Vaughan & Chiang's "Paper Girls" Builds a Familiar Yet Disconcerting World
Political cartoons | While speaking to a youth leadership group, Maine Gov. Paul LePage was asked by Nick Danby, the son of Bangor Daily News cartoonist George Danby, what he thought of his father’s work. LePage’s response: “I’d like to shoot him.” The audience laughed, but the joke triggered a storm of criticism in the media, coming as it does in the wake of the Charlie Hebdo shootings. The elder Danby certainly didn’t find it funny, saying that while he is critical of the governor, it’s well within the boundaries of satire. And, he added, “My other thought was, what if this was reversed? If I had made a comment. I’d be in big trouble today.” [The Huffington Post]
Publishing | This may seem a little inside-baseball, but it’s actually pretty significant: Dark Horse will switch from Diamond Book Distributors to Random House for book-market distribution, effective June 1, 2014. The publisher is sticking with Diamond for comics, but a lot of its line has appeal outside the direct market — the Avatar graphic novels, the Zelda guide — and Dark Horse wants to expand its presence in bookstores. This also makes for an interesting consolidation of manga distribution, as Random House also distributes Kodansha Comics (with which it has a strong business relationship) and Vertical books. [ICv2]
Comics | Superheroes may rule on television and in film, but comics continue to be a niche medium. The Associated Press reporter Melissa Rayworth talks to a comic-shop owner whose customers skulk in on the down low, an opera singer whose friends are surprised she reads comics, and Comics Alliance writer Chris Sims, who does a good job of putting things in perspective. [ABC]
Richard Thompson ended the five-year syndicated run of Cul de Sac on Sunday with a funny and touching salute to “the dying art form” of the comic strip. The cartoonist revealed last month that his struggle with Parkinson’s disease had just become too much for him to meet deadline demands.
”At first it didn’t affect my drawing, but that’s gradually changed” Thompson said in a statement at the time. “Last winter, I got an excellent cartoonist, Stacy Curtis, to ink my roughs, which was a great help. But now I’ve gotten too unreliable to produce a daily strip.”
This morning many client newspapers announced comics-page replacements for Cul de Sac, with Lincoln Peirce’s Big Nate and Hilary Price’s Rhymes With Orange emerging as apparent favorites (although the Las Vegas Review-Journal opted instead to bring back Bruce Tinsley’s Mallard Fillmore). Tom Spurgeon notes that Thompson’s syndicate is re-running Cul de Sac online from the beginning.