Chris Pine in Talks to Join "Wonder Woman" Film
No doubt Doctor Who fans are still reeling from the events of yesterday’s Christmas special, but what if the BBC had decided to go in a different direction with the new Doctor? Former Muppets cartoonist Roger Langridge imagines another sort of regeneration for the good Doctor — and some of his friends as well.
He created this Muppets/Doctor Who mashup for the London Film and Comic Con booklet, where he’ll be a guest in March. Check it out below.
If you paid Roger Langridge for a sketch at Baltimore Comic Con but never came by with your sketchbook to collect it, he has a message for you on his blog:
[…] I’ll start posting some of the sketches I did, which should keep us busy for a while. First, though, a plea to whoever it was at Baltimore who asked me to draw “my favourite childhood cartoon character”. According to my list, you paid me money for this one and were going to bring your sketchbook along later for me to draw your picture – but you never came back! I would like to either refund your money or send you this picture which fits your brief – it’s Frankie Stein, a big favourite with me when I was a lad, created by the great Ken Reid but drawn (very nicely!) by Robert Nixon by the time I discovered him in the pages of Shiver and Shake.
Hopefully the lucky person will step forward and collect his or her original sketch, but in the meantime, the rest of us can enjoy it as well. Langridge was in town for both Baltimore Comic Con and Small Press Expo, so watch for his sketches and impressions of both cons over the next few days.
At Comic-Con International in San Diego, IDW Publishing announced that Winsor McCay’s Little Nemo will return in a new series titled Little Nemo: Return to Slumberland, by Eric Shanower and Gabriel Rodriguez. As it turns out, there’s more to Little Nemo than just one new book.
Comics store turned small-press publisher Locust Moon is putting together an anthology of Little Nemo stories called Little Nemo: Dream Another Dream. Scheduled for release in 2014, the book has an eye-opening A-list lineup, including Peter Bagge, John Cassaday, Neal Adams, Bill Sienkiewicz, Becky Cloonan, Scott Morse, David Petersen, Mark Buckingham, Paul Pope and J.G. Jones. This book is a follow-up from the company’s anthology Once Upon a Time Machine, released last year by Dark Horse.
Little Nemo: Dream Another Dream will be published by Locust Moon as both a newspaper and a hardcover book, at the full size of the original Little Nemo pages — 16 inches by 21 inches. Described by Locust moon as a “love song for Winsor McCay, Little Nemo and the limitless possibilities of comics,” this is definitely one to watch. Here are several sample pages:
Business | Following weeks (if not months) of rumblings, Warner Bros. has made it official: Jeff Robinov, the Warner Bros. Pictures Group president who oversaw the 2009 restructuring of DC Comics into DC Entertainment, will leave the studio following a reorganization that establishes a new leadership team: Sue Kroll, president of worldwide marketing and distribution, Greg Silverman, president of creative development and worldwide production, and Toby Emmerich, president and chief operating officer of New Line Cinema. It doesn’t appear as if Robinov will be replaced. DC Entertainment President Diane Nelson, who initially reported Robinov, presumably will answer directly to Warner Bros. CEO Kevin Tsujihara; following a shakeup last month in the television and home entertainment division, Nelson reported to both Robinov and Tsujihara. [The Hollywood Reporter]
Roger Langridge, whose done some stellar work over the last few years on titles like Thor: The Mighty Avenger, Popeye, Snarked and The Muppets, has a new comic available for purchase online. Originally created as a minicomic that he sold at the 2-D Festival in Ireland, Langridge is now selling The Fez online himself for one pound. It is also coming to comiXology in the near future.
“I love minicomics. To me, they are the most perfect form of comics – comics in their most refined state,” he said on his blog. “They are a formal embodiment of comics’ most attractive feature: comics, unlike film or theatre or even music, require no collaboration, no real financial resources to make happen. One person can do it all. With minicomics, that person is not only producing the work, but more often than not printing, assembling and stapling the things as well. If comics are the people’s artform, minicomics are its most accessible manifestation.”
He goes on to wonder if a “digital comic” qualifies as a “minicomic.”
You may recall that a little over a month ago, cartoonist Roger Langridge asked for help in finding some artwork that had gone missing after an exhibition in Treviso, Italy, in September. The work was supposed to be shipped to another exhibitor, but it seemed to have never arrived. “I’m keen not to accuse anybody of anything, as I have no proof of any wrongdoing,” Langridge said at the time; “there may have been a mistake made when packing the artwork, and it may still be in Italy.”
