Marvel, Netflix Debut Free "Jessica Jones" Digital Comic
TV, Digital Comics
Oh, good, you came back. Today we’re going to take a look at the first four collections worth of Matt Fraction, Salvador Larroca and company’s The Invincible Iron Man, which accounts for the first 24 issues of the series and two of the several completely different (but narratively and thematically connected) directions the series took.
The Invincible Iron Man, Vol. 1: The Five Nightmares (#1-7): As I mentioned Tuesday, this title launched the same summer that director Jon Favreau’s Iron Man, starring Robert Downey Jr. as Tony Stark, opened, and writing a new, second title with Iron Man as the hero must have seemed a rather daunting task, given that Downey and Favreau’s cool, charming war profiteer turned warrior for peace bore little resemblance to the Marvel Universe version of the character of the time, whom writer Mark Millar had turned into the publisher’s greatest villain during Civil War and its aftermath.
It seems the next class of hot Marvel creators is rising faster than the publisher can slap on a moniker like “Young Guns,” “Terrific Tens” or “Architects.” Part of that group is Portland, Oregon-based writer Kelly Sue DeConnick. She recently launched the longtime Marvel heroine Carol Danvers, aka Ms. Marvel, in Captain Marvel, and she recently took over Avengers Assemble from Marvel’s de facto chief writer Brian Michael Bendis. In addition, Dark Horse recently enlisted DeConnick to revive and revitalize its superhero pulp series Ghost, and she has her first creator-owned series in the works: Pretty Deadly, with her Osborn collaborator Emma Rios.
I’ve known about DeConnick peripherally for almost a decade now, reading her posts on the classic Warren Ellis Forum in the early ’00s, years before she got into comics. She’s shown herself to to have a remarkable wit in her comics and in interviews, and a real sense for action without losing heart in works like Captain Marvel and the short Black Widow story she created with Jamie McKelvie inside Enter The Heroic Age. Although 2012 seems like her biggest year yet, it feels as if she’s on the precipice of something larger still. In my conversation with DeConnick, she was refreshingly upfront and revealing about riding the waves of life as a comics writer, and showed off a rarely seen side of what its like to be a comics creator.