Events | The Billy Ireland Cartoon Library & Museum at Ohio State University steps into the spotlight for the Grand Opening Festival of Cartoon Art, which celebrates the library’s move to a new 30,000-square-foot home on campus. The library’s extensive collection includes more than 300,000 original comic strips, 29,000 comic books, 45,000 books and 2,400 boxes of manuscripts, personal papers and the like. The festival, held today through Sunday, includes such guests as Eddie Campbell, Gilbert Hernandez, Jaime Herandez, Jeff Smith, Paul Pope, Hilary Price, Kazu Kibuishi and Dylan Meconis. [The Associated Press, The Columbus Dispatch, Columbus Alive]
Creators | Art Spiegelman talks about history, Maus, and being the creator of Maus: “I have to keep moving as best I can through the shadow of something that I’m glad I had pass through me.” [Tablet]
Conventions | A even bigger obstacle than the San Diego Chargers to the proposed $520 million expansion of the San Diego Convention Center could be the California Coastal Commission, which must approve the project before it can proceed (the stage agency has regulatory oversight of land use and public access to the California coastal zone). The commission’s 11 members are meeting today through Friday in Mission Valley, where they’re expected to consider staff objections about reduced access to the bay; a bridge, estimated to cost about $42 million, from the foot of Fourth Avenue in the Gaslamp Quarter has been floated as a solution. A public hearing is being held Thursday. The expansion of the convention center is viewed as critical to keeping Comic-Con International in the city past 2015. [U-T San Diego]
Paolo Rivera is perhaps best known as the Eisner Award-winning artist of Daredevil, Mythos and The Amazing Spider-Man, but before he began working for Marvel almost a decade ago, he sculpted a Mystique bust for Dynamic Forces. He followed that with another commission from the company in the form of a Red Sonja statue that he thought would amount to “a few weeks of sculpting.” However, as he explains in a new blog post, the project became a little more involved.
“As you can probably guess, a few weeks turned into 2 full months of intense noodling,” he wrote. “Aside from the challenge of being my first full figure, the mass production process required it to be divided into several pieces — what ended up being 6 in all. I let the professionals do the casting and painting this time, as I had learned my lesson with Mystique.”
Rivera, whose process posts are always informative and entertaining, goes into quite a bit of detail on his blog, and even provides a work-in-progress slideshow (below).
Preview Night doesn’t begin for another 11 hours, but judging from the flurry of announcements, Comic-Con International has been well under way since, oh, about Monday. So, if it feels like you’re already falling behind, that’s because you probably are.
To help you catch up, we’ve rounded up early news from DC Comics, Dynamite Entertainment, Madefire and Marvel, along with a few other convention-related items.
• Dynamite Entertainment came out of the gate running this week with news that Steve Niles and Dennis Calero will reboot Army of Darkness, James Robinson will launch his crime romance Grand Passion, the Legends of Red Sonja miniseries will team Gail Simone with an all-female creative team that includes Marjorie M. Liu, Nancy A. Collins, Kelly Sue DeConnick, Mercedes Lackey, Nicola Scott and Devin Grayson, Peter Milligan will debut his sci-fi action series Terminal Hero, Duane Swiercyznski will expand the publisher’s crime line with Ex-Con, Howard Chaykin will return to The Shadow with the miniseries Midnight in Moscow, NBC’s Heroes will get a “fifth season” in a series written by Cullen Bunn, the acquisition of the Robotech license spawns a Robotech/Voltron crossover, and The Heart of the Beast, the graphic novel by Dean Motter, Judith Dupré and Sean Phillips, will receive a 20th-anniversary prestige-format edition.
If that was all Red Sonja was, I wouldn’t want to write about her at all. She’s a lot more than that to me, and to her fans, I’m sure. A thousand imitators showing more flesh have come and gone, and Sonja is still here. [...] But I also think it does a bit of a disservice to lump all male readers together like that, as well. I have found the male readership to be remarkably supportive of great female characters again and again, with Birds of Prey, with Wonder Woman, with Batgirl. I want a Red Sonja that isn’t just a cult title, with every character I love, when I take them over, I want to preach their gospel, I want people to know why I love them so much. Red Sonja kicks a megatonnage of ass, that’s what she does.
— Gail Simone, whose Red Sonja series debuts in July from Dynamite Entertainment, in a Q&A with ICv2
Simone goes on to say she will be changing the character somewhat: “I think she’d gotten a bit omnipotent, and a bit icy, over the years. I want her to be more impulsive and prone to rash judgment.” And she’s going to tinker with Red Sonja’s origin story because “it needs to be reconsidered and retold in a way that’s less about weird gender politics from ages ago.”
