Debuting in 2001, Marvel’s MAX line was an attempt to draw a clear line between its vaguely older-teen comics and distinctly “adult” titles featuring some of the well, edgier, characters from its library. The imprint largely excelled at that, with the flagship Alias, by Brian Michael Bendis and Michael Gaydos, and Garth Ennis’ takes on Nick Fury and the Punisher. However, in recent years it’s become a shadow of its former self, existing solely to carry Ennis’ recent return to Fury, and the noble but ill-fitting Wolverine MAX. But that doesn’t mean it can’t have a revival.
In today’s Six by 6, I look at six characters that straddle the fence separating “popular” from “popular enough to carry their own series in the long-term” that would do well to take a trip to the MAX line. Some are no-brainers, while others might surprise you.
Today marks the release of the second issue of Marvel’s new Alpha Flight eight-issue miniseries. Given how committed and enthused the creative team of writers Greg Pak and Fred Van Lente (on evidence in the two writers’ May 2011 CBR interview) along with artist Dale Eaglesham are about the project, I hope it becomes a regular series, quite honestly. To mark the release of the latest issue, Eaglesham agreed to an email interview. I never tire of conducting discussions of this type, where I can find out the approach an artist takes in certain scenes or with particular characters. If you’re as much a fan of this latest incarnation of Alpha Flight as I clearly am, do Eaglesham the favor of following his marching orders (detailed in the last part of this interview) so that the book can hopefully become an ongoing. In addition to discussing Alpha Flight, I was pleased to learn more about the local charity that Eaglesham supports: Refuge RR, a local animal refuge.
Tim O’Shea: Your art clearly meshes well when in collaboration with writers like Van Lente and Pak, it seems like they give you opportunity to stretch the boundaries of what you can do as an artist. For example, in the shocking reveal of issue 1, I was struck by the flock of birds flying behind Heather. Was that something specifically requested in the script or was that totally your idea?
Dale Eaglesham: That was actually my idea. It was just a casual symbol I put in there, referring to lost freedom, for Mac, but also for the whole country. It foreshadows what’s coming for Alpha Flight and Canada, and creates a sense of foreboding. You know when all the birds fly away, there’s danger nearby… I love when I get a big shot like that, it allows me to add layers to the art.
“I never gave it a thought. I guess common sense would say it was made of orange rock too, but I always thought it was more interesting to think about Reed Richards. As you know, he had the ability to stretch, and sexually, that would seem to be a great asset in many areas.”