"Agents of SHIELD's" Lincoln Says Mid-Season Finale Is "A Complete Game-Changer"
Publishing | Ron Richards, who joined Image Comics in January 2013 as its director of business development, has announced his departure from the publisher. “I am immensely proud of the work that I was able to be a part of,” he wrote. “Re-defining how a comic company makes announcements and interacts with their fans with Image Expo, and helping usher in new and exciting comics like Black Science, Wytches, Southern Bastards, Deadly Class, The Wicked + The Divine (among so many more) has been an honor and a privilege. It’s been a delight to work alongside some of the most talented comics creators in the business — and I leave with respect for all of them.” A co-founder of iFanboy and a veteran of Graphicly, Richards said he doesn’t have any immediate work plans. His departure from Images follows that of Jennifer de Guzman last week. [Medium]
If you’ve been keeping up with the events in the DC Universe, then you know things are looking particularly grim for the good guys.
At the conclusion of “Trinity War,” the Justice Leagues faced an invasion from the Crime Syndicate of Earth-3 — “The birthplace of all evil,” as one character called it — evil counterparts of the Justice League. In the first issue of Forever Evil, these villains claimed to have killed all of the Justice Leaguers, they freed all the supervillains from all the super-prisons and organized them into an army called The Secret Society, they did some awful things to Nightwing and then even moved the moon to permanently block out the sun.
To mark the occasion of evil temporarily winning (again), DC declared September Villains Month, and is interrupting the ongoing adventures of its heroes with special “.1″ issues starring various villains. Each of these was to bear a fancy plastic 3D cover that jacked the price up a buck and ultimately created shortages, an artificial collectors/speculators market and irritated a whole bunch of retailers, many of whom were already pretty irritated by having to figure out how to order something like, say, Justice League #23.3: Dial E, which fused one of the publisher’s best selling comics with one of its worst.
We — and by that I mean you and I, for the course of this post — aren’t going to concern ourselves with that aspect of the books, however. Instead, let’s look under those covers, whether they’re the fancy plastic 3D ones or the regular, cheaper “standard edition” ones and concern ourselves with the quality of the comics concealed behind the covers.
With his 19-issue Action Comics saga, Grant Morrison has almost literally written a Superman story for all time. “For every time” might be more accurate, because it plays with chronology like a kid jumbling up a Rubik’s Cube. Morrison begins with tales of Superman’s earliest days, then jumps into the New 52’s present for a couple of issues (bringing in the 31st century’s Legion of Super-Heroes) before wrapping up the first arc and proceeding on to “now.” The result is a macro-level adventure that draws liberally from every era of Superman, blends those disparate elements into a fine pureé, and repositions the mix as a self-reflective epic. This is the Superman legend as alpha and omega, beginning and end, reinvention and restoration, and it’s a heck of a thing.
It’s also a pretty daunting read. I spent about three hours Tuesday night with issues 1 through 17 (and Issue 0, of course) and still didn’t catch every nuance and reference. However, the overall impression is a familiar one: Superman’s real power comes more from the idea of “Superman” than from the effects of yellow-sun rays. On its own this is rather hokey, or at least dismissable as such, and a reader casually flipping through Action Vol. 2 #18 might wonder what all the fuss was about. To be fair, a more dedicated reader might wonder that as well; but I think it’s a lot less likely.
SPOILERS FOLLOW for Action Comics #18 and its predecessors:
Welcome to What Are You Reading?, where the Robot 6 crew shares their picks for who we think should play a young Han Solo. Of course, we unanimously chose Nathan Fillion, so instead we’ll talk about what comics we’ve been reading. Joining us today is special guest Tim Lattie, the creator of Night Stars. Tim is currently running a Kickstarter to raise funds to publish it, so head over there and check it out.
To see what Tim and the Robot 6 crew have been reading, click below.
To see what Alex and the Robot 6 crew have been reading lately, click below.
Hello and welcome to another edition of What Are You Reading? Our special guest this week is Matthew Thurber of 1-800 Mice and Infomaniacs fame. To see what Matthew and the Robot 6 crew have been reading, click below.
