Axel-In-Charge: Navigating the "Civil War II" Landscape, Bringing DMC to Marvel
Conventions | The inaugural Indiana Comic Con, held over the weekend at the Indianapolis Convention Center, attracted nearly 15,000 attendees, and it sold out on Saturday. Guests included comics creators Joe Eisma, Steve Englehart, Geof Isherwood, Joelle Jones, Don Kramer, Cary Nord and George Perez, and actors Evan Peters, Caity Lotz, Maisie Williams and Daniel Cudmore. [WRTV]
Comics sales | Comics sales in the direct market were down in February for the second time in two months, according to Diamond Comic Distributors. John Jackson Miller runs the numbers: Sales of comics and graphic novels combined are down 10.39 percent from February 2013 in terms of dollars, 14.77 percent in units. Because January sales were also anemic, year-to-date sales are down as well. Still, Miller notes, total dollars are up 3 percent from February 2012. February is traditionally a low month for comic sales, and the number of releases is the lowest in months, with just 692 new products (comics, graphic novels and magazines) being shipped last month. [Comichron]
Summer is officially over, so this is a little late, but I’ve been meaning to talk about a certain arc from the summer of 1993. It was the height of the speculator bubble, when everything came with cover enhancements, trading cards, unfortunate hairstyles and/or superfluous pouches.
For many DC Comics readers, 20 years ago was also the summer of “Reign of the Supermen!” That’s not necessarily enthusiasm — the exclamation point was part of the title, which in turn was inspired by Jerry Siegel and Joe Shuster’s early proto-supervillain story, “The Reign of the Superman.” The third (and by far the longest) chapter of the “Death of Superman” saga began with teasers at the back of Adventures of Superman #500, published around April 15,* and ended with Superman Vol. 2 #82, published around Aug. 26.** Those four and a half months may not seem like much, but they saw 20 issues of the four regular Superman books (including Action Comics and Superman: The Man of Steel) spread over 20 weeks. In fact, “Reign” was front-loaded, with all four titles marking the official start of the arc on April 29 or so, two weeks after Adventures #500. That meant there were some weeks without a new installment, and those were sometimes hard to take.
“Reign of the Supermen!” is not the greatest Superman story ever memorialized in print. On one level it is very much a product of its era. However, for the Superman books, that era was energized not just by the efforts of their creative teams, but by the overarching framework the books had developed. While “Reign” wasn’t the only big DC event of the summer — for one thing, the debut of DC’s imprint Milestone Media has much more historical significance — it’s a reminder of the ebbs and flows of serial superhero storytelling, and it remains instructive today.
Warning: This is a very long post, because I think there’s a lot of background to be explored.
Hello and welcome to What Are You Reading? Today our special guests are Gardner Linn and Dave Lentz, the creative team behind the webcomic Registered Weapon — “the internet’s only webcomic starring a robotic cash register who fights crime.” They just kicked off their latest story, Case 006, on Nov. 12, and you can also download the first ten pages from their site if you prefer to read in bigger chunks.
To see what Gardner, Dave and the Robot 6 crew have been reading, click below …
Hello and welcome to What Are You Reading? Today our special guest is Tim Seeley, whose work you may know from Hack/Slash, Bloodstrike, Witchblade, Colt Noble, the upcoming Ex Sanguine and Revival, and much more.
To see what Tim has been reading lately, click below.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.
If I had $15, I’d start with Alpha Flight #1 ($3.99). I had mostly positive feelings about the prequel issue with the only negatives being a mixture of “that doesn’t look like Sasquatch” and some anxiety born from being used to disappointment from Alpha Flight books. Neither of which has anything to do with the people creating the next eight issues, so I’m looking forward to this in a way that I haven’t since John Byrne left the book. Next I’d grab Flashpoint: Grodd of War #1 ($2.99), because an all-out Gorilla Grodd comic sounds awesome. And then I’d give Godzilla: Gangsters and Goliaths #1 ($3.99) a shot to see how well IDW can manage two Godzilla comics at a time. They certainly managed the first one well. Finally, I’d pick up Mickey Mouse #309 ($3.99) because it’s a globe-trotting adventure with a ton of guest-stars, including my favorite: The Phantom Blot.