The metal bikini, though? That’s gonna stay, apparently. But Dynamite has commissioned regular and variant covers from some of the top female artists in the business, including Colleen Doran, Fiona Staples, Amanda Conner, and Steph Buscema, which opens the door to some interesting interpretations of the character.
Gail Simone has one of the most personable and idiosyncratic voices in comics. It’s why fans follow her in books like Batgirl, Birds of Prey and Secret Six, and it’s how she broke into the comics industry from being a Comic Book Resources columnist. And 2013 is shaping up to be a big year for Simone with the launch of her creator-owned Leaving Megapolis with Jim Califoire, a new Red Sonja series at Dynamite and The Movement at DC Comics (which she spoke about at length Friday with Comic Book Resources), and continuing on her cathartic run on Batgirl.
I reached out to Simone following the Red Sonja announcement to talk to her about that new book, but also her career in general. Her off-again, on-again time on Batgirl has already been covered ad nauseum, and there’s more to her story than that.
Welcome to “Cheat Sheet,” ROBOT 6′s guide to the week ahead. Below you’ll find a breakdown of the big announcements that came out of this weekend’s Emerald City Comicon, our contributors’ picks for the comics of the week — from Age of Ultron to Al Capp — and the top events to look for in the next seven days (hint: convention season is fully under way).
With the announcement this week that Dynamite Entertainment has acquired the rights to do comic books starring the Shadow, the New Jersey comics company has become the home for a majority of pulp heroes in comics. Although an argument could have been made that DC Comics held that title when it was publishing its now-canceled “First Wave” line, with this latest announcement the Shadow joins other proto-comic heroes like Zorro, the Phantom, Dracula, the Lone Ranger, Sherlock Holmes, Buck Rogers, the Green Hornet and others in Dynamite’s line.
While this isn’t the first time that multiple pulp icons have been under one comic publisher’s roof, it’s by far the most concentrated in some time. Although most weren’t created in comics, pulp characters have a long history bouncing around from numerous publishers over the years. The Shadow, for instance has been published by Marvel, DC, Dark Horse, Archie and even a newspaper strip that’s run off and on through the years — and his pulp brethren can claim similar paths over time.
The notable absences to Dynamite’s de facto pulp line are tied up — or have been until recently — by other publishers. DC’s rights to Doc Savage, the Avenger and Rima The Jungle Girl are currently unknown, while Tarzan resides at Dark Horse, and Moonstone, another pulp-inspired comics publisher, publishes stories about the Spider and the Domino Lady.
But with the potency of Dynamite’s line-up so far, it casts a potentially long shadow (no pun intended) on the comics industry and what’s possible. Imagine a pulp line firing on all cylinders, perhaps even a crossover at some point or even a Justice Society-style team-up.
Update: And today Dynamite announced they’ll be making comics starring another pulp hero, The Spider.
And thus begins what I can guess without even googling are a thousand racy fanfics. But it’s also the premise, more or less, of cartoonist Dave Kiersh’s thoughtful, funny minicomic Amazons, which he’s now posted online in its entirety on his new site Teenage Archive. The strip imagines what life would be like if these pulchritudinous paragons of fierce femininity were to attend high school, navigating the uncharted waters of jocks, nerds, preps, angry teachers, uncaring administrators, and unyielding dress codes.
Kiersh’s About Me blurb on Teenage Archive reads “Afterschool specials and the American dream,” and that pretty much nails what his comics are like: Whimsical yet melancholy explorations of teenage lust, boredom, romance, and desire to escape — and adult desire to return. Amazons is more of a goof than his usual stuff, but underneath the silliness is something true about the way dudes idealize beautiful women and the sense of unattainable freedom and fulfillment these fantasy figures represent. Read it in tandem with Kate Beaton, Carly Monardo, and Meredith Gran’s “Strong Female Characters” for a very different but I think complementary take on the power such images have.
One of the things I love most about conventions is the artists who visit and show off their sketchbooks and draw sketches for people. Even if you don’t attend the convention, you can follow artists’ blogs and see work they did during the con begin to trickle in. With last week’s Baltimore Comic-Con in the rear-view, that’s beginning to happen. Take, for example, Terry Moore, who did a phenomenal drawing of the girls from his Strangers in Paradise series dressed up as Slave Leia from Return of the Jedi.
You can view several additional pieces on his blog, including a Red Sonja and a piece he did for the Comic Book Legal Defense Fund!
Welcome once again to What Are You Reading? Our guest this week is Van Jensen, writer of Pinocchio, Vampire Slayer and Pinocchio, Vampire Slayer and the Great Puppet Theater. To see what Van and the rest of the Robot 6 crew are reading, click below.