Awards | Witch Hunts: A Graphic History of the Burning Times, written by Rocky Wood and Lisa Morton and illustrated by Greg Chapman, won the Bram Stoker Award for superior achievement in a graphic novel, presented over the weekend by the Horror Writers Association. Winners with a comic-book connection in other categories include Caitlin R. Kiernan (novel, The Drowning Girl), Jonathan Maberry (young-adult novel, Flesh & Bone), and Joss Whedon and Drew Goddard (screenplay, The Cabin in the Woods). [Horror Writers Association]
Graphic novels | Heidi MacDonald looks at Dark Horse’s plans to expand its Originals line of creator-owned graphic novels this year; upcoming releases include print editions of Paul Tobin and Colleen Coover’s Bandette and Cameron Stewart’s Sin Titulo, as well as a new graphic novel, Bad Houses, by Sara Ryan and Carla Speed McNeil. [Publishers Weekly]
– retailer Brian Hibbs, describing a troubling relationship between Kickstarter success and retail success.
He sees two reasons for this. I’m sort of putting words into his mouth, but I think I’m close to his first point by saying that once the book comes out in stores, everyone’s tired of hearing about it. He notes that it’s not impossible to get a second wave of attention going, but it’s tough to do.
His second reason is that once Kickstarter serves the needs of a comic’s most passionate readers, the only people left to buy it are –by definition — the less-passionate ones. Again, that doesn’t spell instant doom, especially for someone who’s able to overcome Hibbs’ first observation and successfully launch a second round of publicity, but it’s still a stark warning. There’s more to long-term success than just having a great Kickstarter.
Digital comics | Despite all the talk about digital comics lately, Paul Delos Santos finds plenty of ink-on-paper comics, as well as creators and fans, at last weekend’s Amazing Las Vegas Comic-Con. “Digital is the newsstand of yesteryear for people that are new to comics that are discovering that way,” said Ralph Mathieu, owner of Las Vegas’ Alternate Reality Comics. “Then (they are) going to comic stores and getting the physical format.” [Las Vegas Sun]
Superheroes | Looking at the lineup of Marvel and DC Comics adaptations, Frank Hagler argues, “It is far past time for Hollywood to release a comic book movie based on a minority comic book hero where the characters race is central to the theme of the story.” [PolicyMic]
Creators | Stan Lee, characterized by CNN as “the Godfather of comic book heroes,” is modest about his own achievements in a new interview: “If my publisher hadn’t said ‘let’s do superhero stories’ I’d probably still be doing A Kid Called Outlaw, The Two Gun Kid or Millie the Model or whatever I was doing at the time.” He reflects on the increased female audience for comics and discusses some new projects, including a new superhero, The Annihilator, created specifically for a Chinese audience. [CNN]
Comics| Chris Huntington reflects on the importance of Miles Morales for children of color, like his son: “… To see Spider-Man pulling his mask over a tiny brown chin – to see a boy with short curly hair sticking to the ceiling of his bedroom— well, something happened. Dagim has been Spider-Man for two Halloweens in a row. He takes a bath with his Spider-Man and a toy killer whale. He has Spider-Man toothpaste and a Spider-Man toothbrush. If Spider-Man offered medical coverage, I think he would want that, too. My son somehow understands that there is a Peter Parker Spider-Man, who is vaguely grown-up and my age, and a younger Spider-Man, closer to his age. That’s just how Dagim likes it. He even understands that Peter Parker — like Superman, like Batman – wasn’t raised by his birth parents. The best superheroes were all adopted like him.” [The New York Times]
Comics | To mark the 75th anniversary of Superman, and the premiere this week of Warner Bros.’ Man of Steel, Edward Helmore of The Telegraph recounts the long and bitter legal feud between DC Comics and the families of creators Jerry Siegel and Joe Shuster over the rights to to the multibillion-dollar property, a battle from which the publisher has seemingly emerged victorious. [The Telegraph]
Comics | The New York Post’s Reed Tucker has some ideas on how to “fix” comics, starting with cutting the cover price to increase sales. [Parallel Worlds]