If you were one of those folks who not heard of artist Nick Dragotta before this year, it’s quite feasible you learned about the storyteller after his work on Fantastic Four 588 (the silent mourning for Johnny Storm issue). If Dragotta’s next project is half as successful as I expect it to be, even more folks will know and like his art. That project? He and writer Joe Casey’s six-issue Marvel miniseries, Vengeance [set to be released July 6]. As described by Marvel: “When MAGNETO of the X-Men tries to rescue a young Mutant on the run, he accidently kicks off a series of events that will shake the very Marvel Universe to it’s core! Who are the new TEEN BRIGADE?! Who are the Brotherhood and what do they want with the YOUNG MASTERS OF EVIL?! And how is the RED SKULL pulling the strings from beyond the grave?” My thanks to Dragotta for the interview (and for the above preview art from the first issue). Once you’ve read this interview, be sure to also read Timothy Callahan’s When Words Collide column/Joe Casey interview.
Welcome once again to What Are You Reading? Today our special guest is John Jackson Miller, writer of Star Wars: Knight Errant and Mass Effect comics for Dark Horse and various Star Wars prose novels. He’s also the curator of The Comics Chronicles research website. His next comics series, Star Wars: Knight Errant, Deluge, starts in August.
To see what John and the Robot 6 crew are reading, click below.
Late last week, Panels for Primates editor Troy Wilson (who I interviewed at my pop culture blog in 2010) gave me a heads-up that this Wednesday’s installment of the “charity anthology for the Primate Rescue Center, featuring an eclectic mix of primate stories by both well-known and up-and-coming creators” was going to be written by industry veteran Roger Stern with art by Canadian animator Caleb Hystad. With the installment fast approaching, I begged Stern for a brief email interview about his new story. Normally, if I had more time, I would love to do an in-depth, career-spanning interview, but time was of the essence. Rest assured, Stern is open to the idea of doing a longer interview down the road, so that will happen eventually, but for now, here we go. My thanks to Stern for his time and to Wilson for the tip. [Update: Stern and Hystad’s story is now online. Enjoy.]
Tim O’Shea: Your story is titled: “All Monkeys are Primates, But Not All Primates are Monkeys!”. First off, how did you become involved in the Panels for Primates project. How did you arrive upon telling this particular tale?
Roger Stern: It all started when I received an email from Troy Wilson (the author of Perfect Man), asking if I would contribute a four-page strip to an anthology of monkey comics — with all of the proceeds going to a worthy animal-related charity.
The idea really tickled me. The more I thought about it, the more ideas came to mind. And that eventually led to the creation of Morty Monkey, the star of our little four-pager. In fact, the hard part was restricting myself to four pages. I could probably have written a whole book about Morty.
Awards | Adam Hines has won the graphic novel category in the 31st annual Los Angeles Times Book Prize for his debut book Duncan the Wonder Dog: Show One. The other nominees were Dash Shaw’s Bodyworld, Karl Stevens’ The Lodger, Carol Tyler’s You’ll Never Know, Book II, and Jim Woodring’s Weathercraft. [press release]
Conventions | More than two years after canceling its Los Angeles convention, Wizard World announced it will return to the city Sept. 24-25 with Los Angeles Comic Con, to be held at the Los Angeles Convention Center. Big Apple Comic Con, which previously had been scheduled for those dates, will be moved to the spring. [press release]
Publishing | Robot 6 contributor Brigid Alverson talks with Viz Media Vice President Alvin Lu about the expansion of the publisher’s iPad app to include iPhone and iPod Touch. [Publishers Weekly]
Legal | A Belgian court has postponed until next week a hearing in the months-long trial over whether to ban Tintin in the Congo because of its racist portrayals of native Africans. The legal battle was launched three years ago by Bienvenu Mbutu Mondondo, a Congolese man living in Belgium, who wants the book removed from the country’s bookstores, or at least sold with warning labels as it is in Britain. An anti-racism group joined Mondondo in seeking the ban. Wednesday’s scheduled hearing was postponed after one of the plaintiffs withdrew from the case; however, the article doesn’t say which one. [Expatica]
Legal | Cartoonist Rich Koslowski discovers that winning a copyright-infringement lawsuit against a company that used his artwork without permission didn’t end the matter. More than a year later, Ontario-based Geeks Galore Computer Center still hasn’t complied with the judge’s order, and continues to use Koslowski’s art in signage and advertising. [Eye on Comics]
Happy day-after-Free Comic Book Day to everyone, and welcome to another edition of What are you reading? Our guest this week is Rick Marshall, editor of MTV’s Splash Page blog. To see what Rick and the rest of the Robot 6 crew have been reading this week, read on …