Well, he was half right. The artwork has been recovered, and it turns out that the packaging was the problem:
Apparently it was packed in such a way that it wasn’t obvious (something like a “hidden compartment” is what I’ve been told) when it was sent to the person in London I was supposed to collect it from, and the box was nearly recycled before someone spotted it. But a nick-of-time rescue was made and all’s well that ends well. I’m looking forward to laying my hands on it in a few days. My thanks to everyone who expressed concern, spread the word and looked out for the stuff, I really appreciate it.
It’s nice to know that nothing nefarious happened after all, although the thought of original Roger Langridge art being accidentally consigned to the recycling bin is too horrible to contemplate for long.
Hello and welcome to What Are You Reading?, our weekly look at the comics, books and whatever else we’ve been checking out lately. Today our guest is Shaun Manning, a former staffer at CBR, occasional convention reporter and comics writer. His current project is a comic called Hell, Nebraska (with artist Anna Wieszczyk), and he’s currently running a Kickstarter to raise funds to publish it. So go check it out.
To see what Shaun and the Robot 6 crew have been reading, click below.
Veteran cartoonist Roger Langridge has issued a call for help in finding several pieces of original artwork that came up missing following a September exhibition in Italy. They were to be shipped to London, but apparently never arrived.
“I have no idea what might have happened to them,” he writes on his blog. “I’m keen not to accuse anybody of anything, as I have no proof of any wrongdoing; there may have been a mistake made when packing the artwork, and it may still be in Italy. Somebody may have tampered with the package en route. I have no clue what the real story might be. What I do know is that I would like the work back. Some of the pieces are ones I intended to keep for the rest of my life. Others I was hoping to sell to help get me through a period where I’m not earning very much. One piece is the property of another person, who kindly lent it to me for the exhibition.”
You can view some of the pieces here, and the rest on Langridge’s blog (where you can also find his email address in case you’ve spotted any of this artwork).
Publishing | Image Comics provided the retail news and analysis website ICv2 with worldwide pre-order figures for 15 of its March titles, allowing for comparison with estimates of Diamond Comic Distributors sales to U.S. direct market stores. [ICv2.com]
Creators | Mark Waid pens a tribute to the late Carmine Infantino. [Hero Complex]
Creators | Gilbert Hernandez distinguishes between autobiography and art in his new graphic novel, Marble Season, which takes on a 1960s suburban childhood not unlike his own. [Chicago Reader]
Conventions | Small Press Expo organizers apologized to exhibitors for the problems they experienced trying to register for the show. Despite several server upgrades ahead of time, the site went down when the “tsunami” of applications hit on Sunday morning. They then opened up PayPal to take the table orders, but they were unable to shut it down when all the tables were sold. They are sorting it out now, and if the tables were oversold, refunds will be issued. Roger Langridge depicted his registration experience on his blog. [SPX Tumblr]
Publishing | After 13 years of publishing and promoting yuri manga, Erica Friedman is stepping down as Yuricon events chair and giving up on publishing: “I can’t afford print, you don’t want digital, the JP companies won’t talk to me and all the many differences between JP publishers and US fans are so huge and insurmountable. I don’t have the energy or clout or money to bridge the gap.” [Okazu]
Welcome to the very last Food or Comics. Next week our new-release picks will take a different format, but this week we’re still talking about what comics we’d buy at our local shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
Let’s be honest, if I had $15, I’d make sure that Batman Incorporated #8 (DC Comics, $2.99) was first on my list. Not because of any controversy — I’ve been enjoying the series all along — but because I’d be worried it’d sell out if I waited. I’d also grab two Dynamite books: Jennifer Blood #23 and Masks #4 (both $3.99); Al Ewing has done just insane, amazing things on the former, and the Chris Roberson/Dennis Calero team on the latter is just killing it.
If I had $30, I’d find myself time traveling to all the weeks prior in which I didn’t use all $30 to borrow a dollar from past-me, just so that I could get Showcase Presents Justice League of America, Vol. 6 (DC Comics, $19.99), which takes the series firmly into the 1970s and brings the team face to face with villains including the Shaggy Man, Amazo and countless other favorites of my childhood.