Different interpretations aren’t a problem for Batman, who’s taken on everything from Adam West and Bat-Mite to Frank Miller and Kelley Jones. Same goes for Wonder Woman (the original Marston/Peter crusader, Gail Simone’s steely warrior, and the current Brian Azzarello/Cliff Chiang monster-killer) and Aquaman (Ramona Fradon, Jim Aparo, Peter David). Likewise, each new Robin, Flash and Green Lantern puts a different spin on the core concept.
And yet, among all the elasticity of DC’s superhero line, Superman stands out as somewhat inflexible. More and more I am becoming convinced that there can be only one valid interpretation of Superman. That interpretation might work for a variety of storytelling styles, but the character at its core must fundamentally be the same.
For starters, let’s run down the list of everything the main-line Superman — the character, not necessarily the stories in which he appears — is not. Superman is not arrogant, manipulative, cruel, boastful … well, you get the idea. I’m not rewording 1 Corinthians 13 here, but that’s not a bad place to start when thinking about Superman’s motivations. “Love never fails,” begins the New International Version translation of verse 8, and that’s pretty much the idealist at the heart of Superman, isn’t it? Superman never fails, not because of invulnerability or super-strength or heat vision, but because his indomitable faith in the goodness of humanity keeps him going.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
It’s a week of familiar faces for me this time around. If I had $15, it’d go on Action Comics #8 (DC, $3.99), which completes Grant Morrison’s first story arc on the title — even though we’ve already had the second one; thanks, fill-ins! — as well as Supreme #63 (Image, $2.99), with Erik Larsen illustrating the final Alan Moore script for Rob Liefeld’s Superman knock-off (I’d love to see a well-done collection of all of these issues one day, now that the Moore run is completed). Also on tap, the final issue of OMAC (#8, DC, $2.99) and the long-awaited return of Busiek, Ross and Herbert’s Kirby: Genesis (#6, Dynamite, $3.99), because a man needs as much well-done Jack Kirby-inspired comics as possible, goshdarnit.
If I had $30, I’d add Hulk #50 (Marvel, $3.99) to once again celebrate what Jeff Parker had managed to do with a book and concept that, by all rights, should’ve disappeared a long time ago. (In all honesty, I much prefer the Red Hulk to the classic version these days, and it’s all Parker’s doing, along with his various artistic compatriots on the title.) Everyone who isn’t reading it: This is a jumping-on point issue! Try it and see if you don’t love it, too. And, despite the unevenness of earlier issues, Matt Fraction’s Casanova: Avarita #3 (Marvel, $4.99) is also a must-read; I really didn’t like the first issue, but loved the second. We’ll see where the book goes next.
Should I be splurging, then this week the splurge is on Flex Mentallo: Man of Muscle Mystery Deluxe HC (DC/Vertigo, $22.99). One of my favorite comics of all time, I’m likely going to end up getting this over-sized, recolored reprint just because I genuinely can’t resist the optimistic, hopeful tone of the book and its love of superheroes.
Hiya kids, it’s time for What Are You Reading?, a weekly look into what the Robot 6 crew has been reading lately. Today’s special guest is Thom Zahler, creator of the delightful superhero/romantic comedy comic Love and Capes.
To find out what Thom and the Robot 6 crew have been reading lately, click below.
DC Comics has released Gene Ha’s variant cover for Action Comics #3, previously only revealed at New York Comic Con, featuring Jor-El, Laura and a radically redesigned Krypto in what’s been characterized as the Superdog’s one and only New 52 appearance.
Entertainment Weekly has a preview of the issue, which takes us back to Krypton — Kandor, specifically — just before the planet’s destruction. Check out the full cover below. Action Comics #3, by Grant Morrison and Rags Morales, arrives Nov. 2.
Hello and welcome to What Are You Reading? This week our special guest is Dark Horse assistant editor Jim Gibbons, who I spoke to about his new job on Friday.
