1. For Batman and Green Lantern, if it ain’t broke, DC’s not fixing it. In 2010, you had to go all the way down to the Direct Markets #109 bestelling title, the debut of J. Michael Straczynski’s abortive tenure on Superman, before hitting a DC book that wasn’t part of the Batman line, the Green Lantern line, or the Green Lantern-spawned Blackest Night and Brightest Day events. DC has rewarded the creators behind these franchises’ success by keeping them more or less in place, albeit with some title-swapping and artist-shuffling. Geoff Johns, Tony Bedard, and Peter J. Tomasi are still writing the three main Green Lantern series (along with the previously announced Peter Milligan on Red Lantern), while Grant Morrison, Scott Snyder, Tony Daniel, David Finch, and Tomasi are still handling the books with “Batman” in the title (with long-time Gotham Citizens like J.H Williams III, Gail Simone, and Judd Winick filling out the line).
2. DC’s rolling the dice big-time on an I Can’t Believe It’s Not Vertigo-verse. Today’s big announcement of new “dark” titles features such Vertigo characters as Swamp Thing, Animal Man, Shade the Changing Man, John Constantine, Madame Xanadu, as written by such Vertigo creators Peter Milligan (Hellblazer), Jeff Lemire (Sweet Tooth), and Scott Snyder (American Vampire). That’s quite a vote of confidence in Vertigo’s taste in creators, characters, and tone, especially given that many industry observers saw the line as an afterthought for the new regime. Of course, how this will impact Vertigo itself has yet to be seen. It’s also worth considering that Vertigo’s biggest and most durable hits over the past decade or so have tended to be creator-owned titles existing in their own worlds and straying pretty far from the imprint’s horror-magic roots, so launching eight shared-universe horror-magic books — over one-sixth of the new DC Universe line — is a gamble in and of itself.
Publishing | As the fallout mounts from the revelation that former California Gov. Arnold Schwarzenegger fathered a child more than a decade ago with a member of his household staff, plans to revive the Terminator star’s acting career have been put on hold — a move that now extends to The Governator, the comics and animation project co-developed by Stan Lee. “In light of recent events,” representatives announced last night, “A Squared Entertainment, POW, Stan Lee Comics, and Archie Comics, have chosen to not go forward with The Governator project.” However, Entertainment Weekly notes the statement was revised two hours later, putting the project “on hold.”
Unveiled in late March, on the cover of Entertainment Weekly, no less, The Governator features a semi-fictional Schwarzenegger who, after leaving the governor’s office, decides to become a superhero — complete with a secret Arnold Cave under his Brentwood home that not even his family knows about. “We’re using all the personal elements of Arnold’s life,” Lee said at the time of the announcement. “We’re using his wife [Maria Shriver]. We’re using his kids. We’re using the fact that he used to be governor.” But even before the couple’s separation became public, producers had backed off depicting Shriver and their children. [TMZ, Entertainment Weekly]
The surprise about reading all of the comics Top Cow sent over as a result of my admission of blind prejudice wasn’t that they weren’t as bad as I’d lazily expected — I was actually expecting that, to be honest — but that I ended with realizing that I was going to have to go out and catch up on the collections of one series in particular… and it was the one I’d been expecting to like the least.
Red Giant Entertainment has recruited several top names in the comics industry to contribute to Japan Needs Heroes, a graphic novel that aims to raise money for the Japan Society, a non-profit organization that has created a special disaster relief fund to aid victims of the Tohoku earthquake in Japan.
A press release that went out today from comiXology, which will distribute the book digitally when it is released, listed Stan Lee (who will provide the forward), Peter David, Ron Marz, Mike Deodato, Larry Hama, Jimmy Palmiotti, Elaine Lee, Amanda Conner, Howard Mackie and Brandon Peterson as contributors. You can find a list of additional creators on the book’s Kickstarter page, which Red Giant is using to fund the printing.
“My wife is from Japan,” said Benny R. Powell, CEO of Red Giant, “and her family still lives there. We hear daily reports of the fear and uncertainty they face. I realized we had to do something. Comics have a power to reach massive audiences and that’s a powerful thing. As more and more creators join our cause I believe we can raise a lot of money to help. This transcends any genre, medium, or publisher. This need is bigger than anything our world has ever faced, and we truly believe that together we can make a difference.”
Courtesy of our friends at Dark Horse, we’re pleased to bring you a couple of cover reveals for their June-shipping books. First up is Conan: Island of No Return #1, above, which is by Michael Kutsche. The book itself is by the team of Ron Marz, Bart Sears and Randy Elliott, features Conan teaming up with a pair of sister thieves for a heist.
And after the jump you’ll find the two covers for the third issue of Solomon Kane: Red Shadows, by Guy Davis and Gregory Manchess. In that issue, Bruce Jones and Rahsan Ekedal take Kane to Africa. You’ll also find complete solicitation information for both books.
Click below for high adventure …
Earlier this month a tweet to Detroit Mayor David Bing set off a campaign to build a statue of Robocop in the motor city, the setting for the 1987 movie that starred Peter Weller as the title character. Using Facebook and Kickstarter, fans of the idea were able to raise $50,000 to build the statue.
“This was something that happened completely organically. I saw that the Kickstarter campaign to actually build a RoboCop statue in Detroit had brought in more than $50,000, and it just struck me as kind of ludicrous,” Marz told Robot 6. “So I suggested on Twitter that a chunk of money that size would be better spent doing some real good, like feeding people in a soup kitchen. I’ve never actually met Gary Whitta, but we’ve struck up a friendship via Twitter. Gary suggested that the sort of whimsey the statue represents has a place, and ultimately I agree, but maybe now is not the time or place, when there are hungry people.”
Whitta, the writer of Book of Eli, said he’d donate money to a Detroit-based food charity if Marz would, and thus RoboCharity was born.
Today’s Marvel announcement, regarding its intention to utilize CrossGen’s concepts at least partially in an attempt to do “a little more genre publishing” in 2011, was rather lean in terms of details. But don’t think that stopped Michael May and myself from compiling a Six by 6 list of CrossGen series we’d like to see return (in some form) and the folks we’d like to see creating them. As always with these lists, we’d love to read your input for what CrossGen properties and/or creators you’d like to see return in 2011.
1. Sojourn. Remember when everyone loved Greg Land? I do, because Sojourn was my favorite CrossGen series and apparently a lot of other people liked it too since it was one of the last to be canceled by the spiraling company. Arwen was a gorgeous, badass hero with a cool dog and a quest to collect five shards of a magic arrow that could kill the evil sorceror Mordath. It sounds like standard fantasy stuff, but Land’s detailed, realistic artwork (no one accused him of tracing back then) brought it to life. He wasn’t solely responsible for its success though. Ron Marz’s writing elevated the characters and situations from genre cliches to honest tragedy and human stories. I’d love it if Marvel could get him back on the book. Land too, if he can still produce the kind of work he did back in the day. (Michael May)