Comics | Rupp’s Comics in Fremont, Ohio, will display a rare comic this weekend as part of the store’s 22nd-anniversary celebration: Detective Dan: Secret Operative No. 48, published in 1933, is the first comic book to contain a single original story (as opposed to several strips, or a compilation of reprints from newspapers). The new format was not an immediate success, and the series was canceled after just one issue. [The News-Messenger]
Creators | It’s old but it’s good: The Comics Journal dips into the archives for a 1989 interview with Calvin and Hobbes creator Bill Watterson. [The Comics Journal]
Creators | John Porcellino reflects on 25 years of King-Cat Comics. [du9]
Passings | Lew Stringer reports that British artist Charles Grigg died Wednesday at age 97. Grigg is probably best known for drawing Korky the Cat, whose adventures graced the cover of the weekly comic The Dandy for decades, and he drew a number of other strips for The Dandy and The Topper as well. After he retired he had a second career drawing naughty postcards. [Blimey!]
Retailing | The direct-market trade organization ComicsPRO has announced its annual membership meeting will be held Feb. 26-March 1 in Atlanta. [ICv2.com]
Creators | Art Spiegelman talked to students at Lakeland College recently and then sat down to answer some questions about his love of comics, how his depression affected his work, and whether he has any regrets about the way he portrayed his father in Maus. [The Lakeland Mirror]
Legal | Asterix co-creator Albert Uderzo has filed a legal complaint against his daughter Sylvie and her husband Bernard Choisy, claiming “psychological violence.” The dispute began in 2007, when Sylvie and Bernard were dismissed from their positions at Les Éditions Albert René, which published Asterix; a year later, Uderzo sold his stake in the company to Hachette Livre. The two filed their own legal challenge in 2011, claiming Uderzo, who is now 86, was being exploited by others. In this week’s filing, Uderzo says he is perfectly capable of managing his own affairs, and adds, “The sole purpose of these acts is to undermine our psychological integrity and to hasten our debility, in order to get their hands on our legacy, which they covet.” [The Guardian]
As funny as the Amazon Drone Twitter account is, the best response to Sunday’s big revelation that the online retail giant is developing delivery by unmanned aerial vehicles has to be from Waterstones.
On Monday, the U.K. bookseller announced O.W.L.S., the Ornithological Waterstones Landing Service, which will utilize owls to bring books to customers’ doors. As Waterstones Press Manager Jon Owls (ahem) explains in the video below, “O.W.L.S. consists of a fleet of specially trained owls that, either working individually or as an adorable team, will be able to deliver your package within 30 minutes of you placing your order.”
Owner Russ Battaglia and his wife Christie were introduced by a customer to The Point, which at the time was sharing space with another church. The Battaglias really connected with the congregation, and when they moved the store to a new, larger location, Pastor Tony Cecil proposed a radical idea: that A+ and The Point share the new space.
And so the display racks were placed on rollers or slides so they can be moved easily, and the empty space at the back divided to serve has childcare during services. Each Sunday, curtains go up to hide the merchandise, a window shade comes down to advertise the church, and … voila! The whole process takes about a half-hour.
“It’s like a comic book store that becomes a Transformer, too,” Battaglia tells the newspaper.
It won’t need to transform for much longer, however: The Point Community Church will soon move down the street.
There’s a bit of irony to this story of a comics dealer and a collector going to great lengths to acquire an intact comics collection … which they apparently intend to break up by selling off the comics individually.
Matthew Lane, the reporter who got the story for the Kingsport, Tennessee, Times-News, puts the allure of the collection right in his lead:
Imagine coming across a rare comic book collection, complete runs of Marvel and DC dating back to the beginning of the Silver Age of Comics. The first appearances of Spider-man, Iron Man, Wolverine, the Avengers and the Fantastic Four.
Indeed, that’s what makes this collection so interesting — its completeness. Seeing an entire run of issues, watching iconic characters pop up in the context of their times, is a special experience (albeit one that can now be duplicated fairly easily with digital comics). The collection of more than 46,000 comics seems to have attracted some attention among dealers, and it was ultimately purchased by retailer Brian Marcus and collector Charles Bond.
