REVIEW: Violent, Profane "Deadpool" Shouldn't Work, But Really F---ing Does
DC Comics is attempting to prevent the singer/actress Rihanna from registering a trademark for “Robyn,” arguing that it’s too similar to the name of Batman’s sidekick.
As first reported by Pirated Thoughts and The Outhousers, Rihanna — born Robyn Rihanna Fenty — filed the trademark application in June 2014 as part of a larger effort to build a fashion and cosmetics empire (she also filed an application for her last name). “Robyn” is intended to be used for “providing on-line non-downloadable general feature magazines,” which apparently sent up a red flag for DC’s lawyers.
Gerry Conway has written more comics than I care to count, including career-defining runs on The Amazing Spider-Man and Justice League of America. During his tenure at DC Comics in the 1970s and ‘80s, he co-created Firestorm, Steel the Indestructible Man, Vixen and Vibe (among many others). He wrote the first relaunch of New Gods and helped craft the Robin-to-Nightwing transition. Recently, he’s been calling attention to the use of “derivative” comics characters in other media — for example, the Flash TV show’s Caitlin Snow, who shares a name, a scientific background, and a Firestorm connection with the most recent version of Killer Frost’s alter ego.
DC responded to Conway’s concerns with assurances of fair compensation, but the matter also goes to the heart of the publisher’s shared universe.
DC Collectibles has debuted its second wave of action figures based on the upcoming Batman: Arkham Knight video game.
Revealed by MTV News, the figures of Catwoman, Commissioner Gordon, Nightwing and Robin stand between 6.5 inches and 6.75 inches tall, and feature somewhere around 20 points of articulation, as well as character-specific accessories and (in most cases) interchangeable hands. They join Wave 1’s Batman, Scarecrow, Harley Quinn, Arkham Knight and the Gamestop-exclusive Red Hood, released in April.
Kotobukiya has unveiled Batman and Robin as the next statues in its DC Universe Super Powers ARTFX+ line, inspired by the popular 1980s action figures. They will join Superman, Green Lantern and The Flash.
Standing a little less than 8 inches tall, the 1/10th-scale statues are non-articulated, but otherwise recreates the look of those original figures, right down to the fabric cape and the articulation cuts.
On the heels of Harley Quinn, the first images have surfaced of Square Enix’s Batman: Arkham Knight Robin Play Arts Kai action figure.
Based on the upcoming video game from Rocksteady Studios and Warner Bros. Interactive Entertainment, the figure comes with removable hood, two pairs of interchangeable hands, bo staffs, bo staff shields and display stand.
On the teeny-tiny heels of those Guardians of the Galaxy figures, Funko and Vinyl Sugar have announced a Batman Dorbz series that manages to make even Killer Croc look cuddly.
Set for release in July, the series of 3-inch vinyl figures also boasts Batman, Robin, Batgirl, Harley Quinn and the Penguin, all sporting that irresistible smile. The Joker is curiously absent, but maybe he’ll pop up in a later wave.
Nine months after the debut of Grayson: Earth One, writer/director Hisonni Johnson is back with the second episode of the fan-produced web series, which reimagines the origin of Nightwing.
Titled “The Boy and the Bullet,” this chapter picks up moments after the previous episode, following young car thief Jason Todd who, “in another life,” becomes the second Robin. However, in this continuity, “Jason is left to navigate America’s most dangerous city in search for purpose, safety and a family to call his own. Unfortunately … he finds one.”
In April, DC Comics released solicitations for its July titles alongside an extra batch of advance listings for the September Futures End-related one-shots. This week, in a move that’s perhaps unintentionally similar, the publisher’s February solicits arrive amid advance info about the spring’s Convergence tie-ins.
The scheduling gap isn’t quite as great — only a couple of months here, as opposed to five months last time — and I can understand why DC would want to avoid a lot of negative fan speculation about Convergence. Still, it steals some thunder from the current batch of solicitations, which try to compensate with a raft of Harley Quinn variant covers (including, strangely enough, one for Harley Quinn itself). In addition to her own series and Suicide Squad, Harl also gets a Valentine’s Day Special, another hardcover collection, a statue, an action figure, and a guest-shot in Deathstroke. At this rate I’m expecting her to be Wonder Woman’s new Amazon queen.
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French photographer Sacha Goldberger, who previously made a splash with images of his 91-year-old grandmother as a superhero, exhibited his latest series “Super Flemish” over the weekend at the Grand Palais in Paris. As you might have guessed from the title and the above photo, the project features superheroes (and villains), Star Wars characters and other pop-culture figures — as if they were posing for Flemish paintings.
But these are indeed photographs, requiring models, costumers, hair and makeup artists and the like. And, as you can see from the gallery on Goldberger’s website, he even recruited his grandmother again. See more images, and photos from the exhibition, on Goldberger’s Facebook page.
Although the first issues of Who’s Who and Crisis \on Infinite Earths got a headstart in the closing months of 1984, January 1985 kicked off DC Comics’ 50th anniversary in earnest. No doubt real life — i.e., the DC offices’ upcoming westward move — is preventing the publisher from starting the 80th anniversary celebrations this January, and the solicitations certainly don’t have much in the way of commemoration.
(To be sure, the month’s variant-cover scheme involves the 75th anniversary of The Flash, which Robot 6 contributor J. Caleb Mozzocco has already covered extensively on his own blog.)
