything after has really put the pieces into place and Ross Campbell seems to be finding his footing to really land the superheroics of this story. Last up would be Secret Avengers #25 (Marvel, $3.99); Rick Remender’s clearly put his own spin to this series, so much I’m surprised Marvel didn’t use this as a chance to renumber the series… but I’m glad they didn’t.
If I could splurge, I’d throw money at my comic retailer for Pete and Miriam (Boom!, $14.99). Big fan of Rich Tommaso, and he seems to be honing his craft like a knife, creating more pointed and poignant stories here. And Miriam, she’s a real gem.
Close readers of this weekly interview column will realize that I have interviewed Roger Langridge a couple of times. And I never tire of chatting with Langridge about his storytelling approach. Next Wednesday, November 2, marks the release of the second issue for his Kaboom! creator-owned Snarked series. The series has been building its audience, first through the $1 #0 issue,and then Snarked 1 sold out of its first printing–warranting a second printing. In addition to discussing Snarked, we also got a chance to discuss his recently released The Show Must Go On (BOOM! Studios) as well as his writing the Marvel five-issue limited series, John Carter: A Princess of Mars. If you want evidence why I love interviewing Langridge, the man revealed a slight connection between his work and musician Robyn Hitchcock’s The Soft Boys. After reading the interview, please chime in with which current Langridge projects you’re enjoying the most.
Tim O’Shea: What was the most enjoyable aspect, in the run-up to Snarked’s premiere, of building up the potential reading audience through the Snarked website (Snark Island)?
Roger Langridge: Partly just to see if I could do it, and to try to be creative about what could be done with it. I’m planning to continue putting content up on the site each time a new issue comes out, so it’ll be a constant, evolving thing – but mainly, I wanted to do a letters page, and having somewhere to direct people so they could e-mail us was essential. It helps if there’s some other stuff to look at when they visit, of course!
Recently I was lucky enough to see a preview of Roger Langridge‘s Snarked! #0, his all ages series for Kaboom where the writer/artist uses Lewis Carroll‘s “Walrus and the Carpenter” poem (from Through the Looking-Glass) as a springboard for his storytelling. For every consumer that railed against the cancellation of Langridge’s Thor: The Mighty Avenger, here’s your chance to support Langridge again. For every pundit and website commenter who opined that Thor would have flourished, had it not been caught in the deluge of Thor titles that dashed any chance of it succeeding, take note.
A quick look at the CBR front page reveals a full court press for every new DC #1 coming our way in September. And we should be covering the DC relaunch, don’ t get me wrong. But I am fearful that some great books coming out around the same time, say this one, for example, are going to get overlooked. Roger Langridge’s Snarked! should not be overlooked. This is the comic that non-comics reading parents are looking for when they wander into a store seeking something to give their kid. This is a fun comic. This is a funny comic. This is an intelligent comic. This is a comic with puzzles, mazes and word searches. This preview issue is only a $1. This is a project that I hope to see on many folks Best of 2011 lists (I know it will be on mine).
Langridge chatted with me briefly in this email interview, and Kaboom was kind enough to give us a preview of Snarked! (provided at the end of our discussion). While the preview is not on sale until August, of course it is in Previews this month, with orders due June 30 [Diamond Code: JUN110963]. I can count on one hand the number of active creators that write and draw as engagingly a story as Langridge. If that does not win you over, the book stars a talking walrus (Wilburforce J. Walrus, as noted by Kaboom: “that’s right, the same Walrus that inspired the Beatles song “I Am the Walrus” is now in Roger Langridge’s merry, mad hands”) for the love of God. Check it out, I think you’ll agree it should be on everyone’s must-read list, no matter your age. To paraphrase Langridge fromthis interview, I hope this project is something that people will want to re-read many times–and if that’s not the definition of a great comic, I don’t know what is.
Tim O’Shea: How long have you been a fan of the work of Lewis Carroll?
Roger Langridge: It’s tempting to say “since I could read”; I’m sure it can’t have been quite that long, but I know I was very, very young when I first read the Alice books. And I’ve gone back and re-read them every couple of years since then, pretty much. They’re that rare thing, books which hit you in one way when you’re a kid, and in a different (yet equally powerful) way when you’re an adult, when you appreciate some of the really black humor and the general pricking of pomposity. They reward repeated re-readings more than most.