Comics | With an exhibit of original art from Charles Schulz’s Peanuts opening in a local gallery last week, a local comic convention in the works, and a thriving comics retail scene all year round, South Florida could just be the next comics hotspot. [WLRN]
Awards | Editor Justin Hall won the 2013 Lambda Literary Award for best anthology for his No Straight Lines: Four Decades of Queer Comics, marking the first time a graphic novel has been honored in that category. Now in their 25th year, the Lambda Literary Awards recognize the best in lesbian, gay, bisexual and transgender literature. “”I’m thrilled that the Lambdas have made such a strong statement recognizing comics as a legitimate literary medium that has told powerful stories of LGBT lives, loves, and identities for the last four decades,” Hall said. “This is a validation of a tremendous amount of work, and of an artistic community that truly deserves its time in the spotlight!” [San Francisco Guardian]
Events | Calvin Reid writes the most comprehensive report yet on the comics scene at last week’s BookExpo America. [Publishers Weekly]
Creators | Pickles creator Brian Crane, who was recently named Outstanding Cartoonist of the Year by the National Cartoonist Society, talks about how he was ready to give up on his dream of being a cartoonist after his pitches were rejected by three syndicates, but his wife wanted him to keep going: “To prove her wrong, I sent it to The Washington Post Writers Group. She proved to be right. Since then, I’ve learned: She’s almost never wrong.” [Comic Riffs]
Comics | Chicago City Council recently passed an ordinance, which takes effect in July, regarding wage theft, and Interfaith Worker Justice, a Chicago organization, has put together a 32-page comic explaining workers’ legal rights and what recourse they have if their employers illegally withhold their wages. [Crain's Chicago Business]
In late August 2011, just ahead of DC Entertainment’s’ high-risk relaunch of its superhero line, the company’s executive vice president of sales, marketing and business development emphasized the New 52 wasn’t merely a gimmick to seize more shelf space.
“To be clear – DC is not a market-share-chaser. If we were, we would not be creating a quality lasting direction across a controlled number of titles,” John Rood wrote on the DC Comics blog, setting up on obvious shot at Marvel. “We would instead be flooding the market with over 200 titles a month, changing your prices with abandon, killing off a character every quarter or so, and/or randomly announcing decimal-pointed event-ish thingies. We haven’t.” That, of course, was a reference to Marvel’s Point One initiative and the then-recently announced Fear Itself #7.1, #7.2 and #7.3.
Now fast-forward to this morning, less than two years later, as DC rolls out the details of its newly confirmed “Villains Month,” the September event in which the company’s antagonists take center stage in the aftermath of “Trinity War”: As the Batman solicitations for September show, any issues DC had about decimal-pointed event-ish thingies appear to have resolved, because we’re presented with Batman #23.1: The Joker, Batman #23.2: The Riddler, Batman #23.3: The Penguin and Batman #23.4: Bane.
Conventions | Attendance at Denver Comic Con topped 48,000, well over last year’s total of 27,700. Crowds were so heavy on opening day that the fire marshal and convention staff turned away 6,000 people. Guests included Star Trek‘s William Shatner (who was filling in for a double-booked Stan Lee) and George Takei, who stayed late on Friday so every fan could get an autograph. [The Denver Post]
Creators | Gilbert Hernandez talks about Marble Season, which is quite a departure from his previous graphic novels: “I’d been doing too many zombies and too much horror and crime, and I wanted to back off and do something pleasant. But I thought, can I do a pleasant story? And the only pleasant story I have is good memories from childhood. I wanted to connect to readers in a more genial way.” [The Telegraph]
The February announcement that Orson Scott Card would write a chapter of DC Comics’ new digital-first Adventures of Superman anthology sparked controversy in some circles, as readers and retailers objected to the sci-fi author’s anti-gay activism. Card isn’t just an outspoken opponent of same-sex marriage, he is a board member of the National Organization for Marriage, a group that lobbies against marriage equality.
At the time, several retailers announced they would not carry the comic, while others felt that refusing to carry the title would be tantamount to censorship.
