Raina Telgemeier Archives - Page 2 of 3 - Robot 6 @ Comic Book Resources
The Toronto Comic Arts Festival celebrates its 10th birthday this weekend with a truly stellar lineup of guests and an amazing array of events. The list of creators who will be there is impressive in both its quality and its breadth: Art Spiegelman and Francoise Mouly, Gilbert and Jaime Hernandez, David B., Taiyo Matsumoto, Rutu Modan, Frederik Peeters, Paul Pope, Bryan Lee O’Malley, Hope Larson, Faith Erin Hicks, Derf Backderf, Raina Telgemeier, Dave Roman, a roll call that goes from living legends to plucky creators making their own comics zines by hand.
Graphic novels | April was a slow month for new graphic novel releases, so the BookScan Top 20 had plenty of room for some backlist titles. The Walking Dead dominated, of course, but the 10th volume of Sailor Moon was there for a second month and actually moved up a notch. And the first volume of Saga came in at No. 12, perhaps because people were curious as to what all the fuss is about. [ICv2]
Editorial cartoons | Nick Anderson, the Pulitzer Prize-winning cartoonist for the Houston Chronicle, has responded to Texas Gov. Rick Perry’s criticism of Jack Ohman’s cartoon with a cartoon of his own. [Comic Riffs]
Conventions | Jeff Smith, Brian Wood, Sean Murphy and Raina Telgemeier are the headline guests at the Maine Comics Arts Festival in Portland on May 19. [Foster’s Daily Democrat]
Cartoonist Ruben Bolling, creator of Tom the Dancing Bug, rounded up 23 cartoonists to contribute their work to an animated ad for Mayors Against Illegal Guns, a coalition of mayors, led by New York City Mayor Michael Bloomberg, that is advocating for “common-sense measures that will close deadly gaps in our gun laws.”
The Mayors Against Illegal Guns ads eschew detailed discussion of the issues in favor of a simple images of people making an emotional appeal. This particular ad follows that format with cartoon characters, some familiar (the teenagers from Zits, the Family Circus family, Jason and his dad from FoxTrot), some more generic.
It takes a hell of a creator to write a graphic novel about dental work that anyone would want to read, but Raina Telgemeier’s Smile: A Dental Drama not only won an Eisner and the Boston Globe Horn Book Award (the first graphic novel to be so honored), it was also a big hit with young readers. Her followup Drama was just named to the YALSA Top Ten Graphic Novels for Teens list and was recognized as a Stonewall Honor book, and it’s a cinch to garner more awards as the year goes on. Both books have spent a lot of time on The New York Times bestseller list; Drama hit the No. 1 spot in January, and Smile made the list recently as well, even though it was published more than two years ago.
So Tuesday’s announcement is big news: Telgemeier has signed with Scholastic’s Graphix imprint (the publishers of Drama and Smile) for two more books. The first one, due out next year, will be called Sisters and, like Smile, will be autobiographical, dealing with the relationship between Telgemeier and her younger sister. That’s all we know for now; Telgemeier is working on the book and shared a penciled drawing on her blog. The second book doesn’t have a title yet, but it will also be a graphic novel.
The Toronto Comic Arts Festival will celebrate its 10th anniversary in style May 11-12 with a truly stellar lineup of guests. Let’s get right to that, actually. Here’s the list, straight from the TCAF site:
- Art Spiegelman: Author of Maus, winner of the Pulitzer Prize, Co-Founder RAW Magazine. Debuting:Co-Mix
- Francoise Mouly: Art Editor of The New Yorker, Founder of Toon Books, Co-Founder RAW Magazine
- Taiyo Matsumoto Author of Tekkon Kinkreet (adapted into film by Sony Pictures). First North American event. Debuting: Sunny Volume 1. (Japan)
- Raina Telgemeier: New York Times Bestselling Author of the childrens’ and middle-grade graphic novels Smile and Drama
- Blutch: Angouleme Grand Prix Winner. First North American event. Debuting: So Long, Silver Screen. (France)
- Gengoroh Tagame: Acclaimed Japanese gay comics creator. First North American event. Debuting: The Passion of Gengoroh Tagame. (Japan)
- Dash Shaw: Author of BodyWorld. Debuting: New School.