Should I have some splurging left in me after that nostalgia-fest, I’d likely go for the Judge Anderson: PSI Files, Vol. 3 collection (Rebellion, $32.99), which picks the series up just after I’d dropped off the 2000AD radar for awhile, and hopefully gives me the chance to get back into the character, now that I am firmly into Thrill Power again.
Publishing | The X-Files is in the headline, but this interview with IDW Publishing Editor-in-Chief Chris Ryall covers a lot of ground, including the logistics of continuing a defunct TV franchise as a comic, the standouts among IDW’s young creators, and the challenges of being a comics writer. [Hero Complex]
Publishing | Alvin Lu has left his position as executive vice president of the manga publisher Viz Media. Lu had been at Viz for 13 years and was one of the top executives in the company, reporting directly to CEO Hidemi Fukuhara. [ICv2]
Comics | The graphic novel Metro, once banned in Egypt, is available in Cairo once more. [The Comics Reporter]
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15 this Wednesday, it’d be all Image for me – starting with Nowhere Men #3 (Image, $2.99). The Beatles as a scientific supergroup, through the lens of Dr. Strangelove? Let’s do this. I’ve been a big fan of Nate Bellegarde for a while, and this book finally seems to capture what’s unique about him – his comedy, his stark scientific acumen, and his humanism. After that I’d get Glory #32 (Image, $3.99). Beautiful cover by Ricken here, and reads like a great manga building up to some epic battle. After that I’d get Brian Wood and Ming Doyle’s Mara #2 (Image, $2.99). I tried to hold back my expectations before reading Issue 1, and I was blown away – so now Issue 2 has something to prove. Finally, I’d get Invincible #100 (Image, $3.99) (Cory Walker’s cover, if you want to know!). I’ve said it before, but I’ll say it again: I think Invincible is better than The Walking Dead. No need to compare the two really, though, because no matter how you cut it, this series is great … and what Kirkman and Ottley have planned for the 100th issue looks to be unique – both for the promised deaths and the promise of seeing what could have been had Mark Grayson chosen differently.
If I had $30, I’d make up for lost time and get Brian Ralph’s Cave-In (Drawn & Quarterly, $14.95) . I’m reticent to admit this, but I’ve never read this book. I loved Daybreak, but never found a copy or the motivation to seek out more … but this Wednesday that will change.
For splurging, I already have most of this in the single issues, but I can’t help but splurge on the new collection X-Men: Mutant Massacre (Marvel, $34.99). This was my first crossover in comics, buying back-issues before I discovered events like Crisis on Infinite Earths and Secret Wars. In my rose-colored glasses, it’s an ideal crossover for not being too overbearing and relating to a conflict or situation that isn’t superhero-specific. Love the Morlocks, love Uncanny X-Men and the associated books around this time, so I’m buying this and spending an evening enjoying it all over again.
It seems good art attracts good art. That’s my thinking at least when I learned that noted poster artist James White (aka SignalNoise) has created an ultra-rare variant cover for the first issue of IDW Publishing’s The Rocketeer: Hollywood Horror. The book, which debuts Feb. 27, is written by Roger Langridge and illustrated by J. Bone, with standard covers by Walter Simonson.
Although this is White’s first published comic book work, he’s been prolific online, contributing illustrations and designs for the burgeoning alternative movie poster industry.
White’s variant cover is so rare that you’ll only be able to find it at three comic stores: the Strange Adventures chain in Canada. IDW have been at the forefront of producing retailer-specific variant covers in recent years, and Strange Adventures owner Cal Johnson chose White to create the cover for his shop’s edition.
In a blog post about this impending release, White reveals he’s working on a screen-printed poster edition of this cover. Here’s the image in full:
Publishing | The Amazing Spider-Man #700 led the pack in the December comics numbers with 200,000 copies selling to comics shops, and with a cover price if $7.99, it racked up a cool $1.6 million in sales. Avengers #1 sold 186,000 copies but at a more reasonable price, so the dollars didn’t pile up as high for that one. ICv2 also has the December charts for the Top 300 comics and graphic novels in the direct market. John Jackson Miller takes it to the next level with sales estimates for the top 1,000 comics and trades of 2012. [ICv2]
Publishing | At the other end of the scale, Rob Clough talks to Chuck Forsman, the guy behind micropublisher Oily Comics. [The Comics Journal]