Vaughan & Chiang's "Paper Girls" Builds a Familiar Yet Disconcerting World
You young ‘uns with your gussied-up webcomics, New York Times bestseller lists and oversized, obscure comic strip collections. Let me tell you, you don’t know how lucky you’ve got it today. Time was, back in the black-and-white boom of the 1980s, once you got past Raw, Weirdo, Love and Rockets and, oh, let’s say Cerebus, finding a decent comic that showed a modicum of sophistication and style could be challenge. More so if you wanted to wave it under the nose of a friend or family member that scoffed at your interest in sequential art so you could say, “See? Comics are too a legitimate art form” before stomping off to your room to be alone with your copies of Cherry Poptart.
As a result, any funnybook that dared to offer something beyond the usual Spandex fisticuffs or animals that perform martial arts had a strong shot at garnering a cult following (and maybe a living wage, though let’s not get crazy here). Poison Elves. Works for me. Boris the Bear? Sure, why not. Fish Police? Damn straight. Omaha the Cat Dancer? You betcha.
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Omaha the Cat Dancer, the decades-old erotic comic by artist Reed Waller and writer Kate Worley, will see its final storyline collected by NBM in July.
Waller teamed with Worley’s husband, Kings in Disguise writer James Vance, to finish the story from an outline that Worley completed before her death in 2004. The story was serialized previously in NBM’s Sizzle Magazine. “Helping Reed finish Kate’s story is one of the toughest jobs I’ve ever taken on, but she left us in very good shape,” Vance said in a press release. “The final act of Omaha will be dramatic, sexy, touching and satisfying.”
Note: There’s a Not-Safe-For-Work image after the jump.