Legal | The New York Times ventures deep into the legal battle between Archie Comics Co-CEOs Nancy Silberkleit and Jonathan Goldwater, noting the two sides have gone into court-approved mediation. “Competing lawsuits filed in State Supreme Court in Manhattan and State Supreme Court in Westchester County lay out a litany of bitter allegations. He punctured her car tires, destroyed her Web site and claimed that she sexually harassed employees. She ordered him to fire several longtime employees because they were too old, too fat or too buxom, and let her dog, Willow, roam the offices and defecate in the art department.” [The New York Times]
Conventions | Although no figures have been released for last weekend’s Chicago Comic & Entertainment Expo, organizer Lance Fensterman said attendance was “way up,” noting that, “the size of the show floor doubled and the aisles were much more full than last year. That tells you how much attendance jumped to keep pace with the floor growth.” [Publishers Weekly]
[Note: this post was assembled by both Tim O'Shea and JK Parkin]
This is our final post for our big birthday bash, and what a post it is. No matter how much stuff we line up, people we interview, etc., there are still tons of folks we like to hear from and include in our giant New Year’s/anniversary/birthday activities. So, as we have in past years, we have asked various comics folks what they are excited about for 2012 in comics–something they aren’t working on and something they are.
There’s a lot of great stuff here–hints at new projects and even some downright announcements. Our thanks to everyone this year who responded!
I’m most anticipating the 30th Anniversary of HEROES CON (June 22-24, Charlotte, NC) . For any convention 30 years is an amazing run, but the fact that Shelton Drum and his extended family have put this show together every year with nothing but blood, sweat and tears is flat out super heroic.
On the personal front, the challenging and exhilarating ride that’s been Loose Ends will come to a close with issue 4. It’ll be bittersweet to send our child off to into the real world but I can’t wait for you guys to see the work Brunner & Renzi are doing.
I’m also super excited to dip my own toes into the Mignola-verse with the BPRD: The Pickens County Horror [March 28, 2012] and to read the end of Jason Aaron & RM Guera’s Scalped, which is my favorite series in years.
This sounds politic, but it’s genuine: what excites me about comics in 2012 is what’s exciting every year, the work of the talent. Seeing what the best are up to and how the up-n-comers have grown as artists and writers. In the new year, I’m also excited about illustrating several books and covers that feature my favorite Avengers.
Trimming the tree, hanging the stockings, lighting the menorah, setting up the Nativity scene, watching National Lampoon’s Christmas Vacation and Scrooged back to back: The holidays are all about tradition. And two of the best comics websites around have holiday traditions of their own.
First up is Inkstuds, the comics interview podcast and radio broadcast hosted by Robin McConnell, and its annual Best of 2011 Critics Roundtable. This year McConnnell is joined by The Comics Journal‘s Tim Hodler, Joe McCulloch (aka Jog the Blog), and Robot 6′s own Matt Seneca for a truly enjoyable and insightful discussion of such titles as Big Questions, Prison Pit, Thickness, Paying For It, and Kramers Ergot 8, among many others. Radio turns out to be a terrific format for each participant, so much so that I was compulsively using every spare moment to finish the podcast — I even opened up my laptop in the passenger seat of my car and played it on the way to the drugstore. Give it a listen.
Meanwhile, Tom Spurgeon of The Comics Reporter has kicked off his much beloved by me Holiday Interview series. His inaugural interview with Art Spiegelman tackles his new book-cum-documentary MetaMaus, his stint as the Grand Prix winner of France’s massive Angoulême comic con, and his take on the legacy of the underground comix movement, while the series’ second interview examines the future of the small-press publisher Sparkplug after the death of its founder Dylan Williams with the company’s new triumvirate of Emily Nilsson, Virginia Paine, and Tom Neely. Spiegelman and Sparkplug are both vital institutions in their own ways, having put their money where their mouths are with respect to the kinds of comics they’d like to see in the world, and Spurgeon makes for a great interlocutor as they articulate their respective visions. Go and read.
Remember that unpublished cover Geof Darrow drew for J. Michael Straczynski’s “Grounded” arc on Superman that we posted the other day? Remember Darrow saying to Inkstuds’ Robin McConnell that it never ran as a cover and that “it’ll never see the light of day” despite his “really nice guy” editor’s assurances to the contrary? Good news, Darrow fans: Both Darrow and DC confirm that the finished cover will appear in Superman: Grounded Vol. 2, on sale this Wednesday, Dec. 7. The crazy cat lady will get her time in the sun at last!
That was recently?