- Maurice Vellekoop: Acclaimed illustrator and comics author. Artist of TCAF 10th Anniversary Poster.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15: Whoah, another tough week to narrow things down. Is every Brian Wood-written title required to come out the same week of each month? Do Dark Horse and Marvel get together and plan it that way, so that people who only buy Wood comics only have to go to the store once a month? I think more than half the DC titles I buy come out this time every month, too. So yeah, lots to pick from …
Anyway, I’d start with one of those Brian Wood comics, Conan the Barbarian #8 (Dark Horse, $3.50), which features Vasilis Lolos on art. Lolos drew one of my favorite issues of Northlanders, “The Viking Art of Single Combat,” so it’s cool to see the two of them working together again. I’d also get a comic I’m sure will be popular with a few of my colleagues, the first issue of the new Stumptown miniseries by Greg Rucka and Matthew Southworth (Oni Press, $3.99). Next I’d get Manhattan Projects #6 (Image, $3.50); this issue turns the focus from America’s secret science program to Russia’s secret science program. Jonathan Hickman and Nick Pitarra are having a lot of fun with this one. Finally, I’d get Uncanny X-Force #31 (Marvel, $3.99), which really picked things up last issue … and this is a comic that’s usually running on twice as many cylinders anyway.
If I had $30, I’d also grab two finales from DC Comics — Shade #12 and Resurrection Man #0 (both $2.99). Honestly, I never expected to see a Resurrection Man comic again, much less by the guys who wrote the original, so the fact that we got a good run of 13 issues is a pleasant surprise. Shade, of course, was planned as 12 issues from the beginning, and was a nice return to the Starman-verse by writer James Robinson. That leaves me room for three more $2.99 comics, which means I’m going to bypass X-Men, The Massive and Avengers Assemble this week (let’s assume that I’ll one day spend my splurge money on the trades) and instead go with Chew #28 (Image, $2.99), It Girl and the Atomics #2 (Image, $2.99) and Demon Knights #0 (DC Comics, $2.99).
Splurge: Assuming I wouldn’t spend my unlimited gift card on single issues, I’d be looking at the first Bucko collection from Dark Horse ($19.99) and Fantagraphics’ Is That All There Is? trade ($25).
Comics | The August direct market sales numbers are in, and things look good: Comics sales are up almost 20 percent over August 2011, and graphic novels are up 15 percent. This isn’t just a fluke, either: Year-to-date sales are up about the same in both categories. DC had a slight edge in market share, Marvel did slightly better on unit sales, and interestingly, the Big Two stole back a bit of market share from everyone else. And as with bookstore sales, Batman ruled the direct market: “The influence of The Dark Knight Rises is more obvious in the bookstore channel with its tendency to foster backlist sales (Frank Miller’s 1980’s classic, The Dark Knight Returns was tops in the bookstores), while the direct market sales are concentrated more on the most recent releases such as Johns’ Batman: Earth One, which was released in July and Snyder’s New 52 volume that was out in May.” [ICv2]
Passings | Illustrator and panel cartoonist Art Cumings has died at the age of 90. Mike Lynch describes Cumings as “an illustrator’s illustrator and a cartoonist’s cartoonist”; his work appeared everywhere from Dr. Seuss books to Penthouse magazine, and it’s worth hitting the link to see his Balloonheads cartoons from the latter. (NSFW, but in a cute, colorful way.) [Mike Lynch Cartoons]
“I don’t mean to suggest that there isn’t work to be done of course, but we’ve hit a point where the lie espoused by the industry gatekeepers, that ‘there isn’t an audience for kids comics’ or ‘there isn’t an audience for girls or womens comics’ has finally been put to rest. Oh, the gatekeepers hung onto it as long as they could, ‘webcomics aren’t comic books’ or ‘manga aren’t comics’ or whatever nonsense they dug up. They’re still espousing it to some degree or another–I particularly liked this article by Heidi MacDonald on why superhero publishers will never ‘get’ women–but it’s demonstrably false. Comics for kids sell now, the Lego Ninjago comic has a 425,000 copy first printing, a number that dwarfs most others in comics… and DC had that license at one point btw. Comics for girls (and boys) like Smile continue to sell very well. Despite the gleeful hand rubbing over the demise of manga, it still sells quite well, thanks. And the internet…? The internet is home to a fantastically diverse array of cartoonists either making their living or a significant chunk of it from the online serialization of their work–and they’re coming for print too. They are COMING FOR PRINT.”
–Comics retailer and blogger Chris Butcher, reacting to the news that Smile by Raina Telgemeier took the No. 1 spot on The New York Times’ bestselling graphic novels list, but also providing follow-up commentary on the essay by Heidi MacDonald that Brigid quoted earlier this week. It’s a great piece by Butcher; go read the whole thing.
Derek Kirk Kim was at the American Library Association midsummer meeting last weekend, and he went through the Artists Alley with a video camera asking the creators what they think of ALA versus comic conventions. The lineup includes Dave Roman, Raina Telegemeier, Gene Luen Yang and Cecil Castelucci, among others, and the answers are interesting; several people focused on the way that the ALA attendees (who are, obviously, mostly librarians) are very engaged in the subject matter and interested in learning about something new, while comic con attendees tend to be looking for more of the same familiar comics.
