UPDATE: "The Flash" Hasn't Cast Savitar, Says Berlanti
TV, Comic Books
For those that aren’t in the know, it was announced last week that Richard Thompson (the cartoonist, not the Fairport Convention guitarist) is bringing to a close his daily comic strip Cul de Sac due to the demands of his ongoing struggle with Parkinson’s disease. It’s rotten news, both in the sense that a talented artist is being denied the opportunity to make a living doing what he loves and, from a more selfish perspective, the sense that readers like myself will be denied the opportunity to enjoy what I regard as the best comic strip going, no arguments.
In honor of Mr. Thompson (who, by the way, I’ve had the great pleasure of interviewing and is a warm, funny and lovely man) I thought, rather than try to sift through and pick my favorite individual strips (a madman’s game if ever there was one) I’d list some of my favorite characters instead. Hopefully my meager descriptions will be enough to spur those of you unfamiliar with the strip to check it out, either online, in a book or — dare I imagine it — an actual newspaper.
1. Mr. Danders. Mr. Danders is the guinea pig that resides at Blisshaven Preschool, which young Alice Otterloop (ostensibly the strip’s main character due to her sheer force of will) attends. He’s easily the most erudite and sophisticated creature in the strip — not that it does him any good, being stuck in a cage all day and all. He’s a bit given to overstating his own importance and stretching the truth from time to time (the hermit crab next door dubs him a “resume-padder”). Still, he serves an important role at Blisshaven, “gweeping” encouragement to the students whenever possible. Not that they notice.
Creators | Cartoonist Stacy Curtis talks about inking Cul de Sac for creator Richard Thompson, who announced last week he’s ending the celebrated comic strip because Parkinson’s disease has left him unable to maintain the schedule: “I never felt inking Cul de Sac for Richard worked. It was like going into a theater to see Jerry Seinfeld do stand-up and watching Steve Martin deliver his lines. And that’s what it felt like. Every time I sat down at my drawing table to ink Cul de Sac, I could hear a narrator’s voice say, ‘For tonight’s performance, the part of Richard Thompson will be played by his understudy, Stacy Curtis.'” The final strip will appear Sept. 23. [Stacy Curtis]
Graphic novels | Andrews McMeel Publishing, which has focused on comic strips and comic strip compilations up to now, has announced its first original graphic novel series: The Chronicles of Desmond, by Mark Tatulli, creator of Lio and Heart of the City. The books will be published in October 2013 under Andrews McMeel’s new AMP! imprint and will be aimed at middle-grade readers. [Publishers Weekly]
Hello and welcome to another edition of What Are You Reading? Our guest today is Caleb Goellner, pug lover and senior editor of ComicsAlliance.
To see what Caleb and the Robot 6 crew have been reading, click below.
Cartoonist Richard Thompson, who was diagnosed with Parkinson’s disease in 2009, will end his acclaimed comic strip Cul de Sac next month, The Washington Post reports. The announcement was made this morning by his syndicate Universal Uclick.
“The last year has been a struggle for Richard,” the syndicate said in a letter to client newspapers. “Parkinson’s disease, first diagnosed in 2009, has so weakened him that he is unable to meet the demands of a comic strip. For a time, he worked with another artist, but the deadlines became too much of a task.” The final comic strip will appear Sept. 23.
Thompson, who received the 2011 Reuben Award for Outstanding Cartoonist of the Year, explained in a statement that, ”At first it didn’t affect my drawing, but that’s gradually changed. Last winter, I got an excellent cartoonist, Stacy Curtis, to ink my roughs, which was a great help. But now I’ve gotten too unreliable to produce a daily strip.”
Launched in 2007, Cul de Sac focuses on 4-year-old Alice Otterloop and her suburban life with her friends, family, family, and classmates at Blisshaven Academy pre-school. It’s syndicated in more than 150 newspapers.