Oh yeah yeah. I liked it. I thought it was funny. It was this whole thing, Superman is on a walkabout, kind of rediscovering America. They asked a bunch of guys to do like—Kevin Nowlan was one of them and they said, you can draw whatever you want. Superman, that’s the thing. He’s rediscovering America. You just can’t show him in New York. So I thought about it. I thought, “Well, flying in front of Mount Rushmore, all this stuff…” I said, “I know!” I drew him having tea with this cat lady in this room, she’s like a little old lady and she’s serving him tea and cookies and he’s sitting on her couch having tea with her and there’s all these cats around and all these pictures of her family on the wall. I thought it was funny! That’s kind of America. They didn’t run it. The issue was supposed to run and they had to change it, it was Lois Lane-centric and they had pffft! I was like…and the editor was a really nice guy, he was very “We’re going to use it someday and blah blah blah.” But I don’t think they ever will, because I’m sure someone will say, “Wait a minute…”
[laughs] “Nothing’s getting hit!”
The other ones are pretty much what you’d thought they would be, him flying with clouds—and they’re all beautiful, I just thought mine was kind of funny. But it’ll never see the light of day.
—Hard Boiled and Shaolin Cowboy cartoonist Geof Darrow reveals his lost Superman cover to Inkstuds’ Robin McConnell. Looks like the Crazy Cat Lady is one villain not even the Man of Steel could defeat.
In all seriousness, though, this doesn’t even scratch the surface of McConnell’s career-spanning interview with Darrow, originally conducted and aired in February and recently transcribed in full on the Inkstuds website. Darrow has stealthily become one of the most influential comics artists in the English-language comics world — recent works by Chris Burnham, Brandon Graham, James Stokoe, Rafael Grampa, Nate Simpson, Ulises Farinas, and Sam Humphries & Steven Sanders all bear his imprint in one way or another — and McConnell’s interview is a treasure trove of anecdotes about Miller, Moebius, Métal Hurlant, The Matrix, and more.
It’s one of comics’ greatest mysteries, and Inkstuds interviewer extraordinaire Robin McConnell just solved it. And the answer involves…’90s indie-rock icons Sebadoh?
McConnell covers a lot of incredibly fascinating ground in his astonishingly candid and in-depth interview with cartoonist Al Columbia — do not say “tl;dl” to the two-hour podcast — but he also cuts right to the chase, asking the mercurial artist what, exactly, happened to the artwork he created for Watchmen demigod Alan Moore’s great lost comic Big Numbers #4. As you might recall from our post on Columbia’s one-time mentor Bill Sienkiewicz’s recent words on the subject, Big Numbers was intended to be Moore’s magnum opus.
The latest episode of Robin McConnell’s indispensable comics podcast Inkstuds is a fun one: It’s a critics’ roundtable on the best comics of 2010, featuring Chris Butcher, Bill Kartalopoulos, and Tucker Stone. It’s a rare treat to hear any of these guys talk at length about great comics: Tucker is the busy manager of Brooklyn’s Bergen Street Comics and divides most of his writing time these days between film, music, and kicking the crap out of the latest Wednesday shipment; old-school comics blogospherian Chris has mostly moved away from criticism in favor of running Toronto’s beloved Beguiling comics shop and organizing TCAF; and Bill’s thoughts on comics are generally reserved for the lucky few who take his classes at Parsons, sit in on the panels he organizes and moderates for SPX and BCGF, or visit the comic art exhibitions he curates. To hear the three of them bat around the likes of Joe Sacco’s Footnotes in Gaza, Brecht Evens’s The Wrong Place, Dash Shaw’s Bodyworld, Blaise Larmee’s Young Lions, the comics of Michael DeForge, Charles Burns’s X’ed Out, and Gilbert and Jaime Hernandez’s Love and Rockets: New Stories #3 is to hear three great comics minds pull apart what worked — and what didn’t — in some of the year’s most notable and forward-looking releases. Standout moments include Bill’s point on how improved color reproduction has given artists the freedom to do more with color than simply filling in the lines, Chris’s admission that he’s just never been in the right place to read Footnotes, and Tucker’s arguments for why both of Los Bros Hernandez handed in some of their best-ever work in the latest L&R.
Hello and welcome to another week of What Are You Reading?, where we talk about what comics and other stuff we’ve been reading lately. This week our special guest is Robin McConnell of Inkstuds fame, who will be guest blogging with us as well. Robin has a new book out that collects 30 of his interviews with folks like Jeff Lemire, Joe Sacco, Kate Beaton, Jaime Hernandez and many more; you can find more details on it over on his website.
To see what Robin and teh rest of the Robot 6 crew are reading, click below.