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Comic Books, Film
Legendary artist George Perez brings together Marvel’s Merc With a Mouth and DC’s own mercenary/assassin for a commission sketch that literally merges Deadpool with Deathstroke. Seriously, they split the body right down the middle.
“With the Deadpool movie coming out and with its connection to the Deathstroke character, this seemed like a nice piece to put up,” wrote Perez, who created Deathstroke with Marv Wolfman. “Truthfully, I wasn’t particularly aware of the connection between these two characters until the person who commissioned this piece pointed it out to me. I hope you all enjoy this unusual merging.”
Rob Liefeld, whose The Covenant debuts in June, has unveiled art from another Bible-inspired adventure, Eve and the Garden of Eden.
“Even the most conservative estimates put Adam and Eve in the Garden at least 100 years,” he writes. “We don’t really believe they were laying around staring longingly at each other the entire time right? The Accuser had fallen from the Heavens and was plotting his destruction and poisoning of Paradise from the beginning.”
Rob Liefeld, who co-created such comic book staples as Deadpool, Cable and Domino, posted a new sketch of Ryan Reynolds as Wade Wilson today on his Facebook page.
Reynolds, a longtime Deadpool fan, played Wade Wilson in X-Men Origins: Wolverine and is set to star in Fox’s upcoming Deadpool film. Liefeld’s sketch looks as though it was modeled on the X-Men Origins: Wolverine version of the character.
Image Comics co-founder Rob Liefeld already keeps his fans up to date through his website and active Twitter, Facebook and Instagram accounts. But now the artist has gone a step further, launching an iOS app.
Introduced Thursday on the iTunes store, the free Liefeld App allows fans to browse and share some of his art from the past two decades, add his convention appearances to their calendars, access his biography, watch videos, see the latest comic book releases, and even ask him questions.
I can’t think of a better way to close out the day than with an adaptation of the Spike Lee-directed 1990 Levi’s commercial featuring a young Rob Liefeld, as drawn by Ed Piskor … channeling Rob Liefeld.
It’s an excerpt from Hip Hop Family Tree Vols. 1-2: 1975-1983 Box Set, which collects the first two volumes of Piskor’s bestselling chronicle of the history of hip hop, originally serialized on BoingBoing. It’s due in November from Fantagraphics, which describes it as “the ’90s-est.” You don’t get much more ’90s than that Levi’s commercial.
Check out the full strip at BoingBoing, and watch the original TV ad below.
Welcome to Best of 7, where we talk about “The best in comics from the last seven days” — which could be anything from an exciting piece of news to something great fans are doing to an awesome comic that came out. So let’s get to it…
While looking for some art earlier I can across something cool — artist Tom Scioli, who is hard at work on IDW’s Transformers vs. G.I. Joe comic, posted some alternate covers for the project from Rob Liefeld (Youngblood) and Ed Piskor (Hip Hop Family Tree) on his Tumblr.
“I can’t believe they’re letting us do this,” John Barber, who is writing the project, said yesterday at WonderCon. “It’s coming from a real pure place. The storytelling is crazy innovative, pure sci-fi, army cosmic clash between Earth and alien invaders. The Free Comic Book Day story on May 3, the Joes are engaging in a final showdown with Cobra and that’s right when Starscream shows up pursuing Bumblebee, that’s when things get out of hand. It’s so much fun. I’ve been a fan of Joes and Transformers since I was able to read.”
Check them out below. The comic kicks off this summer.
Sequart has premiered a clip from its upcoming documentary The Image Revolution in which Image Comics founders Rob Liefeld and Todd McFarlane recount the fateful meeting they and Jim Lee had 22 years ago this month with then-Marvel Comics Publisher Terry Stewart. It’s an oft-repeated tale — it’s part of Image’s origin story, after all — that benefits from Liefeld’s animated storytelling and impressions.
Funded in part through Kickstarter, the documentary from director Patrick Meaney, Sequart and Respect! Films traces the 20-year history of Image, “from its founders’ work at Marvel, through Image’s early days, the ups and downs of the ’90s, and the publisher’s new generation of properties like The Walking Dead.”
You can preorder The Image Revolution for $4.99 digital download at Sequart.
Sean Howe, author of Marvel Comics: The Untold Story, looks back to 1987 for a rare ad promoting what was supposed to be the first appearance of Youngblood, by a 19-year-old Rob Liefeld and Hank Kanalz. However, as Megaton Comics Publisher Carlson related on his blog, Megaton Special #1 Starring Youngblood received only about 1,200 orders — “the independent comic market was glutted back then,” he writes — and the issue was never printed.