Check out the video; it’s 10 minutes well spent.
Publishing | Heidi MacDonald catches word that Top Cow Publisher Filip Sablik is moving on to a new job, which will be announced next month at Comic-Con International (Rich Johnston contends that gig is at BOOM! Studios). Friday will be Sablik’s last day at Top Cow; Social Marketing Coordinator Jessi Reid will assume his marketing duties. [The Beat, Bleeding Cool]
Creators | Through its partnership with the Small Press Expo, the Library of Congress has acquired works by cartoonists Matt Bors, Keith Knight, Jim Rugg, Jen Sorensen, Raina Telgemeier, Matthew Thurber and Jim Woodring. Dean Haspiel’s minicomics collection was added to the holdings just last week. [Comic Riffs]
Welcome to What Are You Reading?, our weekly rundown of what comics and other stuff we’ve been checking out recently. Today our special guest is cartoonist Austin English, creator of the graphic novel Christina and Charles and publisher of Domino Books.
To see what Austin and the Robot 6 crew have been reading, click below.
Retailing | The retail news and analysis site ICv2 contends sales of graphic novels in the direct market may be better than recent numbers indicate because of the way Diamond Comic Distributors reports those figures. While the distributor’s calculations are based on the wholesale value of shipments, ICv2 based its estimates on the retail value, and found graphic novel sales rose 24.4 percent in March, rather than declined 5.7 percent (versus a year ago), and climbed 27.7 percent in April, rather than just 12.6 percent: “The big differences between the wholesale and retail rates of change in recent months appear to be caused by big increases in the number of graphic novels liquidated through Diamond in March and April. So retail dollars were up, while wholesale dollars lagged. ” [ICv2]
Conventions | Audrey Gillan previews this weekend’s Kapow! in London by casting a spotlight on organizers Lucy and Sarah Unwin — they’re partnered with Mark Millar — and their efforts to create a female-inclusive comic convention. “We ourselves as women organising the show have been accused of misogyny because of the obviously male guest list, but there is just this lack of female creators and it’s the nature of the industry,” Lucy Unwin said. “There’s no point in taking it to heart because I don’t employ the creators. I would love there to be more women at the show in terms of guests.” [The Guardian]
[Note: this post was assembled by both Tim O’Shea and JK Parkin]
This is our final post for our big birthday bash, and what a post it is. No matter how much stuff we line up, people we interview, etc., there are still tons of folks we like to hear from and include in our giant New Year’s/anniversary/birthday activities. So, as we have in past years, we have asked various comics folks what they are excited about for 2012 in comics–something they aren’t working on and something they are.
There’s a lot of great stuff here–hints at new projects and even some downright announcements. Our thanks to everyone this year who responded!
I’m most anticipating the 30th Anniversary of HEROES CON (June 22-24, Charlotte, NC) . For any convention 30 years is an amazing run, but the fact that Shelton Drum and his extended family have put this show together every year with nothing but blood, sweat and tears is flat out super heroic.
On the personal front, the challenging and exhilarating ride that’s been Loose Ends will come to a close with issue 4. It’ll be bittersweet to send our child off to into the real world but I can’t wait for you guys to see the work Brunner & Renzi are doing.
I’m also super excited to dip my own toes into the Mignola-verse with the BPRD: The Pickens County Horror [March 28, 2012] and to read the end of Jason Aaron & RM Guera’s Scalped, which is my favorite series in years.
This sounds politic, but it’s genuine: what excites me about comics in 2012 is what’s exciting every year, the work of the talent. Seeing what the best are up to and how the up-n-comers have grown as artists and writers. In the new year, I’m also excited about illustrating several books and covers that feature my favorite Avengers.
Creators | With the announcement that Rob Liefeld’s Extreme Studios is back in business, former Extreme Studios employee and current Image Comics publisher Eric Stephenson reflects on his time with the studio. “From 1992-1998, Extreme Studios was more or less my life. Youngblood, Supreme, Brigade, Bloodstrike, Team Youngblood, New Men, Prophet, Youngblood: Strikefile, Bloodpool, Glory… We put out a lot of comics, and for the most part everyone involved was incredibly young. Rob and I were amongst the oldest at 25. So many of the artists involved in various aspects of production were just out of their teens, and that made the work as frustrating as it was fun. But looking back, the main thing I remember about that time is Rob wanted to share his success with people who loved comics and wanted to make a living in the business as much as he had.” [It Sparkles!]
Webcomics | A Distant Soil creator Colleen Doran, who began serializing the comic online in 2009, notes “my bottom line is up significantly, and my online audience is ten times higher than when I started the five day a week online serialization of A Distant Soil 2.5 years ago.” She also shares advice she received when she started the endeavor that hasn’t worked for her. [A Distant Soil]