comic retailers Archives - Page 2 of 70 - Robot 6 @ Comic Book Resources
Legal | The San Diego Police Department is asking anyone with video of the July 26 car accident during the annual SDCC ZombieWalk: San Diego to come forward. Police already have several videos of the incident, in which a driver plowed into the crowd, injuring at least three people, but they are hoping to get additional information. [Fox 5 News]
Legal | A Tokyo District Court judge sentenced Hirofumi Watanabe to four years and six months in prison for sending more than 400 threatening letters to venues connected with the manga Kuroko’s Basketball. The 35-year-old man admitted during his first day in court that he had sent the threatening letters, but he also refused to apologize or pay restitution and says he does not feel guilty. [Anime News Network]
Following the launch of the third annual Kirby4 Heroes campaign, The Hero Initiative has announced of the “Wake Up and Draw” and in-store events planned for Aug. 28 in celebration of Jack Kirby’s 97th birthday.
The nonprofit organization, dedicated to providing a financial assistance to creators in need, has recruited more than 40 artists to “Wake Up and Draw,” with their drawings featured in a special gallery at ComicArtFans.com; they’ll be auctioned later on eBay, with proceeds benefiting The Hero Initiative. Follow #WakeUpAndDraw on Twitter and Instagram on Aug. 28 to see the drawings as they’re posted.
Phil Hester has set out to do a staggering 97 drawings for Kirby’s birthday, which you’ll be able to check out on his Twitter stream. He’ll also have details on where you can purchase the drawings.With Fan Expo Canada kicking off Aug. 28 in Toronto, artists including Kaare Andrews, Greg Land, Joe Prado, Ty Templeton, Jill Thompson, Richard Zajac and more will “Wake Up and Draw” with The Hero Initiative, while in San Francisco, Paolo Rivera will appear at the Cartoon Museum.
For a rundown of in-store appearances, art auctions and retailers who have agreed to donate a portion of sales on Aug. 28 to the organization, visit The Hero Initiative and the Kirby4Heroes Facebook page.
Crime | Kazutoshi Iwama, the 50-year-old man accused of shoplifting a Tetsujin-28 go figure worth more than $2,400 from a Mandarake store in Tokyo, has turned himself in to police. The theft became a matter of high public interest when Mandarake posted a security-camera photo of the man, with his face pixelated, and threatened to show his face if he didn’t return the figure by Aug. 12. The stunt attracted scores of journalists to the store, but Iwama reportedly told police he wasn’t aware of the threat until after he sold the figure to a secondhand store … for about $623. [Anime News Network, The Japan Times]
Publishing | Alex Segura, senior vice president of publicity and marketing for Archie Comics and editor of the newly renamed Dark Circle superhero line, talks about where the comics are coming from, what to expect — and his new dual role at Archie: “Usually, I’m the PR guy collecting the information from editorial and deciding how to announce it. Now, I was the editor getting the details together for the PR guy to announce and basically having conversations with myself. I’m exaggerating slightly.” [13th Dimension]
Crime | The comics community of Kirkcaldy, Scotland, just north of Edinburgh, has rallied around a local comics shop after thieves broke in two weeks ago and stole cash, a computer, a two-and-a-half-foot-tall Darth Vader figure and a copy of New Mutants #98 (the first appearance of Deadpool), with a total value of more than £500 (about $835 U.S.). It could have been worse: The thieves left some comics boxed up, ready to go, but apparently they were interrupted. But you won’t believe what happened next: Kingdom Comics owner Andrew Magee says customers donated their own comics and DVDs to help rebuild his stock, and a number of local artists have donated art to be auctioned off to help the store. [The Courier]
Creators | Bryan Lee O’Malley discusses his new graphic novel Seconds, and how it reflects where he is in his life. [BoingBoing]
Digital comics | Bruce Lidl looks at the digital-comics landscape following Amazon’s purchase of comiXology a few months ago. ComiXology’s announcement that it would allow DRM-free purchases of some comics may lead to a fissure in the market, he says: “In fact, we may be beginning to see a kind of bifurcation in the digital comics market, between companies tied to large global media conglomerates, that maintain a fervent faith in the need for some kind of DRM control for their multi-billion dollar intellectual properties, and the smaller publishers more concerned with creator autonomy and exposure.” He also talks to some digital-first creators about how they approach the market. [Publishers Weekly]
Events | The driver who plowed through the crowd last month at the annual SDCC ZombieWalk: San Diego, injuring a 64-year-old passersby, has given an interview providing his version of the event, saying he had turned off the engine to wait for the parade to pass when participants began surrounding his car. The situation quickly escalated, he says, when a spectator sat on the hood and hit the windshield, shattering it, and another person opened the back door. “I got scared. That’s when I plowed my car through the crowd,” says the unidentified 48-year-old. “I had to do this to save my family because of the crowd. I couldn’t tell if the parade was done.” He adds, “I felt awful about it. I just couldn’t believe that I actually hit the old lady.” [iDeafNews, Times of San Diego]
Publishing | Seconds, by Scott Pilgrim creator Bryan Lee O’Malley, had an impressive debut, landing at No. 2 and No. 5 on the BookScan chart of graphic novels sold in the book channel in July. The book had a standard edition and a Barnes & Nobles exclusive. ICv2 reckons if there had been a single edition, Seconds would have topped the list; instead, the No. 1 spot went to the latest volume of Naruto. It was also a good month for DC Comics, which charted seven titles, six of which involve Batman.[ICv2]
Publishing | In an overview of the comics and graphic novel market, ICv2 reports direct market retailers are optimistic despite flat sales in the first half of the year. [ICv2]
Some fans waited in line for more than 24 hours to buy tickets to New York Comic Con when they went on sale Thursday morning exclusively at Midtown Comics’ Downtown location in New York City. One hopeful described the scene to NY1 as “a very nerdy Black Friday.”
