New comics come out every week, by the dozens. Add that up by the month or the year, and it’s virtually impossible to keep track. Certain runs on some titles rise to the top by a mixture of critical acclaim, proper marketing and the right timing, but if all of those factors aren’t perfectly aligned, good comics fall by the wayside.
In this edition of ROBOT 6’s “Six by 6,” we look at six noteworthy creative runs on superhero comics worth a second look, even if that means a trip to the back-issue bin.
Writer Robert Morales, who collaborated with Kyler Baker on the 2003 Marvel miniseries Truth: Red, White & Black, passed away this morning in his Brooklyn home. He was 54.
“We spoke on the phone for many years, at least once a week and often more. I am shattered,” author Samuel Delany wrote in a Facebook post announcing Morales’ death. “His many friends will miss him deeply. He had agreed to be my literary executor, and the idea that he would pre-descease me never entered my head. For me and many others he was an indispensable friend. To say he will be deeply missed is an incredible understatement.”
A longtime entertainment journalist and former arts editor at Vibe, Morales had worked with Baker on satirical cartoons for the magazine before the two reunited for Truth, published during a period when Marvel was taking creative risks with such comics as Grant Morrison’s New X-Men, Peter Milligan and Mike Allred’s X-Statix, and Ron Zimmerman and John Severin’s Rawhide Kid, and its short-lived Tsunami imprint.
Controversial almost from the moment it was announced, Truth uses the Tuskegee Experiments as inspiration to re-examine the history of the Super-Soldier serum, depicting a regiment of black soldiers who undergo medical experiments during World War II in an attempt to recreate the lost formula that produced Captain America.