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Talking Comics with Tim | Paul Pelletier on ‘Aquaman’

Aquaman 24

Aquaman 24

Current Aquaman artist Paul Pelletier has a long and varied history in comics, dating back to the late 1980s. When I learned Jeff Parker would replace Geoff Johns as the series’ writer (beginning with Aquaman #26), I was pleased that DC Comics chose to leave Pelletier on the title (as opposed to switching to a new art team, as frequently happens). I enjoy Pelletier’s take on Aquaman, and I was surprised to learn he’s not well-versed in some of the character’s earlier runs (so readers, please be sure to share your favorite runs in the comments section, since the artist asked “which runs would the Aqua-fans recommend?”). It was a unique opportunity, prior to the October 23 release of Aquaman #24,  to chat with the veteran artist as he transitions from collaborating with one veteran writer to another. Plus, I enjoyed hearing about Pelletier’s appreciation of basketball legend Larry Bird.

Tim O’Shea: Once you realized Arthur would be sporting a beard again, did you draw a couple of versions of beards (goatee versus full beard) or did you and Geoff always have one look in mind when it came to Aquaman’s facial hair?

Paul Pelletier: When Geoff wrote Aquaman with the beard, it was a result of Arthur being unconscious for six months, so I figured it wouldn’t be too stylized. A full beard that wasn’t too manicured made sense to me. Now if the beard was to remain, then we might have to think about something a bit more tailored to Arthur.

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Grumpy Old Fan | Justice League brings its A-game to ‘Throne’

Billy Tucci's variant cover for Justice League #15

Geoff Johns always starts strong, and “Throne of Atlantis” is no exception. The only two New 52 books DC Comics put out this week were the first two parts of this crossover, in the 15th issues of Justice League and Aquaman. That suggests something significant, so they dare not disappoint.

Ivan Reis and Joe Prado take over JL’s art with this issue, while Paul Pelletier and Art Thibert (with an inking assist from Karl Kesel) start on Aquaman. I’ve liked Pelletier’s work for years, but his characters aren’t as lean as Reis’s, and I wondered how well the styles would mesh. In fact, here they mesh pretty well, since Pelletier and company seem to have adapted to blend more seamlessly with Reis and Prado. Giving a big assist is colorist Rod Reis, who handles both books with the same basic blue-green palette.

I mention the art upfront because these two issues combine to establish “Throne of Atlantis” as a big crossover, both in terms of its implications and its threat level. While the plot so far is pretty straightforward, Johns and company hang on it a few impressive set-pieces, and a couple of nice bits of characterization. It’s the kind of high-stakes story I expect from the Justice League, and I hope it bodes well for the book’s future.

So without further ado, SPOILERS FOLLOW:

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