The Comic Bug in Manhattan Beach, California, figured out a graceful way around the controversy: It would sell Card’s comic and donate 100 percent of the proceeds to the group Freedom to Marry, which supports legalization of same-sex marriage nationwide. The owners of Illusive Comics and Games, in Santa Clara, decided to do the same. And then DC got a reprieve of sorts, when artist Chris Sprouse dropped out of the project and Card’s story was postponed indefinitely.
The first issue of Adventures of Superman was released this week with some fanfare but no controversy. Nonetheless, the co-owners of The Comic Bug, Jun Goeku and Mike Wellman, will donate 20 percent of this week’s profits to Freedom to Marry, and Illusive will do the same.
“The customers who shop at The Comic Bug are from all walks of life and with this week’s fundraiser, we want to let them know that we embrace them all,” Goeku told The Beach Reporter. Both shops will also have a jar for customers who want to make a further donation to the cause.
Publishing | Dave Itzkoff profiles Karen Berger, who stepped down in March after 20 years as executive editor of DC Comics’ Vertigo imprint (she still consults on a few projects). The story has a wistful tone, with Berger suggesting that DC is more interested in its company-owned characters and Co-Publisher Dan DiDio basically agreeing, but noting it’s an industry-wide trend. He said it would be “myopic” to believe “that servicing a very small slice of our audience is the way to go ahead,” adding, “That’s not what we’re in the business for. We have to shoot for the stars with whatever we’re doing. Because what we’re trying to do is reach the biggest audience and be as successful as possible.” [The New York Times]
Legal | Former comics retailer Michael George has lost his appeal for a new trial. He was convicted twice for the 1990 murder of his wife, first in 2008 and then in a 2011 retrial. George is serving life in prison without parole. [The Macomb Daily]
Creators | John Sutter profiles Syrian cartoonist Ali Ferzat, whose hands were broken by government troops in an (unsuccessful) attempt to keep him from ever drawing again. [CNN]
Creators | Michael Diana, the first artist in the United States to be convicted of obscenity (for his comic Boiled Angel), returns to Miami after more than 20 years for a show of his work at the Miami Art Museum — which paid his remaining fines so he could enter the state without risk of arrest. [Miami New Times]
Conventions | Motor City Comic Con founder Michael Goldman has apologized to fans for the long lines they had to endure to get into the event on Saturday, writing in a message on Facebook, “We never expected 18,000+ people to attend that day, which was the same amount of people we had over the entire three days last year. We were literally hit with a ‘Humanity Bomb’ and were not prepared for the sheer number of people attending, even with a large increase in our staff.” More than 30,000 people attended over the course of three days, with attendees reportedly waiting for up to two hours on Saturday just to get into the parking lot, and then another one to four hours to get in the doors. Golden said he is already working on avoiding the same problem next year. [Facebook]
Retailing | Brian Berlin of New World Comics in Oklahoma City is offering free comics and appearances by costumed characters for children left hospitalized or homeless by the tornadoes that struck Oklahoma this week. [Nerdage]
In anticipation of the June 14 release of the new Superman movie, DC Entertainment has declared Wednesday, June 12, Man of Steel Day.
Sponsored by Sears, the event will see comic shops and bookstores give away copies of All-Star Superman Special Edition #1 by Grant Morrison and Frank Quitely. Not so coincidentally, June 12 also marks the debut of Superman Unchained, the new DC Comics series by Scott Snyder and Jim Lee launched to coincide with director Zack Snyder’s Man of Steel. That first issue you’ll have to pay $4.99 for (it comes with a two-sided poster).
Publishing | Calvin Reid looks at Archie Comics’ growing book-market presence, which has exploded since the publisher signed Random House as its distributor in 2010. [Publishers Weekly]
Creators | Matt Kindt, author of Red-Handed, writes about how becoming a comics creator has made it impossible for him to enjoy reading comics for their own sake. [The Huffington Post]
Awards | Animal Land, by Zatch Bell creator Makoto Raiku, took the Best Children’s Manga honors in Kodansha’s 37th annual manga awards. The sports manga Gurazeni won the overall award for best manga. [Anime News Network]