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Comics A.M. | Denver Comic Con attendance grows to 86,500

Friday at Denver Comic Con (via the event's Facebook page)

Friday at Denver Comic Con (via the event’s Facebook page)

Conventions | A reported 86,500 people attended the third annual Denver Comic Con over the weekend, up from 61,000 in 2013. The event is undergoing some growing pains, however, with organizers quickly rescinding an announced cart-service fee for next year’s convention following complaints from vendors. Even without that additional charge, some exhibitors remain unhappy about the proposed increase in booth fees. [The Denver Post]

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Conversing on Comics with Damion Scott

Comic readers like underdogs, both in comics and in comics creators. They like to see someone start off small and build themselves up with achievements, skill and perseverance. In recent years we’ve seen a number of talents catch fire as they went from comics newbie to comics celebrity, from Nick Spencer to Becky Cloonan. Several years back there was one artist who was right on the cusp of breaking into the exclusive A-list level of creators who decided instead to leave for something else. But now he’s back.

Artist Damion Scott graduated from the Kubert School in the late 1990s with a full head of steam and took that to DC Comics, where he climbed the ladderr from 1999 to 2006, refining his style and defining his name on books like Robin and Batgirl. By the end of his run on Batgirl, he was seemingly ready to shine — and did so as the youngest artist picked to headline an issue of DC’s prestigious (but short-lived) Solo anthology. After that, he produced a miniseries featuring the Teen Titans’ Raven, and then … nothing. Well, nothing in the United States. In 2007, Scott moved to Japan to pursue commercial and fine art, doing magazine illustrations, street art and gallery shows. He made a rare cameo in American comics with a short for 2009’s Deadpool #900, but by and large this budding top talent was absent for four years. But last month Scott returned with the first of a two-part story in Marvel’s Web of Spider-Man featuring a group of street-level heroes from his native Brooklyn. And he’s not stopping there.

For this interview I exchanged emails with Scott for several weeks, with the artist writing from Tokyo and New York, where he divides his time. We talked about his return to American comics and his art in Japan, as well as his upcoming comic series Duppy.

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