Sad story, sure, but I hear Liefeld did pretty well for himself, and a slightly different version of Youngblood finally saw the light of day about five years later, as the first title published by Image Comics. Kanalz turned out OK, too, serving as the longtime general manager of WildStorm and, now, senior vice president of Vertigo and integrated publishing for DC Comics.
In a related posted, Howe also has a 1991 ad for Liefeld’s The Executioners — ““rebel mutants from the future come to destroy their past”” — accompanied by an excerpt from Marvel Comics: The Untold Story detailing how the House of Ideas threatened to sue … for pretty obvious reasons.
“Image United is the best worst idea that ever existed. … We overdid it. Image United should be respected for the experiment that it is, but loathed for the failure that it’s been so far.”
— Rob Liefeld, during a weekend panel at Amazing Las Vegas Comic-Con, discussing Image United, the long-delayed six-issue crossover by the Image Comics founders and Robert Kirkman that hasn’t released an issue since August 2010’s No. 3. At the convention, Liefeld said issue 4 and 5, originally solicited for April and May 2010, will be released in 2014. “We should’ve done the whole thing first, but we got kind of excited,” he said. “And I apologize.”
Manga | Shueisha’s Weekly Shonen Jump has announced that One Piece will go on hiatus for the magazine’s next two issues because creator Eiichiro Oda has been hospitalized for a peritonsillar abscess, a complication of tonsillitis. The popular series is expected to return June 10. One Piece, which has been serialized in Weekly Shonen Jump since 1997, has sold more than 280 million volumes in Japan alone. [Anime News Network]
Creators | Art Spiegelman and Francoise Mouly share their thoughts (and sometimes disagree) on their own world, the comics world in general, and digital media. [National Post]
Borrowing a page from Top Cow’s 2012 resurrection of Cyber Force, Rob Liefeld has turned to Kickstarter to help relaunch his 1990s Image Comics series Brigade. His goal is to raise $17,500 in order to offer the first issue for free; in less than 24 hours, he’s already generated $6,775 in pledges.
Debuting in 1992, Brigade was a spinoff of the bestselling Youngblood, featuring a rogue mercenary team led by Battlestone. Following the initial miniseries, it continued as an ongoing for 24 issues, ending in 1995. The property was last resurrected in 2010 as “a complete re-imagining of the original smash series” by the original team of Liefeld and Marat Mychaels, but only one issue was released.
Some people wear their influences on their sleeve, while others absorb it into their own style and, from time to time, shout it from the rooftops.
Jim Rugg is doing the latter in a stunning pin-up he created for the recent Extreme Comics fanzine Rub The Blood. Extreme is the brainchild of Rob Liefeld, whose divisive style earned him legions of fans, including it seems Rugg.
Rugg’s choices for which characters to display from Liefeld’s ouvre runs the gamut from his Marvel co-creation Cable to his creator-owned work like Youngblood‘s Chapel (done in a style reminiscent of Jae Lee’s take on the character) and solo stars Prophet, Bloodstrike: Assassin and Bloodwulf.
Digital comics | So, your $3.99 comic comes bundled with a download code for a free digital copy, but you’re strictly a paper person. What to do? Todd Allen has a fascinating article about the secondary market in unused download codes, not just the fact that they are being sold fairly openly but also what that market tells us about the true value of comics: “Outside of eBay it’s relatively easy to use Google to find somewhere to swap or purchase Ultraviolet codes. The Home Theater Forum’s classified ad section has codes sprinkled in, with a low $2-$3 looking like a common price. Codes are also easy to find on Reddit, including a dedicated subreddit, though codes on Reddit are swapped or given away, not sold.” [The Next Web]
Conventions| Small Press Expo announced its first round of guests for the Sept.14-15 convention: Seth, Gary Panter, Lisa Hanawalt, Gene Yang and Frank Santoro. [SPX]
Rob Liefeld made waves in 2011 when he resurrected his Extreme Studios properties by handing over the characters to the likes of Brandon Graham, Simon Roy, Joe Keatinge and Ross Campbell. And now he’s looking to give somebody else a shot.
To that end, he has launched an Extreme Talent Contest in which young writers are given a chance to have their short story published in an issue of Youngblood and Bloodstrike, drawn by none other than Liefeld himself.
He explains that he’s looking for pitches for a five- to six-page short story featuring Extreme Studios characters. Three winners will be selected, one every few weeks beginning March 6; those writers chosen will have to complete a work-for-hire agreement to move on to the next stage. More details, including a link to a submission agreement, can be found on Liefeld’s blog.
“I have the absolute highest regard for creators and for the ownership of original properties, and this agreement should in no way be misconstrued as license for us to appropriate your creations,” he writes. “This agreement protects Rob Liefeld from any liabilities involving coincidental similarities to works-‐in-‐progress or other submissions. Any submissions received without a signed agreement will be discarded without review.”