Legal | Human Rights Watch reports on the lawsuit filed by Malaysian cartoonist Zunar after he was arrested and his books seized by authorities. The court ruled that while the arrest, on grounds of sedition and publishing without a license, was lawful, the government’s continued possession of his materials was not. Zunar was never formally charged — a judge threw the arrest out after authorities could not point to any actual seditious material in his book, Cartoon-O-Rama — and therefore, the court ruled, the government had no right to continue to hold the books and must return them and pay him damages to boot. [Human Rights Watch, via The Daily Cartoonist]
Legal | Rich Johnston reports that copies of Howard Chaykin’s super-erotic Black Kiss 2 have been held at the border by U.K. customs. Diamond Comic Distributors is in talks with customs officials and hopes to get the books into the country next week. [Bleeding Cool]
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15, Casanova: Avaritia #4 would be the first thing I’d pick up. I’ve been enjoying Matt Fraction and Gabriel Ba’s return to their dimension-hopping super-spy immensely and am looking forward to seeing how it all wraps up.
If I had $30, I’d make the difficult choice between two top-notch offerings from Fantagraphics this week. One: New York Mon Amour, a collection of Manhattan-themed stories by the one and only Jacques Tardi, including the Kalfkaesque “Cockroach Killer.” The other would be the third volume in the ongoing Mickey Mouse collection, High Noon at Inferno Gulch. I’m an unabashed Floyd Gottfredson fan, so the Mickey book would probably win out. But I’d be sure to save my coins for next week so I can get the Tardi book then.
Assuming I don’t blow all my splurge dough on the Tardi book, there’s a number of solid options here: Out of the Shadows, a collection of Mort Meskin’s early non-DC work; Bill the Boy Wonder, a new prose biography of Batman co-creator Bill Finger; and a Challengers of the Unknown Omnibus featuring Jack Kirby’s run. If I were in a charitable mood, however, I’d likely snap up Team Cul de Sac, the anthology/art book/tribute to Richard Thompson’s delightful comic strip featuring contributions from folks like Lynn Johnston, Mort Walker, Gary Trudeau and even Bill Watterson! Proceeds from the book go to help fight Parkinson’s disease, which Thompson unfortunately suffers from. It’s hard for me to think of a more worthy – or potentially enjoyable – book to spend your money on this week.
According to The Washington Post, the oil painting of Cul de Sac character Petey Otterloop fetched the highest bid of the more than 100 works donated for Team Cul de Sac, created to honor cartoonist Richard Thompson following his recent Parkinson’s disease diagnosis. All of the proceeds from the auction benefit the Michael J. Fox Foundation to support Parkinson’s research.
Nearly $50,000 was raised by the online sale, which included original art by the likes of Sergio Aragones, Danielle Corsetto, Evan Dorkin, Cathy Guiswite, Lynn Johnston, Karl Kesel, Roger Langridge, Patrick McDonnell, Stephan Pastis, Lincoln Peirce, Don Rosa, R. Sikoryak and Mort Walker. The artwork is also collected in the book Team Cul de Sac: Cartoonists Draw the Line at Parkinson’s, which arrived in stores Tuesday. A portion of the proceeds from book sales also benefit the Michael J. Fox Foundation.
Watterson explained his approach to Thompson’s character last year to the Post: “I thought it might be funny to paint Petey ‘seriously,’ as if this were the actual boy Richard hired as a model for his character. At first I intended to do the picture in a dark, Rembrandt-like way to accentuate the ‘high art’ of painting vs the ‘low art’ of comics — the joke being that the comic strip is intelligent and the painting is idiotic — but the picture went through quite a few permutations as it developed.”
With the Team Cul de Sac benefit art book set for release on June 5, Heritage has begun auctioning off original art from the project to, like the book, raise funds for the Michael J. Fox Foundation. Like Fox, Cul de Sac creator Richard Thompson was diagnosed with Parkinson’s Disease.
Up for auction are pieces by Karl Kesel (above), Sergio Aragones, Bill Watterson, Gary Trudeau, Pat Oliphant, Evan Dorkin, Bill Amend, Roger Langridge, David Malki, Mort Walker and many more. The auctions started on Monday and will run for two weeks.