To see what Jim and the Robot 6 crew have been reading, click below …
Hello and welcome to What Are You Reading?, our weekly column where we successfully answer the question in the title. Our special guest this week is Janice Headley, events coordinator, publicist and “ambassador of awesome” for Fantagraphics.
To see what Janice and the Robot 6 crew have been reading this week, click the link below.
A brief interview with Grant Morrison at Fast Company is accompanied by a page from Action Comics #1 by Morrison and Rags Morales featuring a denim-clad Superman hitching a ride on a dirigible before swiping someone’s laundry for a quick change of identity in an attempt to evade police.
The article itself is pretty straightforward, with Morrison conceding the daunting task of relaunching the title and the character — “I felt the weight of history with this one” — his initial apprehension about taking the gig, and the story behind Superman’s little red cape. “It came with him from his home planet and is indestructible,” he says. “No one’s depicted it as a security blanket before, protecting him from all harm. It gives it a fairytale feel, before his powers fully develop.”
Check out the rest of the page below. Action Comics #1 premieres on Sept. 7.
Just ahead of Comic-Con International in San Diego, the New York Post has unveiled a first look at what’s apparently the actual cover for September’s Action Comics #1, part of DC Comics’ line-wide relaunch.
Drawn by series artist Rags Morales, the cover is obviously different from the one that premiered last month, playing up action — lowercase “a” — rather than the iconic imagery of the original Action Comics #1. The art in the Post is small, but it appears as if the numbers of the police cruisers are “19” and “38,” the year the series, and Superman, debuted. It’s possible that the earlier cover could be used as the variant; however, the solicitation credits that to Jim Lee and Scott Williams.
The newspaper notes what was already fairly clear: that while most of the relaunch titles, including Batman and Green Lantern, “will showcase DC’s iconic heroes when they’re well into their careers,” Action will dwell on the early adventures of the Man of Steel — during which he wore blue jeans, a T-shirt and a little red cape.
“We felt it was time for the big adventures of a 21st-century Paul Bunyan who fights for the weak and downtrodden against bullies of all kinds, from robot invaders and crime lords to corrupt city officials,” writer Grant Morrison says, building on his earlier description of the superhero as “a Bruce Springsteen version of Superman.” “The new look reflects his status as a street-level defender of the ordinary man and woman.”
Update: DC has released a larger version of Morales’ cover, along with additional details about Action Comics and Superman, confirming earlier reports that Clark Kent and Lois Lane aren’t married in the New DCU: “Clark Kent is single and living on his own. He has never been married. […] Lois Lane is dating a colleague at the DAILY PLANET (and his name isn’t Clark Kent) and she has a new position with the paper.” Read the rest after the break.
If you’re perplexed by the denim-clad Man of Steel on the cover of Action Comics #1, Grant Morrison has two words for you: The Boss.
“With what we’re doing he’s wearing jeans and a T-shirt – a Bruce Springsteen version of Superman, that’s the angle we’re taking,” the writer tells London’s Metro. “The cape’s still indestructible but the rest is picked up in a shop.”
I’m not sure precisely what that means, but if it leads to Jimmy Olsen becoming the Steven Van Zandt of the New DCU — complete with flowing bandanna — I’m all for it.
The relaunched Action Comics, by Morrison and artist Rags Morales, has been touted as the writer as a “big beginning” and a “new chapter” for the 73-year-old character. “We want to introduce a take on Superman that’s going to be so different that no one can expect what might happen next,” Morrison promised in a video address released last month. “One of the things we’re going to do in this book is also to show you how Superman is, who he is, why he ended up wearing the costume that he wears. And to show kind of a different side to the character than we’ve ever seen before.”
To Metro, Morrison adds: “I want to solve some of the problems that have grown up around the character. People now ask: ‘Why the hell would he dress up like that?’ I want to make Superman a more contemporary character. We’ll be changing how he looks, dresses and behaves. He’ll be more like the Superman who appeared in 1938 – more socially active and a champion of the oppressed.”
Action Comics #1 is set for a Sept. 7 release.