Therefore, while the real fireworks will probably have to wait another couple of months, the January solicitation tease the return of Robin, changes in the Super-status quo, and other various and sundry plot churning.
One thing that jumps out at me from these solicits has to do with numbering. Now, we all love numbering — big versus small, gimmicks versus straightforward integer progression — but the January books are soliciting the 38th issues of the remaining original New 52 titles. That puts the 50th issues of those series on track for January 2016; or, more likely, February 2016, if next September is another “take a break for a set of specials” month. If I were DC and wanted to relaunch my various titles, and I were a year away from a set of 50th issues, I’d probably wait a year.
Speaking of Mondo, boutique mainstay Tom Whalen is exhibiting this week at New York Comic Con, where he’ll have for sale a selection of prints Batman ’66, the Universal Monsters series, The Incredibles, Ghostbusters and A Charlie Brown Thanksgiving. As if collectors need any incentive for buying the posters, Whalen is offering daily specials, which includes — on Thursday — a free Gotham Public Library card set with a purchase of $100 or more.
While I like Whalen’s design of the card, I appreciate his attention to detail even more: For instance, “S. Kyle” first checked out The Secret Lives of Cats on April 7, 1940, roughly corresponding to her first appearance in Batman #1; American Robins is borrowed by a succession of people — on the appropriate dates — ranging from D. Grayson to C. Kelly, and so on. He even includes Dewey Decimal classifications.
There’s a lot to like in DC Comics’ December solicitations, most of it due to the return of some old friends and the uber-nostalgic glimpses at a traditional status quo. It’s not like the New 52’s changes are being rolled back — I have no illusions about that, and I’m not sure how it would work if it did happen — but DC is always best served when it can channel the familiar aspects of its past in vibrant new forms.
THERE YOU GO AGAIN
I am starting to think Secret Six is the comic Gail Simone was born to write, even more so than Birds of Prey. There’s always been a dark undercurrent running through her DC work, from BOP to Batgirl to The Movement, but only with the Sixers could she really cut loose. Indeed, as much as I enjoyed Scandal, Bane, Deadshot and the rest, I’m eager to see what she can do with six cryptically united strangers, most of whom will probably be new to us.
Those who believe the traditional, pre-New 52 DC Universe is still out there, somewhere in the Multiverse, can reasonably hang their collective hat on the return of the Keith Giffen/J.M. DeMatteis Blue Beetle and Booster Gold in Justice League 3000 #12. I’d go even further, and say this version of Beetle and Booster probably follows directly from the two “Super Buddies” arcs that Giffen, DeMatteis and Kevin Maguire produced in the mid-2000s. The second one, I Can’t Believe It’s Not the Justice League, ended rather pointedly with Beetle and Max Lord sharing a happy moment. That, of course, stood in stark contrast to the Countdown to Infinite Crisis special, in which Max shot Beetle in the head, and then (a few months later) successfully dared Wonder Woman to execute him. Therefore, the Beetle and Booster of JL3K hail from an Earth where things turned out quite differently — but ironically, they’ve been awakened in a dystopian future where the Justice Leaguers are darkly twisted versions of their old selves. Not that Giffen and DeMatteis can’t find some comedy there, but I’m having trouble summoning up a bwah-hah-hah.
Note: Due to my travel schedule, the Futures Index is taking a break this week. There will be a double dose next week to get us back on track.
Something I didn’t mention in last week’s post about The Multiversity #1 is the persistent notion that corporate-controlled characters have, for lack of a better phrase, “lives of their own.” In other words, we know how Superman, et al., are “supposed” to act, based on common, recurring elements, which are ostensibly independent of any particular creative team. Because The Multiversity offers a prime opportunity to play around with those elements and the expectations they engender, this week I wanted to go a little more in that direction.
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We begin with Batman, and specifically a scene from the now-classic Batman: The Brave and the Bold cartoon. “Legends of the Dark Mite,” written by Bat-guru Paul Dini, features a brief-but-incisive dig not just at fans, but at the corporate culture which has nurtured the Caped Crusader over these past 75 years. See, Bat-Mite wants to see his hero fight a supervillain, but Batman just wants the little guy to vamoose, and suggests the imp summon Calendar Man. Yadda yadda yadda, Calendar King has killer Easter Bunnies.
With the 25th anniversary of 1989’s Batman, there’s been a resurgence of interest in the Tim Burton movie. As part of that, James at 1989Batman.com has pulled together some excellent threads examining DC Comics’ 1990 redesign of Robin, a project undertaken at the behest of filmmakers.
Out went the elfish garb of the original as DC searched for something more modern — befitting the time, and also primed to be translated into a future Batman film. To accomplish that task, DC turned to several of its top artists at the time, including Neal Adams, Norm Breyfogle, Stephen De Stefano, George Perez and Jim Aparo. DC didn’t tell the artists what it was for; simply, they were asked to redesign the Boy Wonder.
For Batman Day, and the start of Comic-Con International, LEGO has unleashed a one-two punch on fans of the Dark Knight: the LEGO Super Heroes: DC Comics San Diego Comic-Con Exclusive Batman Classic TV Series Batmobile and the giveaway Batman of Zur-En-Arrh minifig.
Priced at $39.99, the Batman Classic TV Series Batmobile comes with the 1960s-style Caped Crusader minifigs. While that set will be readily available this week at the LEGO booth (#2829), convention attendees will have to rely on some luck to get their hands on Batman of Zur-En-Arrh.