Auctions | Kevin Eastman and Peter Laird’s very first Teenage Mutant Ninja Turtles drawing, the sketch initially thrown together in November 1983 as a joke but ended up launching a multimedia phenomenon, is being sold by Heritage Auctions. The high bid, as of this morning, is $4,250. The auction ends May 3. [Heritage Auctions]
Digital comics | Viz Media has formed a new division, Viz Labs, to focus on the digital side of the business, and they have put Gagan Singh, who helped develop the digital platform for Viz manga and anime, in charge of it. What does this mean? It’s anyone’s guess, but one possibility is that Viz, which has one of the best digital comics platforms out there, might be thinking about offering its digital service as a separate product, perhaps as a platform for other publishers. [Viz Media]
Digital comics | Digital comics distributor iVerse will launch a digital comics lending service for libraries later this year. [Publishers Weekly]
Auctions | Bids for the $412 check from Detective Comics to Jerry Siegel and Joe Shuster that includes a $130 line item for the rights to Superman have already surpassed $31,000 in less than three days at auction on ComicConnect.com. The auction ends April 16. [ABC News, The New York Times]
Creators | Akira creator Katsuhiro Otomo is working on a new series that will run in a Japanese shonen (boys’) magazine. [Anime News Network]
Comic strips | Richard Thompson is back on the job at Cul de Sac, with some help from Stacy Curtis, who will be inking the strip. [Cul de Sac]
Richard Thompson is taking a couple of weeks off from his daily strip Cul de Sac to do some physical therapy for Parkinson’s disease, and he has not one but six guest artists filling in while he’s way. Mo Willems (Don’t Let the Pigeon Drive the Bus!) Stephan Pastis (Pearls Before Swine), Lincoln Peirce (Big Nate), Michael Jantze (The Norm), Corey Pandolph (The Elderberries) and Ken Fisher (Tom the Dancing Bug) will all be taking their turns on the daily and Sunday strips over the next five weeks. What’s that going to be like?
“I let them have free rein to re-create ‘Cul de Sac’ as they saw fit,” Thompson tells ‘Riffs, “hoping only that no one introduced anything too bizarre, like an angry talking Rat, or a Pigeon with some kind of bus-mania.”
Yeah, right. Good luck with that. Willems, Pastis, Peirce, Jantze, and Fisher were all contributors to the Team Cul de Sac art book, which is being sold to raise funds for the Michael J. Fox Foundation for Parkinson’s Research. The invasion of guest cartoonists begins on Feb. 20.
There have been a few glaring omissions in the newspaper comics world over the past few days.
The more serious one is the loss of Cul de Sac, one of freshest, funniest comics around, which will go on hiatus for three or four weeks while creator Richard Thompson goes through a course of physical therapy for his Parkinson’s Disease. In his usual gracious way, Thompson finds something funny in all this:
I’ve only been in for an evaluation, but the therapy largely consists of big, exaggerated movements and sweeping silly walks that will so embarrass your body that it’ll start behaving itself, I hope. Also I’ll learn ten ways to defeat a mugger by falling on him.
The gap may not be noticeable to those who don’t look to closely, as Thompson will rerun some older Cul de Sac strips during the hiatus.
Hello and welcome to What Are You Reading? Today our special guest is Kelson Vibber, Flash fan and proprietor of the Speed Force blog. To see what Kelson and the Robot 6 crew have been reading, click below.
Rather than try to write a summary of my HeroesCon 2011 experience, I have opted this year to share as many photos as possible. My camera was out-of-commission yesterday so all photos were taken during the second day of the show (Saturday).
It’s not exactly pirates vs. ninjas, but there has been, shall we say, some ill feeling between webcomics creators and the National Cartoonists Society over the years. But there comes a time to put away childish things, including feuds, and this year the NCS actually invited three webcomics creators—Kate Beaton, Randall Munroe, and Dave Kellett—to present a panel at their annual meeting, which was held this past weekend in Boston. Naturally, Kellett worked this event, along with some of the high points of the evening, into his daily webcomic, Sheldon.
The big news of the evening was that Richard Thompson won the award for outstanding cartoonist of the year, an honor that anyone who reads Cul de Sac can tell you was well deserved. The award for best newspaper strip went to Jeff Parker and Steve Kelley’s Dustin, Jill Thompson won the Best Comic Book Award for Beast of Burden, and Joyce Farmer took Best Graphic Novel honors for Special Exits.