Auctions | Comics industry legend Maggie Thompson plans to put up for auction 524 comics from her personal collection. Thompson, who with her late husband Don was a longtime editor of the Comics Buyer’s Guide, estimates that she has 10,000 comics, all stored in a special vault-like addition to her home, which she built using the money from a previous sale, of Amazing Fantasy #15 (the first appearance of Spider-Man) and the first 100 issues of The Amazing Spider-Man. Bidding on the first batch of comics, which includes The Avengers #1, Journey into Mystery #83 (first appearance of Thor), The Incredible Hulk #1, and original cover art from Conan #4, begins today. [The Associated Press]
Comics | ICv2 releases the results of its White Paper (previously reported at Comic Book Resources), which tracks comics and graphic novel sales in all channels. Briefly, the report shows that sales of comics and graphic novels are up, manga is up dramatically, and digital comics sales continue to increase — although growth is slowing a bit, which is to be expected as the base increases. [ICv2]
Retailing | The rental chain Tsutaya and the bookstore chain Yurindo have returned Kuroko’s Basketball books and DVDs to their shelves after “X-Day,” Nov. 4, passed without incident. Someone has sent hundreds of threatening letters to convention sites, bookstores, the media and Sophia University (the alma mater of Kuroko’s Basketball creator Tadatoshi Fujimaki), over the past year, and the most recent batch of letters said that “X-Day will be on the final day of the [Sophia University] school festival.” Meanwhile, police are checking security cameras near all the mailboxes in the districts from which the letters were mailed, looking for suspicious people. [Anime News Network]
Comics | Brian Steinberg looks at Archie Comics’ most radical move yet: the relatively adult Afterlife with Archie, which literally turned America’s most iconic teenagers into zombies. Steinberg talks to Archie CEO Jon Goldwater, writer Roberto Aguirre-Sacasa, artist Francesco Francavilla and others about the significance of this comic, which sold almost 65,000 copies to the direct market. [Variety]
Creators | Newsday picks up the story of Al Plastino’s original art for the John F. Kennedy comic that was canceled when the president was assassinated, and then published a few months later at the request of the Johnson administration. Plastino, now 91, had been told the artwork would be donated to the Kennedy Library, but last month at New York Comic Con he learned that a private individual had the art and was planning to sell it through Heritage Auctions, which now says it won’t move forward until the ownership question is resolved. Copyright lawyer Dale Cendall, former DC Comics President Paul Levitz and artist Neal Adams weigh in on the case. [Newsday]
Kickstarter | In the wake of the successful Fantagraphics Kickstarter campaign, Rob Salkowitz looks at the evolution of the crowdfunding platform from a way for individual creators to connect with their audiences to a pre-sale mechanism that eliminates a lot of the risk for smaller publishers. [ICv2]
Comics | A CGC-certified 9.2 copy of The Brave and the Bold #28, featuring the first appearance of the Justice League, was sold by Pedigree Comics for $120,000, a record price for the issue (cover-dated February-March 1960). ““The sale for $120,000 is a record price for any copy of Brave and the Bold #28, almost doubling the only recorded 9.4 sale (from April, 2004) of $60,375,” said Pedigree Comics CEO Doug Schmell. “The other 9.2 copy (with off-white pages) fetched $35,850 in May, 2008. This book is beginning to rise dramatically in demand, popularity and value, evidenced by the recent sales of two 8.5 examples (in September, 2013 for $45,504 and for $40,500 in June, 2013).” [Scoop, via ICv2]
Passings | “He took me seriously”: Shaenon Garrity writes the definitive obituary of webcomics pioneer Joey Manley, who died Nov. 7 at the age of 48. She talks to a number of the creators who worked with him over the years and puts his accomplishments into perspective. [The Comics Journal]
Retailing | Fans of the Fall River, Massachusetts, retailer StillPoint Comics, Cards & Games kicked in $5,000 in a GoFundMe campaign to keep the store in business. The shop, which opened in 1997, had to close for 10 days last month after its power was shut off. [The Herald News]
Publishing | Following confirmation last month of a Space Mountain graphic novel series, Heidi MacDonald talks with executives from Disney Publishing Worldwide about the expansion of the new Disney Comics imprint. [Publishers Weekly]
Events | Sean Kleefeld reports on Day 1 of the Billy Ireland Cartoon Library & Museum Grand Opening Festival of Cartoon Art in Columbus, Ohio. [Kleefeld on Comics]
Conventions | WonderCon organizers have announced that next year’s show, set for April 18-20, will again be held in Anaheim, California. This will be the third year for the event at that location, after having been uprooted from its longtime home at San Francisco’s Moscone Center first because of remodeling and now because of scheduling conflicts. [Los Angeles Times]
Publishing | Nick Barrucci, CEO and publisher of Dynamite Entertainment, looks back on 10 years in the business, and discusses some upcoming comics, including J. Michael Straczynski’s Twilight Zone and the new kids’ line Li’l Dynamites. [Previews World]
Owner Dish Network, which bought the already-struggling company in a 2011 bankruptcy auction announced this morning it will also end the Blockbuster By Mail service in mid-December and shutter its distribution centers. According to Reuters, 2,800 employees will lose their jobs.
As with the decline of music stores that preceded it, the death of Blockbuster is being attributed to the rise of digital (in particular, Netflix), which curiously enough — and despite fears to the contrary — hasn’t appeared to harm another specialty channel: direct-market comic stores. In fact, all indications appear to point to digital helping print sales. Could it be that comic shops, long the subjects of apocalyptic predictions, end up as the last ones standing?
Conventions | Brian Howe looks at the rivalry between Comic Book City Con, which debuted two weekends ago in Greensboro, North Carolina, and NC Comicon, which returns Saturday in Durham. The latter, which is now co-owned by artist Tommy Lee Edwards, drew 4,000 attendees last year (its first at the Durham Convention Center), and this year doubled its exhibit space and ramped up its programming. The conflict, which manifested in a flier for Comic Book City Con that one party considers playful but the other calls “bullying,” seems to be rooted in the proximity of the dates and a perceived lack of communication. However, it’s not simply a rivalry between nearby conventions; it’s one between retailers: Durham’s Ultimate Comics organizes NC Comicon, while Greensboro’s Acme Comics operates Comic Book City Con. [Indy Week]
Awards | Sean Phillips was named as best artist and Saga, by Brian K. Vaughan and Fiona Staples, as best comic/graphic novel at the 2013 British Fantasy Awards, presented Sunday at the World Fantasy Convention in Brighton, alongside the World Fantasy Awards. [British Fantasy Society]
Publishing | Tim Pilcher of Humanoids talks about his company’s new plans to distribute its graphic novels in the United Kingdom through Turnaround Publisher Services. [ICv2]
Conventions | Italy’s Lucca Fest had a record-breaking show, with 200,000 tickets sold and 300,000 attendees in all. [The Hollywood Reporter]