Passes sold out online June 27 in record time, to the frustration of many would-be attendees, but convention producer ReedPOP released a limited number of tickets to select retailers, beginning Thursday with Midtown Comics. About 5,000 were sold at the store, organizers said.
Legal | Japanese publisher Square Enix is voluntarily recalling all volumes Hi Score Girl and has suspended its digital distribution and sales following allegations the manga contains more than 100 unauthorized uses of characters owned by the game company SNK Playmore. However, the series will still continue to run in the monthly Big Gangan magazine, and a Square Enix spokesperson said the publisher isn’t admitting to the allegations. The publisher sent mixed signals on whether the anime adaptation in development will continue as planned. The manga also contains characters from games produced by CAPCOM, Sega and Bandai Namco, all of whom confirmed to IT Media that they had granted permission. [Anime News Network]
Passings | Manga artist Hiroshi Obi, whose best known work is the Shonen Jump series Ganbare Goemon, died Sunday at age 54. His most recent project was a Yatterman remake, Yatterman Dengeki Daisakusen!, and he also taught in the manga department of Tokyo Kogakuin College of Technology. [Anime News Network]
Publishing | Filip Sablik of BOOM! Studios talks about marketing Lumberjanes on Tumblr, and how Beware the Valkyries, a group of women who work in comic stores, helped promote the comic with a special “Lumber Day.” [ICv2]
Creators | Mike Donachie profiles Canadian creator Diana Tamblyn, who’s nominated for a Shuster Award for her graphic novel From the Earth To Babylon: Gerald Bull and the Supergun. [Metro]
After announcing over the weekend that Mile High Comics may not return to Comic-Con International because of the “detrimental effects” of publisher exclusives, CEO Chuck Rozanski has had a change of heart.
“… I want you to know that I ultimately did heed the outpouring of requests that I received from fans and professionals at the show, and renewed our booth for next year,” he writes in his latest newsletter. “In all honesty, however, I have to admit that my decision to renew at SDCC for one more year was driven more by an emotional response to all the kind words of support that we received, rather than any kind of good business sense. Simply put, I do not have any faith or belief that the circumstances that devastated our sales at this year’s convention will be in any way mitigated at next year’s show. Our comics publishers will all express sympathy with the plight of participating retailers at conventions, but will then continue engaging in behaviors that solely benefit them. Such is life.”
Legal | Attorney Tom Goldstein, co-founder of the respected SCOTUSblog, has joined with Marc Toberoff to represent the heirs of Jack Kirby in their appeal to the U.S. Supreme Court of the Second Circuit’s affirmation that the artist’s contributions to Marvel between 1958 and 1963 were work for hire and therefore not subject to copyright termination. In a response filed this week to Marvel’s brief urging the high court to decline review, Goldstein and Toberoff again challenge the Second Circuit’s “instance and expense” test and its definition of “employer,” and argue, “Many of our most celebrated literary and musical works were created before 1978 and signed away to publishers in un-remunerative transactions. Termination rights were ‘needed because of the unequal bargaining position of authors.’ It would be hard to find a better example of this than the prolific Jack Kirby, who worked in his basement with no contract, no financial security and no employment benefits, but without whom Marvel might not even be in business today.” [Hollyqood, Esq.]
Retailing | Memo to politicians: You don’t win friends and influence people by taking up five spots in a comic store’s parking lot with your campaign bus on a Wednesday — especially when it’s Batman Day. [The Clarion-Ledger]
Piracy | The Japanese government is joining with 15 anime production companies and manga publishers to launch a major initiative that will target foreign pirate sites. The push will start Aug. 1 and will have two components: The government will send takedown requests to 580 pirate sites and also launch a website that directs people to legitimate sources of online manga. The Japanese Cultural Affairs Agency estimates that Chinese pirate sites cost the industry 560 billion yen (about $5.5 million) last year. [Crunchyroll]
Comics | Lidia Jean Kott talks with writer Jason Aaron about his female Thor and pays a visit to Fantom Comics in Washington, D.C., where a quarter of the customers are women and the bestselling title is Saga (the bestselling superhero comic is Ms. Marvel). [NPR]
Pointing to “seismic changes” in the number of convention-exclusive variants offered by publishers and toymakers, Mile High Comics President Chuck Rozanski has announced that after more than four decades, this may be his last year at Comic-Con International.
While he acknowledges in an installment of his Mile High newsletter that “the detrimental effects of exclusives at San Diego is not a new phenomena,” he asserts “the breadth and the scale” of those products have changed.
“No longer are exclusives limited to just a few booths, or only to Wednesday evening,” Rozanski writes. “We are now seeing all of the major comics publishers, and every single toy and game company, creating limited edition products that they deny us. This aversion to helping comics retailers has become so agregious [sic] and pernicious that I heard from my fellow dealers that some publisher and manufacturer booths were refusing to even allow anyone wearing a dealer’s badge to stand in line. That is beyond ridiculous.”
Conventions | Clem Bastow notes a disconnect at Oz Comic-Con in Melbourne, Australia, where women were a slight majority in the audience but were severely underrepresented as guests; DC artist Nicola Scott was the only woman in the comics contingent. Organizer Rand Ratinac said it was purely a matter of availability: “We offered for literally dozens if not hundreds of different guests, we always do, because you’re dealing with people whose schedules they sometimes can’t lock in until a month before the event. This time, of the people that we wanted, there were just a lot of guys that were available. Next year, it could be a whole bunch of girls; it all just depends who can come.” But Scott points out that there are simply fewer women in superhero comics than in the other sectors of the industry and superhero creators are what brings the audience in the door. [The Guardian]